Isabella Stewart Gardner was a force to be reckoned with. She routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, she created a museum unlike any other, and she was famous for flouting the social conventions that governed women of her time. This book, however, shows another side of Isabella that readers may not expect: her love of dogs. Featuring black-and-white images from the Isabella Stewart Gardner Museum archives, this volume allows readers to meet Isabella's favorite dogs (Kitty Wink and Patty Boy), see the litters of puppies she bred, and discover how her dogs were a source of comfort to her toward the end of her life. Usually stern in photographs, Isabella--like many people--could not help grinning when posing for photos with puppies. Whether it was collecting Renaissance masterpieces or raising Fox Terriers, this book shows that Gardner approached all aspects of life with enthusiasm and dedication.

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.

A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.

As a terrible storm rages, ten-year-old Dinah and her brother and sister listen to their cousin Gage's tale of a newly-hatched, orphaned, skibberee, or tooth fairy, called What-the-Dickens, who hopes to find a home among the skibbereen tribe, if only he can stay out of trouble.

Attraction is easy... Falling in love can be hard When Hannah meets Sonny, she's irresistibly drawn to him: he's sexy and confident, but only in town on holiday. That's fine with Hannah - she doesn't do long-term relationships. And luckily for her, neither does Sonny. But before they can even so much as kiss, Sonny receives some shocking news and commits to making serious life changes - ones that can't and won't include romance. With even a short fling now off the cards, Hannah and Sonny settle for being friends. But as summer hots up and their chemistry shows no signs of cooling, they start to question their reasons for shutting each other out. Are they both too broken to find love? And if they tear down the walls between them, will they still like what's on the other side? 'Gave me that gorgeous glowing happy feeling you get at the end of a truly uplifting read' BETH O'LEARY, Sunday Times bestselling author of The Flatshare 'So unique and moving. I adored every lovely word!' JOSIE SILVER, bestselling author of One Day in December 'A twisty romance full of Paige's signature passion and feeling. Classic Paige Toon from beginning to end' LINDSEY KELK, Sunday Times bestselling author of the I Heart? series 'Heart-wrenching and uplifting, all in one summery burst' ZOË FOLBIGG, author of The Postcard 'Hilarious, compelling, sexy and warm, with characters so vivid you actually miss them when it's over... Highly recommended’ LUCY VINE, author of Hot Mess Praise for Paige Toon: 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Tender, heartbreaking and magical' GIOVANNA FLETCHER 'Heart-warming, wistful and full of joy' LINDSEY KELK ‘Poignant and lovely, warm and wise’ MILLY JOHNSON 'Family secrets, new horizons and a gorgeous continent-crossing romance . . . prepare to be swept away!' LUCY DIAMOND ‘Warm, inspiring, like a holiday mood in book form’ MHAIRI MCFARLANE 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED 'Achingly romantic and brilliantly written . . . Five Stars!' HEAT 'Simply gorgeous' SUN 'You won't be able to put down this emotional read' CLOSER 'Paige Toon is the queen of will-they/won't-they romance, setting up an ending that will leave you in bits' SUNDAY EXPRESS 'Full of living-in-the-moment and what-might-have-been contrasts, this tender read pulls at the heart strings' FABULOUS

Dog's Life columnist Holly Winter has just landed a plum contract to write a book on Geraldine Rockefeller Dodge's legendary pre-World War II dog shows. Holly arranges to interview one of the last living participants in those fabulously opulent and exclusive shows: canine fancier B. Robert Motherway. But there's something decidedly unsettling about the gracious old gent's imposing home with its acres of kennels. His dying wife wails piteously in an upstairs room, his servants are his sullen son and his downtrodden daughter-in-law, and his favorite German shepherd dog has an ill-bred snarl. Meanwhile, Holly's mail is laced with anonymous packages-old photographs, letters in German, and a brochure on pills for listless pooches. Nothing makes sense until a garroted body is found in a nearby cemetery. Suddenly Holly and her Alaskan malamutes, Rowdy and Kimi, are on a seventy-year-old trail of deception, decadence, and death. And either they unearth the skeletons or join them. From the Paperback edition.

Don't miss B. A. Shapiro's new novel, Metropolis, available now! “[A] highly entertaining literary thriller about fine art and foolish choices.” —Parade “[A] nimble mystery.” —The New York Times Book Review “Gripping.” —O, The Oprah Magazine Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas.

Best known for its collection of masterpiece paintings, the Gardner Museum is also one of the first museums to include a large quantity of Italian furniture. This meticulously designed catalogue includes numerous photographs that focus on individual objects and reveal characteristic forms and styles. Observations made by the museum conversation department about the techniques and materials of the pieces, which differ significantly from furniture of other countries, are also published.