In this innovative new history, Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously.

Challenging assumptions regarding the strength and control of authoritarian governments in Rwanda in the decades before the 1994 genocide, Marie-Eve Desrosiers uses original archival data and interviews to highlight the complex relations between authorities, opponents, and society. Through careful, detailed analysis Desrosiers offers a nuanced assessment of the functions and evolution of authoritarianism over time, demonstrating how the governments of Rwanda's first two post-independence Republics (1962–1990) sought and often struggled to cement their rule. Whilst the deeper, lived realities of authoritarianism are generally neglected by multi-cases comparisons at the heart of comparative authoritarian studies, this illuminating survey highlights the essential, yet subtle authoritarian strategies, patterns, and forms of decay that are too often overlooked when addressing authoritarian contexts.

International IMPAC Dublin Literary Award Longlist Orion Book Award Finalist O, The Oprah Magazine “Title to Pick Up Now” “An amazing feat of imagination.” —Publishers Weekly (starred review) “Invisible Beasts is a strange and beautiful meditation on love and seeing, a hybrid of fantasy and field guide, novel and essay, treatise and fable. With one hand it offers a sad commentary on environmental degradation, while with the other it presents a bright, whimsical, and funny exploration of what it means to be human. It’s wonderfully written, crazily imagined, and absolutely original.” —ANTHONY DOERR, author of All the Light We Cannot See and The Shell Collector Sophie is an amateur naturalist with a rare genetic gift: the ability to see a marvelous kingdom of invisible, sentient creatures that share a vital relationship with humankind. To record her observations, Sophie creates a personal bestiary and, as she relates the strange abilities of these endangered beings, her tales become extraordinary meditations on love, sex, evolution, extinction, truth, and self-knowledge. In the tradition of E.O. Wilson’s Anthill, Invisible Beasts is inspiring, philosophical, and richly detailed fiction grounded by scientific fact and a profound insight into nature. The fantastic creations within its pages—an ancient animal that uses natural cold fusion for energy, a species of vampire bat that can hear when their human host is lying, a continent-sized sponge living under the ice of Antarctica—illuminate the role that all living creatures play in the environment and remind us of what we stand to lose if we fail to recognize our entwined destinies. Sharona Muir is the author of The Book of Telling: Tracing the Secrets of My Father’s Lives. The recipient of a Hodder Fellowship and National Endowment for the Arts Fellowship, her writing has appeared in Granta, Orion magazine, Virginia Quarterly Review, The Paris Review, and elsewhere. She is a Professor of Creative Writing and English at Bowling Green State University. Invisible Beasts is her first novel.

In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.

Since 1994, as the ruling party in South Africa, the ANC have become synonymous with and indivisible from the fight against apartheid rule. This has left little space for competing accounts, visions, and political projects to find their appropriate place in the historical narrative. In this innovative book, Toivo Asheeke moves beyond these well-trodden histories, to tell the previously neglected story of the Black Consciousness Movement (BCM), a militant revolutionary nationalist wing of the anti-colonial struggle. Using archival sources from four countries and interviews with former veterans of the movement, Asheeke explores the BCM's engagement with guerrilla warfare, community feminism and Black Internationalism. Uncovering the personal and political histories of those who have previously received scant scholarly attention, Asheeke both illuminates the history of Africa's decolonization struggle and that of the wider Cold War.

During Zimbabwe's war of liberation (1965–80), fought between Zimbabwean nationalists and the minority-white Rhodesian settler-colonial regime, thousands of black soldiers volunteered for and served in the Rhodesian Army. This seeming paradox has often been noted by scholars and military researchers, yet little has been heard from black Rhodesian veterans themselves. Drawing from original interviews with black Rhodesian veterans and extensive archival research, M. T. Howard tackles the question of why so many black soldiers fought steadfastly and effectively for the Rhodesian Army, demonstrating that they felt loyalty to their comrades and regiments and not the Smith regime. Howard also shows that units in which black soldiers served – particularly the Rhodesian African Rifles – were fundamental to the Rhodesian counter-insurgency campaign. Highlighting the pivotal role black Rhodesian veterans played during both the war and the tumultuous early years of independence, this is a crucial contribution to the study of Zimbabwean decolonisation.

Original and innovative, this book tells the story of Senegalese children freed from slavery in 1848 only to be relegated to tutelle or guardianship. Bernard Moitt demonstrates that tutelle allowed slavery to persist under another name, with children continuing to be subject to the same widespread labor exploitation and abuse.

Based on extensive empirical research, Katharina P.W. Döring analyses the politics surrounding military deployments in the Sahel since 2012 and stresses the agency of regional organizations in African-led military interventions. Drawing on insights from critical geography, she considers the role that space plays in the power dynamics of the region.

In post-war Sierra Leone, a range of transitional justice mechanisms were implemented to address experiences of conflict, violence, and human rights violations. Much of the research on local transitional justice processes has focused on the work of organisations, failing to acknowledge how individual and communal dynamics shape and are shaped by these programs. Drawing on original fieldwork in Sierra Leone, Laura S. Martin moves beyond discussions measuring effectiveness and considers how people navigate their circumstances in conflict and post-conflict societies. Developing the idea of recognised and unrecognised transitional justice processes, Martin uses Fambul Tok as an example of a recognised local transitional justice program and shows how ordinary Sierra Leoneans appropriated Fambul Tok's agenda for their own purposes. Ultimately, this book highlights the crucial role of agency and the diverse range of actors involved in transitional justice processes. Justice, as Martin powerfully argues, is not something that happens to or for people, but is enacted by individuals and communities.

Exploring the multifaceted history of dispossession, consumption, and inequality in West Central Africa, Mariana P. Candido presents a bold revisionist history of Angola from the sixteenth century until the Berlin Conference of 1884–5. Synthesising disparate strands of scholarship, including the histories of slavery, land tenure, and gender in West Central Africa, Candido makes a significant contribution to ongoing historical debates. She demonstrates how ideas about dominion and land rights eventually came to inform the appropriation and enslavement of free people and their labour. By centring the experiences of West Central Africans, and especially African women, this book challenges dominant historical narratives, and shows that securing property was a gendered process. Drawing attention to how archives obscure African forms of knowledge and normalize conquest, Candido interrogates simplistic interpretations of ownership and pushes for the decolonization of African history.