Irish vegan studies are poised for increasing relevance as climate change threatens the legitimacy and longevity of animal agriculture and widespread health problems related to animal product consumption disrupt long held nutritional ideologies. Already a top producer of greenhouse gas emissions in the European Union, Ireland has committed to expanding animal agriculture despite impending crisis. The nexus of climate change, public health, and animal welfare present a challenge to the hegemony of the Irish state and neoliberal European governance. Efforts to resist animal rights and environmentalism highlight the struggle to sustain economic structures of inequality in a society caught between a colonialist past and a globalized future. Animals in Irish Society explores the vegan Irish epistemology, one that can be traced along its history of animism, agrarianism, ascendency, adaptation, and activism. From its zoomorphic pagan roots to its legacy of vegetarianism, Ireland has been more receptive to the interests of other animals than is currently acknowledged. More than a land of "meat" and potatoes, Ireland is a relevant, if overlooked, contributor to Western vegan thought.

This book had its origin when the author was glancing through an English translation of Adolf Hitler’s book Mein Kampf. He was so struck by Hitler’s account of German history before, during, and after the First World War that he went and bought the book. What amazed him was its resemblance to the version of Irish history that he had been taught in Irish schools. There was no question of either side borrowing directly from the other, but equally obviously both were drawing on a common set of ideas and used a common method of exposition. Further study showed that both exposed a racist view of history and believed in the Darwinian struggle of the races. Both regarded their countries as subjected by alien races who destroyed the pure native culture. Both attributed every evil in their respective societies to these malign evil influences. Both saw that the alien races would have to be expelled from their countries so that their countries could again prosper when their native cultures were restored. Protestant landlords in Ireland had the same place in Irish racist propaganda and political mythology that the Jews had in Nazi political mythology. Most Irish boys of the author’s generation had, like Hitler, come across an inspiring teacher of history who inspired them to nationalism with his one-sided stories of Irish wrongs at the hands of the English. Having realised that the standard version of Irish history was vitiated in its roots the problem arose as to how a version of Irish history could be written which was fair to all parties involved. Many excellent books and monographs on various parts of Irish history have been written, and he has drawn on them considerably in this book. It is noticeable that the further the subject of an historical study is from the present the easier it is to be objective, and the less controversy there is. Some of the points examined and tested in this book are basic assumptions of racist propaganda, that separate races exist, that languages distinguish races, that each race has its own unique culture, and that foreign invasions necessarily destroy that unique culture. The author makes no claim to have done original research on any of the topics discussed in this book, but has drawn on the standard published works. He brings to the research a wide knowledge of the various subjects discussed which he has gathered over a lifetime. As a result of his researches he came to several conclusions. Firstly, that there was no unique Irish or Celtic race, Celtic being merely a language that had spread into many parts of Europe including Ireland. There was only one race in Europe, that of the Palaeolithic hunters who spread over it in the wake of the retreating ice-sheets. Celtic was a branch of the Indo-European languages which originated, apparently in southern Russia about 3000 BC. Gradually it broke into different dialects which further developed into distinct languages. But as late at 1500 BC Gaelic, Anglo-Saxon, and German were the same language. There was no evidence of invasions like those of Celtic warriors or any evidence that they wiped out the native population. As one author (Raftery) however remarked ruefully, it was regarded as virtually heresy to suggest that there never was a Celtic invasion. The culture of Ireland was not unique. It was derived bit by bit from centres of origin abroad, often in the Middle East. Nor were the various bits introduced by conquering warrior races. Farming techniques seem to have been spread largely by copying. Techniques in metal-working by travelling families who kept their secrets among themselves. Borrowing was selective. The Celtic language is as likely to have been introduced by traders as by warriors. Some things like writing and building with stone seem to have been neglected until introduced later in differing circumstances. There is no evidence that Ireland was a peaceful and prosperous land before the coming of ‘the in

"This collection examines how attitudes to children have changed in Ireland over the centuries, and addresses how concepts of childhood in Ireland changed over time."--Goodreads.com.

The Modernisation of Irish Society surveys the period from the end of the Famine to the triumph of Sinn Fein in the 1918 election and argues that during that time Ireland became one of the most modern and advanced political cultures in the world. Professor Lee contends that the Famine death-rate, however terrible, was not unprecedented. What was different was the post-Famine response to the catastrophy. The sharply increased rate of emigration left behind a population of tenent farmers engaged in market orientated agriculture and determined to protect and improve their position. It was this group that used the British political system so skillfully, a process elaborated and refined in the Land League and Home Rule movements under Parnell. The Parnell era left a lasting legacy of modern political engagement and organisation which was carried on in essentials by the later Home Rule party and by Sinn Fein, and – beyond the terminal date of the book – would make its mark on the politics of independent Ireland. The Modernisation of Irish Society was first published as volume 10 of the original Gill History of Ireland.

In this study of Anglo-Norman intervention in Ireland during the reign of Henry II (1154-89), Flanagan explores the origins of the political link between Ireland and the English crown. She focuses on the reasons why Diarmait Mac Murchada, the exiled king of Leinster, hired Anglo-Norman mercenaries to help him regain his kingdom; why Anglo-Norman settlers from South Wales accepted his offer of employment in Ireland; and why this in turn provoked a reaction from King Henry II, who intervened in person in Ireland in 1171-72. Drawing on evidence from both 12th-century Irish and Anglo-Norman sources, Flanagan bridges the artificial division between the pre-Norman and post-Norman periods in Ireland.

Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

In this groundbreaking work, Timothy McMahon reexamines the significance of the Gaelic revival in forming Ireland’s national identity. In their determination to preserve and extend the use of Irish as a spoken language and artistic medium, members of the Gaelic League profoundly influenced Irish culture and literature in the twentieth century. McMahon explores that influence by scrutinizing the ways in which society absorbed their messages, tracing the interaction between the ideas propagated by the League and the variety of meanings ordinary people attached to Ireland and to being Irish. Comparing press and police reports with census data and local directories, the author establishes the first comprehensive profile of League membership. McMahon’s ability to access both English- and Irish-language sources offers readers a rare and richly detailed analysis of primary materials. Grand Opportunity addresses questions that are central to understanding modern Irish identity and makes an indispensable contribution to the wider study of national identity formation.

Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.