Listen to George perform each one of his poems as you read through the collection and enjoy a captivating, fully immersive poetry experience. ‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs. George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in. Whether you’re searching for yourself, for answers, for change – join the search party.

‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs. George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in. Whether you’re searching for yourself, for answers, for change – join the search party.

A selection of innovative poems by the groundbreaking Pulitzer Prize winner.

"George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work." "Editor Michael Davidson has written an introduction to the poet's life and work and supplies generous notes that give readers a deeper understanding of the background of the individual books and references in the poems. Essayist Eliot Weinberger provides a personal remembrance of the poet in his preface, "Oppen Then." This new, revised paperback edition also includes an extraordinary CD of the poet reading from each of his poetry books. Culled from obscure, rarely heard recordings of Oppen when he was in New York, San Francisco, and London at different times in his life, the CD adds a unique dimension to the lifework of one of America's finest poets."--BOOK JACKET.

George Mackay Brown is recognised as one of Scotland's greatest twentieth-century lyric poets. His work is integral to the flowering of Scottish literature during the last fifty years. Admired by many fellow poets, including Seamus Heaney and Douglas Dunn, his poems are deeply individual and unmistakable in their setting: 'the small green world' of the Orkney Islands where he lived for most of his life, with its elemental forces of sea and sky and Norse and Icelandic ancestry, is brought vividly and memorably to life. Here, his rich and resonant poetry is collected in one volume, making available again many poems that are otherwise out of print.

For his humanistic religious verse, his poignant and deeply personal antislavery poems, and, above all, his lifelong enthusiasm for liberty, nature, and the art of poetry, George Moses Horton merits a place of distinction among nineteenth-century African American poets. Enslaved from birth until the close of the Civil War, the self-taught Horton was the first American slave to protest his bondage in published verse and the first black man to publish a book in the South. As a man and as a poet, his achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction--combining biography, history, cultural commentary, and critical insight--presents a compelling and detailed picture of this remarkable man's life and art. George Moses Horton (ca. 1797-1883) was born in Northampton County, North Carolina. A slave for sixty-eight years, Horton spent much of his life on a farm near Chapel Hill, and in time he fostered a deep connection with the University of North Carolina at Chapel Hill. The author of three books of poetry, Horton was inducted into the North Carolina Literary Hall of Fame in May of 1996.

An empty house, a lonely shore, an enigmatic, brooding man-child waiting for her return ... a trip to the dark lands of Australian Gothic, for readers of Kate Morton and Hannah Richell. Last night I dreamt I went to Sargasso again ... As a child, Hannah lived at Sargasso, the isolated beachside home designed by her father, a brilliant architect. A lonely, introverted child, she wanted no company but that of Flint, the enigmatic boy who no one else ever saw ... and who promised he would always look after her. Hannah's idyllic childhood at Sargasso ended in tragedy, but now as an adult she is back to renovate the house, which she has inherited from her grandmother. Her boyfriend Tristan visits regularly but then, amid a series of uncanny incidents, Flint reappears ... and as his possessiveness grows, Hannah's hold on the world begins to lapse. What is real and what is imaginary, or from beyond the grave? A mesmerising Australian novel that echoes the great Gothic stories of love and hate: Wuthering Heights, Jane Eyre, and especially Daphne du Maurier's Rebecca. 'So beautifully written, so skilfully plotted, such a masterpiece of tension and atmosphere ...' Australian Book Review

The Lions bare of snow, crowded express buses, a giant red turning letter W. Vancouver: A Poem is George Stanley's vision of the city where he lives, though he does not call it his own. Vancouver, the city, becomes Stanley's palimpsest: an overwritten manuscript on which the words of others are still faintly visible. Here the Food Floor's canned exotica, here the stores of Chinatown, here the Cobalt Hotel brimful of cheap beer and indifferent women. The poet travels through the urban landscape on foot and by public transit, observing the multifarious life around him, noting the at times abrupt changes in the built environment, and vestiges of its brief history. As he records his perceptions, the city enters his consciousness in unforeseen ways, imposing its categories and language. Skirting chestnuts on the sidewalk or reading William Carlos Williams's "Paterson" on the Granville Bridge, the poet travels along the inlet, past the mountains, under the trees, interrogating the local world with his words.

This “powerfully absorbing” biography of 17th century Welsh poet George Herbert brings essential personal and social context to his immortal poetry (Financial Times). Though he never published any of his English poems during his lifetime, George Herbert has been celebrated for centuries as one of the greatest religious poets in the language. In this richly perceptive biography, author and theologian John Drury integrates Herbert’s poems fully into his life, enriching our understanding of both the poet’s mind and his work. As Drury writes in his preface, Herbert lived “a quiet life with a crisis in the middle of it.” Beginning with his early academic success, Drury chronicles the life of a man who abandons the path to a career at court and chooses to devote himself to the restoration of a church in Huntingdonshire and lives out his life as a country parson. Because Herbert’s work was only published posthumously, it has always been difficult to know when or in what context he wrote his poems. But Drury skillfully places readings of the poems into his narrative, allowing us to appreciate not only Herbert’s frame of mind while writing, but also the society that produced it. He reveals the occasions of sorrow, happiness, regret, and hope that Herbert captured in his poetry and that led T. S. Eliot to write, “What we can confidently believe is that every poem . . . is true to the poet’s experience.” “It is hard to imagine a better book for anyone, general reader or seventeenth-century aficionado or teacher or student, newly embarking on Herbert.”—The Guardian, UK