Despite political upheavals under Muslim domination in the Middle Ages, Palestine was a center of great artistic activity recognized for its incredible dynamism. Its unique contribution to the Islamic “macrocosm,” however, never became the subject of extensive study. Numerous archeological excavations on this relatively small geographic area reveal the existence of extremely well preserved monuments of high architectural quality and exceptional religious value. This is what Myriam Rosen-Ayalon exposes in this thorough introduction to Palestinian Islamic art and archeology. In chronological order she presents here for the first time the multifaceted and long-lasting achievements of Islamic art in Palestine, filling the gap of years of neglect on the subject.

Using a comprehensive evaluation of recent archaeological findings, Avni addresses the transformation of local societies in Palestine and Jordan between the sixth and eleventh centuries AD. Arguing that these archaeological findings provide a reliable, though complex, picture, Avni illustrates how the Byzantine-Islamic transition was a much slower and gradual process than previously thought, and that it involved regional variability, different types of populations, and diverse settlement patterns. Based on the results of hundreds of excavations, including Avni's own surveys and excavations in the Negev, Beth Guvrin, Jerusalem, and Ramla, the volume reconstructs patterns of continuity and change in settlements during this turbulent period, evaluating the process of change in a dynamic multicultural society and showing that the coming of Islam had no direct effect on settlement patterns and material culture of the local population. The change in settlement, stemming from internal processes rather than from external political powers, culminated gradually during the Early Islamic period. However, the process of Islamization was slow, and by the eve of the Crusader period Christianity still had an overwhelming majority in Palestine and Jordan.

Archaeology, as with all of the social sciences, has always been characterized by competing theoretical propositions based on diverse bodies of locally acquired data. In order to fulfill local, regional expectations, different goals have been assigned to the practitioners of Archaeology in different regions. These goals might be entrenched in local politics, or social expectations behind cultural heritage research. This comprehensive book explores regional archaeologies from a sociological perspective—to identify and explain regional differences in archaeological practice, as well as their existing similarities. This work covers not only the currently-dominant Anglo-American archaeological paradigm, but also Latin America, Western and Eastern Europe, Asia, and Africa, all of which have developed their own unique archaeological traditions. The contributions in this work cover these "alternative archaeologies," in the context of their own geographical, political, and socio-economic settings, as well as the context of the currently accepted mainstream approaches.

This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.

The land of Palestine is steeped in history, religious traditions and the sacrifice of its people. From Jericho, one of the oldest cities in the world, to Jerusalem, one of the most holy, Palestine offers every visitor a glance into the amazing expanse of human existence that has flourished on these lands. Although any trip to Palestine is likely to be marred by the occupation, it also promises adventure and a trip not to be forgotten. The hospitality of the Palestinian people, their culture and traditions, and their innate friendly nature makes every trip one to treasure. Join us on this remarkable journey through the rich tapestry of history and civilization in Humas Travel Guide to Palestine. Huma’s Travel Guide to Palestine is a must have companion for those interested in, or journeying to Palestine and Israel (historical Palestine). It is unique in providing: Detailed, practical information on Jerusalem, the West Bank, the Gaza Strip and Israel orhistorical Palestine Essential travel information Recommended places to eat, stay, visit and shop Easy-to-use maps In-depth information on historical and sacred sites A language and culture guide Fiqh of travel Biographies of key Palestinian personalities Written and researched by Ismail Adam Patel & Arwa Aburawa. With additional contributions by Zeenat Ghumra, Ghazala Caratella, Bilal Badat, Yunus Mohamed, Saleem Seedat and Mufti Abdur-Rahman Ibn Yusuf.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Celebrating the 100th anniversary of the Albright Institute of Archaeological Research, this collection of erudite essays concentrates on the archaeology of ancient Israel, Canaan, and neighboring nations.

This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history. Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine’s multicultural past has been distorted and mythologised by Biblical lore and the Israel–Palestinian conflict. In the process, Masalha reveals that the concept of Palestine, contrary to accepted belief, is not a modern invention or one constructed in opposition to Israel, but rooted firmly in ancient past. Palestine represents the authoritative account of the country's history.

A history of the Ottoman incorporation of Arab lands that shows how gentlemanly salons shaped culture, society, and governance Historians have typically linked Ottoman imperial cohesion in the sixteenth century to the bureaucracy or the sultan’s court. In Empire of Salons, Helen Pfeifer points instead to a critical but overlooked factor: gentlemanly salons. Pfeifer demonstrates that salons—exclusive assemblies in which elite men displayed their knowledge and status—contributed as much as any formal institution to the empire’s political stability. These key laboratories of Ottoman culture, society, and politics helped men to build relationships and exchange ideas across the far-flung Ottoman lands. Pfeifer shows that salons played a central role in Syria and Egypt’s integration into the empire after the conquest of 1516–17. Pfeifer anchors her narrative in the life and network of the star scholar of sixteenth-century Damascus, Badr al-Din al-Ghazzi (d. 1577), and she reveals that Arab elites were more influential within the empire than previously recognized. Their local knowledge and scholarly expertise competed with, and occasionally even outshone, that of the most powerful officials from Istanbul. Ultimately, Ottoman culture of the era was forged collaboratively, by Arab and Turkophone actors alike. Drawing on a range of Arabic and Ottoman Turkish sources, Empire of Salons illustrates the extent to which magnificent gatherings of Ottoman gentlemen contributed to the culture and governance of empire.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.