A Dickensian ghost story from the bestselling author of The Heart’s Invisible Furies and A Ladder to the Sky “A wonderfully creepy novel…magnificently eerie.” —The Observer This House Is Haunted is a striking homage to the classic nineteenth-century ghost story. Set in Norfolk in 1867, Eliza Caine responds to an ad for a governess position at Gaudlin Hall. When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong. From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin’s walls. Eliza realizes that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past. Clever, captivating, and witty, This House Is Haunted is pure entertainment with a catch.

A door slams shut by itself. The scent of pipe tobacco drifts through an empty room. You hear your name being called, even though you know you're home alone. It seems as if your house is being visited—or invaded—by someone or something, and you're terrified. Is there a logical explanation, or do you have a real-life ghost on your hands? There's no reason to live in fear. This friendly beginner's guide offers reassurance and practical advice on identifying, and putting a stop to, any paranormal activity that's creeping you out. Discover how to rule out any earthly explanations for strange phenomena. A comprehensive overview of all kinds of hauntings and ghosts-from harmless family spirits to aggressive poltergeists to malevolent demons-will help you understand and identify your unearthly houseguest. If you still want to banish your ghost, you'll find plenty of simple, effective techniques to get the job done, and guidance on when it might be necessary to call in paranormal experts. Is Your House Haunted? also includes a paranormal FAQ and advice on how to talk to children about ghosts.

A cumulative rhyme in which the spider, ghost, cat, and other inhabitants of a haunted house wake up and startle each other.

A family buys a house that is supposedly haunted and finds that it really is.

From the mediums of Spiritualism's golden age to the ghost hunters of the modern era, Taylor shines a light on the phantasms and frauds of the past, the first researchers who dared to investigate the unknown, and the stories and events that galvanized the pubic and created the paranormal field that we know today.

*Includes "The House on Ashley Avenue," currently in development as a NETFLIX FEATURE FILM! There are haunted places in the world, all existing in reality and every bit as tangible and accessible as the house next door. Sometimes it is the house next door. In this brilliant debut collection, Ian Rogers explores the border-places between our world and the dark reaches of the supernatural. A mysterious double murder draws the attention of an insurance company with a special interest in the paranormal. A honeymoon cabin with an unspeakable appetite finally meets its match. A suburban home is transformed into the hunting ground for a new breed of spider. A nightmarish jazz club at the crossroads of reality plays host to those who can break a deal with the devil...for a price. With remarkable deftness, Rogers draws together the deadly and the disturbing in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh. Blurbs: "Ian is a fantastic storyteller of horror. He has an ability to create a unique reading experience with great scares and memorable characters. I knew the moment I finished reading Every House Is Haunted that Ian was someone I wanted to work with." - Sam Raimi, Director of Doctor Strange in the Multiverse of Madness "...the 22 stories in Rogers's debut collection demonstrate the author's talent for finding the terrifying in the seemingly ordinary... This work of classic horror in the style of Shirley Jackson, Richard Matheson, and early Stephen King should attract fans of a more refined kind of horror." - Library Journal "...Rogers offers some real gems. Every House Is Haunted is a harbinger of great things to come." - San Francisco Book Review IAN ROGERS is an award-winning author whose short fiction has appeared in Tor.com, Cemetery Dance, Broken Pencil, and Shadows & Tall Trees. His work has been selected for The Best Horror of the Year and Imaginarium: The Best Canadian Speculative Writing. For more information, visit www.ian-rogers.com..

Is your house haunted? This book will help you find answers... and advice, if your home has ghosts. Discover the leading reasons why some houses seem haunted, but aren't. You'll also learn why at least 80% of "haunted" houses don't actually have ghosts. Based on over 30 years of research in haunted homes and businesses through the U.S., the U.K. and Ireland, paranormal expert Fiona Broome will show you... What you can investigate on your own, easily. Why you don't need expensive tools to discover if your home has a ghost. What to do -- and what not to do -- if your house is haunted. How to protect yourself and your family. If your home might be haunted, take action immediately. This book explains exactly what to do, step-by-step, right now.[Second edition]

At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation’s history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.