The story of Irish Linen is a story of the Irish men and women who made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sailcloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class. As outerwear and underwear, linen has clothed men, women, and children from birth to death- the rich and powerful, poor and pitiful alike. Into this cultural history, the author weaves personal narratives and the words and songs of individual spinners, factory workers, and outworkers. Lavishly illustrated and engagingly written, each chapter tells of art, social and economic history, design, fashion, architecture, technology, and cultural traditions that celebrate the linen industry. -- from Book Jacket.

Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830, is the first book to apply recent trends in new materialist criticism to Ireland. It radically shifts familiar colonial stereotypes of the feminized, racialized cottier according to the Irish peasantry's subversive entanglement with nonhuman materiality. Each of the chapters engages a focused case study of an everyday object in colonial Ireland (coins, flax, spinning wheels, mud, and pigs) to examine how each object's unique materiality contributed to the colonial ideology of British paternalism and afforded creative Irish expression. The main argument of Irish Materialisms is its methodology: of reading literature through the agency of materiality and nonhuman narrative in order to gain a more egalitarian and varied understanding of colonial experience. Irish Materialisms proves that new materialism holds powerful postcolonial potential. Through an intimate understanding of the materiality Irish peasants handled on a daily basis, this book presents a new portrait of Irish character that reflects greater empowerment, resistance, and expression in the oppressed Irish than has been previously recognized.

Many modern Irish Pittsburghers can trace their roots to immigrants fleeing an Ireland devastated by the Great Potato Famine of the mid-1800s. They migrated to Pittsburgh, a booming industrial town, and worked in the iron and steel mills, the mines, and the railroads. Irish women became domestic servants in such large numbers that "Bridget the Maid" was a stock character on stage and later in films. The immigrants settled in neighborhoods such as the Point, the Hill District, Homewood, and the North Side. Fighting anti-Irish and anti-Catholic sentiments, they paved the way for their children, who would dominate municipal politics and the Catholic Church and rise to surprising heights in sports, entertainment, and business. Gov. David L. Lawrence, dancer Gene Kelly, and boxing champion Billy Conn were three of these Irish Pittsburgh groundbreakers. Their success echoed the smaller, but equally significant, success of ordinary Pittsburghers who rose from poverty to middle class, from shantytown to "lace curtain" respectability in the neighborhoods and later in the suburbs of the city.

Since Irish immigrants began settling in New Jersey during the seventeenth century, they have made a sizable impact on the state's history and development. As the budding colony established an identity in the New World, the Irish grappled with issues of their own: What did it mean to be Irish American, and what role would "Irishness" play in the creation of an American identity? In this richly illustrated history, Dermot Quinn uncovers the story of how the Irish in New Jersey maintained their cultural roots while also laying the foundations for the social, economic, political, and religious landscapes of their adopted country. Quinn chronicles the emigration of families from a conflict-torn and famine-stricken Ireland to the unfamiliar land whose unwelcoming streets often fell far short of being paved with gold. Using case histories from Paterson, Jersey City, and Newark, Quinn examines the transition of the Irish from a rejected minority to a middle-class, secular, and suburban identity. The Irish in New Jersey will appeal to everyone with an interest in the cultural heritage of a proud and accomplished people.