The Art of Armenia offers a sweeping survey of the arts of Armenia from antiquity to the eighteenth century C.E., addressing a range of media including architecture, sculpture, works in metal, wood, and ivory, manuscript illumination, and ceramic arts.

This new edition of The Caucasus is a thorough update of an essential guide that has introduced thousands of readers to a complex region. Armenia, Azerbaijan, Georgia and the break-away territories that have tried to split away from them constitute one of the most diverse and challenging regions on earth, impressing the visitor with their multi-layered history and ethnic complexity. Over the last few years, the South Caucasus region has captured international attention again because of disputes between the West and Russia, its unresolved conflicts, and its role as an energy transport corridor to Europe. The Caucasus gives the reader a historical overview and an authoritative guide to the three conflicts that have blighted the region. Thomas de Waal tells the story of the "Five-Day War" between Georgia and Russia and recent political upheavals in all three countries. He also finds time to tell the reader about Georgian wine, Baku jazz and how the coast of Abkhazia was known as "Soviet Florida." Short, stimulating and rich in detail, The Caucasus is the perfect guide to this fascinating and little-understood region.

An introduction to the geography, history, people, government, and culture of Armenia with emphasis on the challenges facing this newly independent nation.

There is a great deal of interest in the history of Armenia since its renewed independence in the 1990s and the ongoing debate about the genocide - an interest that informs the strong desire of a new generation of Armenian Americans to learn more about their heritage and has led to greater solidarity in the community. By integrating themes such as war, geopolitics, and great leaders, with the less familiar cultural themes and personal stories, this book will appeal to general readers and travellers interested in the region.

This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.

Following the collapse of the Soviet Union, Armenia has struggled to establish itself, with a faltering economy, emigration of the intelligentsia and the weakening of civil society. This book explores how a new national elite has emerged and how it has constructed a new national narrative to suit Armenia’s new circumstances. The book examines the importance of the Nagorno-Karabakh conflict with Azerbaijan, considers the impact of fraught relations with Turkey and the impact of relations with other neighbouring states including Russia, and discusses the poorly-developed role of the very large Armenian diaspora. Overall, the book provides a key overview to understanding the forces shaping all aspects of present-day Armenia.

For almost nine decades, since their mass-resettlement to the Levant in the wake of the Genocide and First World War, the Armenian communities of Lebanon and Syria appear to have successfully maintained a distinct identity as an ethno-culturally diverse group, in spite of representing a small non-Arab and Christian minority within a very different, mostly Arab and Muslim environment. The author shows that, while in Lebanon the state has facilitated the development of an extensive and effective system of Armenian ethno-cultural preservation, in Syria the emergence of centralizing, authoritarian regimes in the 1950s and 1960s has severely damaged the autonomy and cultural diversity of the Armenian community. Since 1970, the coming to power of the Asad family has contributed to a partial recovery of Armenian ethno-cultural diversity, as the community seems to have developed some form of tacit arrangement with the regime. In Lebanon, on the other hand, the Armenian community suffered the consequences of the recurrent breakdown of the consociational arrangement that regulates public life. In both cases the survival of Armenian cultural distinctiveness seems to be connected, rather incidentally, with the continuing 'search for legitimacy' of the state.

Interventions on behalf of Armenia and Armenians have come to be identified by scholars and practitioners alike as defining moments in the history of humanitarianism. This volume reassesses these claims, critically examining a range of interventions by governments, international and diasporic organizations, and individuals that aimed to ‘save Armenians’. Drawing on perspectives from a range of disciplines, the chapters trace the evolution of these interventions from the late-nineteenth to the present day, paying particular attention to the aftermaths of the genocide and the upheavals of the post-Soviet period. Geographically, the contributions connect diverse spaces and places – the Caucasus, Russia, the Middle East, Europe, North America, South America, and Australia – revealing shifting transnational networks of aid and intervention. These chapters are followed by reflections from leading scholars in the fields of refugee history and Armenian history, Peter Gatrell and Ronald Grigor Suny. Aid to Armenia not only offers an innovative exploration into the history of Armenia and Armenians and the history of humanitarianism, but it provides a platform for practitioners to think critically about contemporary humanitarian questions facing Armenia, the South Caucasus region and the wider Armenian diaspora.

An NYRB Classics Original Few writers had to confront as many of the last century’s mass tragedies as Vasily Grossman, who wrote with terrifying clarity about the Shoah, the Battle of Stalingrad, and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun. After the Soviet government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there. This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.

"Published for the celebrations of the fifth centenary of the printing of the first book in Armenian in Venice (1512), this volume offers a rich, fascinating chronological survey, presenting over 200 works from the leading museums and libraries of Armenia and Europe, and including some extremely rare manuscripts and miniatures (loaned exceptionally for the exhibition in Venice). Together, they document the great achievements of the Armenian civilisation in the spiritual, artistic, architectural, economic and intellectual sectors. The ancient stelae with engraved cross, the miniatures with bright colours, the sacred architecture and precious reliquaries preserved for centuries at the Holy See of the Apostolic Armenian Church at Echmiadzin will lead the visitor in his discovery of the civilisation of this great people from the early days of Christianity to the end of the 19th century. The book places a great emphasis on the long and fruitful contacts between the Armenians and other cultures in Europe and the Far East. In particular, it illustrates the special and centuries-old relationship with Venice through a series of historic documents, manuscripts and works of art, describing how the presence of the Armenians in the lagoon began and developed, and their political, economic and cultural contacts with the city. In the last section, thanks to a series of rare manuscripts, the book takes a look at Armenian science, theology, philosophy, historiography and literature. A special section is dedicated to Armenian printing, which dates back to 1512. The finest editions from the presses dotted throughout the Armenian colonies around the world are presented here. In this special chapter, particular emphasis is accorded to the glorious Armenian printing tradition in Venice, which reached its greatest heights thanks to the hard work and enlightened dedication of the Mechitarist Fathers."--Publisher's website.