(Harp). 50 wonderful traditional and contemporary Irish melodies arranged by Sylvia Woods for both beginning and advanced hard players. Songs include: The Castle of Dromore * Cockles and Mussels * Danny Boy * The Gartan Mother's Lullaby * Killarney * Limerick Is Beautiful * My Wild Irish Rose * Sweet Rosie O'Grady * Warin' o' the Green * When Irish Eyes Are Smiling * Too-Ra-Loo-Ra-Loo-Ral * and more. Also includes an alphabetical index and an index of first lines. Spiral bound. Playable on both lever harps and pedal harps.

Once regarded as Ireland’s national bard, Thomas Moore's lasting reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies, published between 1808 and 1834. Moore drew on anthologies of ancient music, breathing new life into the airs and bringing them before a global audience for the very first time. Recognizing the unique beauty of the airs as well as their symbolic significance, these qualities were often interwoven into the verses providing potent political commentary along with a new cultural perspective. At home and abroad, Moore’s Melodies created a realm of influence that continued to define Irish culture for many decades to come. Notwithstanding the far-reaching appeal and success of the collections, Moore has only recently begun to receive serious attention from scholars. Una Hunt provides the first detailed study of Moore’s Irish Melodies from a combined musical and literary standpoint by drawing on a practical understanding and an unrivalled performance experience of the songs. The initial two chapters contextualize Moore and his songs through a detailed examination of their sources and style while the following chapters concentrate on the collaborative work provided by the composers Sir John Stevenson and Henry Rowley Bishop. Chapters 5 and 6 reappraise musical sources and Moore’s adaptation of these, supported and illustrated by the Table of Sources in the Appendix.

A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle

Best friend to Lord Byron; famous throughout Europe and America as a poet, composer, singer, wit, and polemicist; Thomas Moore (1779-1852) was the embodiment of Romanticism. It is said he was often moved to tears by his own songs, and so were his audiences. Servants lined up behind closed doors to hear him; women swooned, wrote him notes in verse, and treasured locks of his hair. The first in a long line of Irish poet-performers who combined personal expression with a zeal for political and social reform, Moore formed a vital link between the old Gaelic bardic tradition -- nearly extinct in his day -- and the popular songs in English that fueled the flames of nationalism in early nineteenth century Ireland.Including Moore's lyrics to accompany the songs recorded here, James Flannery's book is part biography, part music history, and part history of a nation. It presents the story of Thomas Moore in the context of the Irish nationalist movement and explains the lasting influence the songs of Moore have had on the lives of countless millions of Irish emigrants, who found in them a symbolic link with their homeland.

Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources.

This book contains 138 well-known Irish jigs, reels, hornpipes, set dances, O'Carolan tunes, folksongs, ballads, airs and waltzes. These wonderful Irish melodies are written in harmonica tablature and standard notation for use on the 12-hole chromatic, standard 10-hole diatonic, and tremolo harmonica. Learning these melodies will enhance your playing skills as well as your repertoire. the stereo recording is in split-track format and includes a selection of 25 melodies from the book.

(Waltons Irish Music Books). 110 of Ireland's most beautiful and haunting melodies, including laments, airs from old Gaelic songs and Carolan tunes. Suitable for all melody instruments, but does not include guitar chords. Songs include: Carrickfergus * Death and the Sinner * Eleanor Plunkett * Brian Boru's March * Blind Mary * Black-Eyed Susan * Easter Snow * Do You Remember That Night? * Killarney * Oft in the Stilly Night * The Poor Irish Boy * Wild Geese * The Dawning of the Day * I'm Sitting by the Stile Mary * Port Gordon * Captain Sudley * Molly St. George * Nora Crionna * Sally Gardens * Planxty Hewlett * The Lambs on the Green Hills * The Young Man's Dream * The Banks of teh Suir * The Castle of Dromore * The Bells of Shandon * The Foggy Dew * Carolan's Concerto * and many more.

From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.