FIGHTMASTER AND DROP KICK RETURN! They're back from the future to alter the past - can Invincible stop them - or will he be lost in the time stream forever? Also in this issue: Kid Omni-Man saves the day!

Collects issues #1-4! Mark Grayson is just like most everyone else his age. He's a senior at a normal American high School. He has a crappy part time job after school and on weekends. He likes girls quite a bit... but doesn't quite understand them. He enjoys hanging out with his friends, and sleeping late on Saturdays... at least until the good cartoons come on. The only difference between Mark and everyone else is that his father is the most powerful superhero on the planet, and as of late, he seems to be inheriting his father's powers. Which sounds okay at first, but how do you follow in your father's footsteps when you know you will never live up to his standards? THIS ISSUE: Get in on the ground floor, because it all starts here! Strange things begin to happen to Mark Grayson as he begins to develop superpowers. Luckily, his dad is around to show him the ropes, at least he WOULD be if he weren't so busy saving the world all the time. Mark is forced to go out on his own, and try and figure out how all this superheroing business works. The results are a monumental disaster, at least until he gets the hang of it. Watch Mark thwart thieving super-villains, alien invasions and all sorts of craziness.

Collects issues #54-59 & THE ASTOUNDING WOLF-MAN #11! Invincible and Atom Eve are dating at last, but Mark has just recently moved back in with his mom and half brother. To make matters worse, Mark finds himself staring down the deadliest bunch of villains he's faced thus far - including The Astounding Wolf-Man!

Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

"THE END OF ALL THINGS," Conclusion Final issue. Everything since issue one has been building to this. Nothing can prepare you.

Unfinished Business argues that U.S. deindustrialization cannot be separated from race, specifically from choreographed movements of African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times.

For democracy to survive, Tocqueville recognized that its citizens had to navigate successfully between these two extremes of isolation and restiveness. Paradoxically, democracy and its equalizing tendencies seem to foster the very qualities - including ambition and envy - that threaten to undermine the fragile freedom that democracy affords.