The edition of Johan Sebastian Bach's fifteen 3-Part Inventions, edited by Carl Czerny, contains editorial additions, including dynamics, fingering and tempo indications.

This collection includes a preface and table of embellishments by William Mason.

Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.

INCLUDES LINK TO VIDEO DEMOS. Pianists are horizontalists. When confronted with competing horizontal lines, though, we are called upon to rethink our predilection for spinning a single line beautifully to the right. To some it may seem sacrilege, but we must think more vertically. In these pages we consider the techniques of coordinating more than one musical line. We learn to apply principles of grouping notes together and shaping lines in certain ways for technical ease. We consider fingerings, sometimes more than one. When technical solutions coincide with musical objectives, we are delighted. But when there is a technical problem, we examine it on its own merits. No mindless rote here. We consider approaches to ornamentation and articulation and their expressive partners, dynamics and phrasing. All of this gently couched in physical movements so natural to the body as to be irresistible.***Praise for the previous volume, "Piano Technique Demystified": "This is an excellent book. Whether you are an advanced pianist or a novice, the concepts shared in this book will bring your technical skills at the piano to a new level." "This is a very well written book with lots of humor and fascinating anecdotes shared by the author. The reader is sure to find a wealth of useful and helpful information to enhance mastery of the piano." "Neil Stannard provides a clear, concise summary of how to co-ordinate good movement patterns into your piano practice. He approaches learning difficult repertoire as a series of solvable problems, and offers the reader many tools to come up with solutions."

Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.

Students, teachers and professional pianists will find this volume invaluable. This historically accurate edition contains a wealth of background information on ornamentation, dotted rhythms in the Baroque style, and the recommended tempos and guidelines for performing the works on the piano. Bach's writing is carefully separated from the editorial suggestions in light gray print. A wealth of footnotes compare the various sources consulted.

Designed for use with any electronic keyboard with 44 or more keys and automatic chord and rhythm effects, this book goes beyond teaching how to use these features and covers how to read music in treble and bass clefs, form chords and much more, with plenty of songs to play.

Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.

During his lifetime, Johann Sebastian Bach (1685-1750) was better known as a virtuoso performer than as a composer. He was a dedicated student of the keyboard, always teaching, exploring and expanding his knowledge of the instrument. His Inventions and Sinfonias (Two- and Three-Part Inventions), which were not published during his lifetime, are an example of his desire to examine the wealth of harmony that two-part 18th-century counterpoint can provide. The works found in this book are not keyboard exercises, but warm, melodic pieces that are a delight to play and that expose the intellectual and mathematical genius of J. S. Bach. This Alfred edition was carefully and methodically prepared by Willard A. Palmer. It is based on several sources, including Bach's Autograph of 1723, the manuscripts of Bach's son Wilhelm Friedemann Bach, and the manuscripts of Bach's student Heinrich Gerber. The extensive and thorough explanation of trills, mordents and appoggiaturas are helpful and precise, making this issue of Bach's Inventions and Sinfonias the most practical and attractive one available. - Back cover.