What does the music of Madagascar or Trinidad tell us about the islands themselves and their inhabitants? Is there something unique about island musics? How does island music differ from its mainland counterparts? Drawing on a range of diverse examples from around the globe, this book examines the culture of island music and offers insight into local identities. Case studies look at how music, tradition, popular culture and islander life are linked in modern maritime societies. The islands covered include Crete, Ibiza, Zanzibar, Trinidad, Cuba, Madagascar and Papua New Guinea. In revealing the current practice behind modern island musics, the book considers the role of world music, exotica, global tourism, novels and travel writing in constructing fanciful images of islanders and island life. Island Musics throws into question some of our most basic notions and assumptions about island societies. There are a number of problems common to all island societies that vary in significance depending on an islands size, demographics and its proximity to the mainland. Problems include remoteness and insularity, peripherality to centralized sites of decision-making, a limited range of natural resources, specialization of economics, small markets, a narrow skills base, poor infrastructure and environmental fragility. These issues are discussed in relation to the creation of music in the construction of an islander identity. Of particular interest is the way in which islanders discuss their music and how it articulates the idea of the other and diaspora. Finally, Island Musics considers the musical industry, music education and the preservation of musical cultural heritage.

"Through the close analysis of musical performance and tradition, the scholarly contributiors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change uncovering common patterns despite the diversity and local character of their subjects"--Page 4 of cover.

Pentecostals throughout Jamaica and the Jamaican diaspora use music to declare what they believe and where they stand in relation to religious and cultural outsiders. Yet the inclusion of secular music forms like ska, reggae, and dancehall complicated music's place in social and ritual practice, challenging Jamaican Pentecostals to reconcile their religious and cultural identities. Melvin Butler journeys into this crossing of boundaries and its impact on Jamaican congregations and the music they make. Using the concept of flow, Butler's ethnography evokes both the experience of Spirit-influenced performance and the transmigrations that fuel the controversial sharing of musical and ritual resources between Jamaica and the United States. Highlighting constructions of religious and cultural identity, Butler illuminates music's vital place in how the devout regulate spiritual and cultural flow while striving to maintain both the sanctity and fluidity of their evolving tradition.Insightful and original, Island Gospel tells the many stories of how music and religious experience unite to create a sense of belonging among Jamaican people of faith.

"Larry W. Jones has written over 3,500 song lyrics with island based themes. Most are in the sytle of the "hapa haole" return-to-paradise tradition of the golden years of Territorial Hawaii"--Volume 7, title page verso

Maps the musical Caribbeanization of New York City, now home to the diverse concentrations of Caribbean people in the world. This volume surveys a mosaic of popular Caribbean styles, showing how these musics serve the dual function of defining a group's uniqueness and creating bridges across ethnic boundaries.

The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies. Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers, eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes--colonialism, belief systems, musical flows, and the re/presentation of Pacific cultures--to survey the region and draw parallels and contrasts between its various musical traditions [Publisher description]

'Alex Wheatle writes from a place of honesty and passion with the full knowledge and understanding that change can only happen through words and actions.’ Steve McQueen. Alex Wheatle's life is the basis for an episode of McQueen's Small Axe airing November 2020. 'Grabs your heart, not with pity but wonder that such beauty can come from such a life' The Independent ‘She wondered what kind of world she had brought her two daughters into – the tedious cycle of rural Jamaican life. No chance for them to set off upon adventures and see the outside world.’ But sisters Jenny and Hortense Rodney, descendants of the fierce Maroon people, do get to see the outside world, and Island Songs is their story. Growing up in rural Claremont, working amid the hustle and bustle, lawn parties and ‘houses of joy’ in Trenchtown, the two sisters take a chance and move to England with their husbands, that far-off land of riches, where they settle down to motherhood among the jazz cafés and bleak streets of Brixton. A hauntingly beautifully written evocation of twentieth-century Jamaica, its history and traditions, Island Songs is an epic of love, laughter and sorely tested family loyalties. Many stories are told, but many more secrets are never revealed.

Vanessa and Simeon play a game together that involves imitating musical sounds and rhythms. A variety of instruments, both authentic and improvised, are depicted throughout the art and as stickers to be added to the scenes.

In 1940, Helene, young, naive, and recently married, waves goodbye to her husband, who has enlisted in the British army. Her home, Guernsey, is soon invaded by the Germans, leaving her exposed to the hardships of occupation. Forty years later, her daughter, Roz, begins a search for the truth about her father, and stumbles into the secret history of her mother's life. Written with emotional acuity and passionate intensity, Island Song speaks of the moral complexities of war-time allegiances, the psychological toll of living with the enemy and the messy reality of human relationships in a tightly knit community. As Roz discovers, truth is hard to pin down, and so are the rights and wrongs of those struggling to survive in the most difficult of circumstances.