The Midwinter ceremonial—the longest and most complex of the rituals of the Longhouse religion—is examined here in three parts. Following a short cultural history of the Iroquois and a description of the present geographical location of the various longhouses and tribes, Elisabeth Tooker discusses the principles of Iroquois ritualism. The second part of the book is devoted to detailed accounts of the Midwinter ceremonial as it is performed today at six Iroquois longhouses. The third part presents the historical perspective of the ceremony through excerpts from writings of Roman Catholic and Protestant missionaries, captives, travelers, local residents, and anthropologists.

Six hundred years ago in what would become the northeastern United States and southeastern Canada, five Iroquois tribes were locked in bitter warfare. From the ashes of violence, a great Peacemaker was born... Young Odion and his little sister, Tutelo, live in fear that one day Yellowtail Village will be attacked. When that day comes and Odion and Tutelo are marched away as slaves, their only hope is that their parents will rescue them. Their mother, War Chief Koracoo, and their father, Deputy Gonda, think they are tracking an ordinary war party herding captive children to an enemy village. Koracoo and Gonda do not know that Odion and Tutelo have fallen into the hands of a legendary evil: Gannajero the Trader. Known as the Crow, she is a figure out of nightmare, a witch who captures children for her own nefarious purposes. No one can stand against her powers—except perhaps the mysterious Forest Spirit whose tracks have crisscrossed their own throughout their journey. Odion and the other children struggle to survive their brutal captivity. They, too, have seen the Forest Spirit. But like their parents, they can't be sure if the Spirit is a friend—or is in league with Gannajero.... In People of the Longhouse, New York Times and USA Today bestselling authors W. Michael Gear and Kathleen O'Neal Gear continue the gripping saga of North America's Forgotten Past. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.

This is the first major book to explore uniquely Haudenosaunee (Iroquois), and specifically Oneida, components in the Native American oral narrative as it existed around 1900. Drawn largely from early twentieth-century journals by non-Indigenous scholar Hope Emily Allen, much of which was published in Oneida Iroquois Folklore, Myth, and History for the first time. Even as he studies time-honored themes and such stories as the Haudenosaunee account of creation, Anthony Wonderley breaks new ground examining links between legend, history, and everyday life. He pointedly questions how oral traditions are born and develop. Uncovering tales told over the course of 400 years, Wonderley further defines and considers endurance and sequence in oral narratives.. Finally, possible links between Oneida folklore and material culture are explored in discussions of craft works and archaeological artifacts of cultural and symbolic importance. Arguably the most complete study of its kind, the book will appeal to a wide range of professional disciplines from anthropology, history, and folklore to religion and Native American studies.

First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.