Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Iolani is a sensational romance - a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Iolani, and the heroic young woman, Idia, who bears his child. Determined to defy the Tahitian custom of killing firstborn children, Idia and her friend Aimata flee with the baby and take refuge among Iolani's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic.

Written 150 years ago, never published, and presumed lost for nearly a century, Wilkie Collins's earliest novel now appears in print for the first time. Ioláni is a sensational romance--a tale of terror and suspense, bravery and betrayal, set against the lush backdrop of Tahiti. The book's complicated history is worthy of a writer famous for intricate plots hinging on long-kept secrets. Collins wrote the book as a young man in the early 1840s, twenty years before The Moonstone and The Woman in White made his name among Victorian novelists. He failed to find a publisher for the work, shelved the manuscript for years, and eventually gave it to an acquaintance. It disappeared into the hands of private collectors and remained there--acquiring mythical status as a lost novel--from the turn of the century until its sudden appearance on the rare book market in New York in 1991. This first edition appears with the permission of the new owners, who keep the mystery alive by remaining anonymous. The novel is set in Tahiti prior to European contact. It tells the story of the diabolical high priest, Ioláni , and the heroic young woman, Idüa, who bears his child. Determined to defy the Tahitian custom of killing firstborn children, Idüa and her friend Aimáta flee with the baby and take refuge among Ioláni's enemies. The vengeful priest pursues them, setting into motion a plot that features civil war, sorcery, sacrificial rites, wild madmen, treachery, and love. Collins explores themes that he would return to again and again in his career: oppression by sinister, patriarchal figures; the bravery of forceful, unorthodox women; the psychology of the criminal mind; the hypocrisy of moralists; and Victorian ideas of the exotic. As Ira Nadel shows in his introduction, the novel casts new light on Collins's development as a writer and on the creation of his later masterpieces. A sample page from the manuscript appears as the frontispiece to this edition. The publication of Ioláni is a major literary event: a century and half late, Wilkie Collins makes his literary debut. Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Vanishing paradise" offers a fresh take on the modernist primitivism of the French painter Paul Gauguin, the exoticism of the American John LaFarge, and the elite tourism of the American writer Henry Adams. Childs explores how these artists wrestled with the elusiveness of paradise and portrayed colonial Tahiti in ways both mythic and modern.

This book examines how the South Pacific was represented by explorers, missionaries, travellers, writers, and artists between 1767 and 1914 by drawing on history, literature, art history, and anthropology. Edmond engages with colonial texts and postcolonial theory, criticising both for their failure to acknowledge the historical specificity of colonial discourses and cultural encounters, and for continuing to see indigenous cultures in essentially passive or reactive terms. The book offers a detailed and grounded 'reading back' of these colonial discourses into the metropolitan centres which gave rise to them, while resisting the idea that all representations of other cultures are merely self-representations. Among its themes are the persistent myth-making around the figure of Cook, the western obsession with Polynesian sexuality, tattooing, cannibalism, and leprosy, and the Pacific as a theatre for adventure and as a setting for Europe's displaced fears of its own cultural extinction.

From the charming city of Bath, featured in Jane Austen's Persuasion, to the Amazon of Mario Vargas Llosa's La Casa Verde, this unique travel guide brings you to the places you've only read about. Whether you want to learn more about a destination or follow in the footsteps of a favorite character, Reading on Location helps you make the most of your trip.

This volume contains studies of scientific and cultural discoveries made on Cook's 1768-7 voyage to the South Sea in Endeavour, and issues emerging from this and successive Pacific voyages.

Lyn Pykett offers a lively exploration of the novels of Wilkie Collins, author of the first recognised detective novel

"Marian and her sister Laura live a quiet life under their uncle's guardianship until Laura's marriage to Sir Percival Glyde. Sir Percival is a man of many secrets. Hence, Marian and the girls' drawing master, Walter, have to turn detective in order to work out what is going on, and to protect Laura from a fatal plot"--NoveList.