Dismissing the idea that an 'African connection' explains the spread of Islam amongst African Americans, Sherman Jackson explores the complex factors that have given rise to the Black Muslim movement & finds answers in both African American religious traditions & the doctrines of the faith.

The problem confronting theology in the black community is not simply proving that God exists but, rather, that God cares. For the Muslim, it is essential that such a theology be grounded in the Quran and Islam's theological tradition. The Blackamerican Muslim, meanwhile, must also vindicate the protest-oriented agenda of black religion. These are the tasks Sherman Jackson undertakes in this path-breaking work.

Many of the most prominent figures in African-American Islam have been dismissed as Muslim heretics and cultists. Focusing on the works of five of these notable figures—Edward W. Blyden, Noble Drew Ali, Elijah Muhammad, Malcolm X, and Wallace D. Muhammad—author Edward E. Curtis IV examines the origin and development of modern African-American Islamic thought. Curtis notes that intellectual tensions in African-American Islam parallel those of Islam throughout its history—most notably, whether Islam is a religion for a particular group of people or whether it is a religion for all people. In the African-American context, such tensions reflect the struggle for black liberation and the continuing reconstruction of black identity. Ultimately, Curtis argues, the interplay of particular and universal interpretations of the faith can allow African-American Islam a vision that embraces both a specific group of people and all people.

Islam is a vital, growing religion in America. Little is known, however, about the religion except through the biased lens of media reports which brand African American Muslims as "Black Muslims" and portray their communities as places of social protest. African American Islam challenges these myths by contextualizing the experience and history of African American Islamic life. This is the first book to investigate the diverse African American Islamic community on its own terms, in its own language and through its own synthesis of Islamic history and philosophy.

The involvement of African Americans with Islam reaches back to the earliest days of the African presence in North America. This book explores these roots in the Middle East, West Africa and antebellum America.

Explores the stories of African Muslim slaves in the New World. The author argues that although Islam as brought by the Africans did not outlive the last slaves, "what they wrote on the sands of the plantations is a successful story of strength, resilience, courage, pride, and dignity." She discusses Christian Europeans, African Muslims, the Atlantic slave trade, literacy, revolts, and the Muslim legacy. Annotation copyrighted by Book News, Inc., Portland, OR

Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.

Vivid, dramatic portraits of Muslims in America in the years after 9/11, as they define themselves in a religious subculture torn between moderation and extremism There are as many as six million Muslims in the United States today. Islam (together with Christianity and Judaism) is now an American faith, and the challenges Muslims face as they reconcile their intense and demanding faith with our chaotic and permissive society are recognizable to all of us. From West Virginia to northern Idaho, American Islam takes readers into Muslim homes, mosques, and private gatherings to introduce a population of striking variety. The central characters range from a charismatic black imam schooled in the militancy of the Nation of Islam to the daughter of an Indian immigrant family whose feminist views divided her father's mosque in West Virginia. Here are lives in conflict, reflecting in different ways the turmoil affecting the religion worldwide. An intricate mixture of ideologies and cultures, American Muslims include immigrants and native born, black and white converts, those who are well integrated into the larger society and those who are alienated and extreme in their political views. Even as many American Muslims succeed in material terms and enrich our society, Islam is enmeshed in controversy in the United States, as thousands of American Muslims have been investigated and interrogated in the wake of 9/11. American Islam is an intimate and vivid group portrait of American Muslims in a time of turmoil and promise.

Described is why the Islam gives African American women a sense of power and control over interpretations of gender, family, authority, and obligations. The author did her study among the women of the Sunni Muslim mosques in Los Angeles.

The growth of Islam both worldwide and particularly in the United States is especially notable among African-American inmates incarcerated in American state and federal penitentiaries. This growth poses a powerful challenge to American penal philosophy, structured on the ideal of rehabilitating offenders through penance and appropriate penal measures. Islam in American Prisons argues that prisoners converting to Islam seek an alternative form of redemption, one that poses a powerful epistemological as well as ideological challenge to American penology. Meanwhile, following the events of 9/11, some prison inmates have converted to radical anti-Western Islam and have become sympathetic to the goals and tactics of the Al-Qa'ida organization. This new study examines this multifaceted phenomenon and makes a powerful argument for the objective examination of the rehabilitative potentials of faith-based organizations in prisons, including the faith of those who convert to Islam.