A reprint of the 1987 book of proceedings of the first conference held on the theme in 1985. It contains 26 papers on various aspects of art in Irish Archaeology.

The 28 papers examine questions relating to the extent and nature of Byzantine trade from Late Antiquity into the Middle Ages. The Byzantine state was the only political entity of the Mediterranean to survive Antiquity and thus offers a theoretical standard against which to measure diachronic and regional changes in trading practices within the area and beyond. To complement previous extensive work on late antique long-distance trade within the Mediterranean (based on the grain supply, amphorae and fine ware circulation), the papers concentrate on local and international trade. The emphasis is on recently uncovered or studied archaeological evidence relating to key topics. These include local retail organisation within the city, some regional markets within the empire, the production and/or circulation patterns of particular goods (metalware, ivory and bone, glass, pottery), and objects of international trade, both exports such as wine and glass, imports such as materia medica, and the lack of importation of, for example, Sasanian pottery. In particular, new work relating to specific regions of Byzantium's international trade is highlighted: in Britain, the Levant, the Red Sea, the Black Sea and China. Papers of the 38th Spring Symposium of Byzantine Studies, held in 2004 at Oxford under the auspices of the Committee for Byzantine Studies.

This research was conducted towards an MA in Byzantine Archaeology and Text (2004) at the Institute of Byzantine Studies in Queen’s University Belfast. It is published with the aim of presenting this evidence to a wider audience, and to inform future research by others in this field of study. The archaeological and historical evidence presented and analysed is surprisingly diverse and relatively plentiful, and, arguably, also compelling. Is there any evidence for contacts between the Eastern Roman or Byzantine empire and Ireland, and, if so, what form does that evidence take? This book does much to inform that debate.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

Celtic hanging-bowls were produced from the fifth to the eleventh century and range from simple functional vessels to great masterpieces of the period. The first part of the publication sets the bowls in their historical and cultural background and discusses all key aspects of hanging-bowlresearch, including the much-disputed topics of origin, use, and chronology. The second part is a comprehensive and highly detailed catalogue, dealing with the whole series from Britain and Europe. The publication is lavishly illustrated with over a thousand black and white illustrations and eightcolour plates. This long-awaited book by the leading authority on the subject will become the definitive work on this distinctive class of Celtic artefact.

Interprets the nature of Christianity in Celtic Britain and Ireland from the 5th to the 10th cent., based on written and visual evidence- images of Christ in manuscripts, metalwork and sculpture. The strain of the Pelagianism in Britain in the early 5th century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea, making theological spectrum quite distinct from that of the continent.

The cultural developments of Early Christian Ireland have long been recognised and described. There have, however, been few attempts to date to explain why the flowering of culture should happen at the time and in the way that it did. First published in 1992, The Origins of Early Christian Ireland (now with a new preface by the author) explains changes in the period up to AD 800 in Ireland. External stimuli, most notably from Irish settlers in western Britain acted as catalysts which transformed a relatively moribund Iron Age culture into one of extraordinary vigour. All aspects of the culture changed radically, and changes in each had knock-on effects on others. Beliefs were revolutionised by Christianity; society was transformed by the church as an institution and the rise of the individual; agriculture was expanded by more advanced technology and the entrepreneurial flair of individual decision-making; craft production became more widespread and offered a vehicle for the display of personal wealth and status. Long-distance trade and ecclesiastical contacts integrated Ireland with the rest of Europe more effectively than ever before. The book has two distinctive features, which means that it relates to two forms of academic market, each of which can be defined. Firstly, it deals with a particular culture-historical period, that of Early Christian Ireland, and presents an explanation of its origins and development to AD 800. This appeals to archaeologists and historians of Ireland, Britain and, indeed, Europe. Secondly, it takes a specific theoretical position and develops it using primarily archaeological but also extensive historical information. This is the most detailed application of processualist theory yet undertaken for a historic period in Europe. This appeals to archaeologists and anthropologists in Britain, and also North America where the processualist approach is the most popular theoretical position.

A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume II opens with a character study of medieval Ireland and a panoramic view of the country c.1169, followed by nineteen chapters of narrative history, with a survey of `Land and People, c.1300'. There are further chapters on Gaelic and colonial society, economy and trade, literature in Irish, French, and English, architecture and sculpture, manuscripts and illuminations, and coinage.

This is the first detailed study of the Trier Gospels manuscript and its implications for early book production.