The lives of two rival sopranos are threatened when their opera company comes to River Heights.

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If the opera world is full of “intrigue, double meanings, and devious dramatics,” then no place exemplifies this more than the world-famous Metropolitan Opera, where politics, ambition, and oversized egos have traditionally taken center stage along with some of the world’s richest music. Drawing on her fifteen years as its press representative, Johanna Fiedler explodes the traditional secrecy that surrounds the Met in this wonderfully entertaining account of its tumuluous history. Fiedler chronicles the Met’s early days as a home for legends like Toscanini, Mahler, and Caruso, and gives a fascinating account of the middle years when haughty blue-bloods battled stubborn adminstrators for control of a company that would emerge as America’s premiere opera house. She takes us behind the grand gold-curtain stage in more recent years as well, showing how musical superstars like Luciano Pavarotti, Plácido Domingo, and Kathleen Battle have electrified performances and scandalized the public. But most revelatory are Fiedler’s portrayals of James Levine and Joseph Volpe and their practically parallel ascendancies—Levine rising from prodigy to artistic director, Volpe advancing from stagehand to general manager—and their once strained relationship. Weaving together the personal, economic, and artistic struggles that characterize the Met’s long and vibrant history, Molto Agitato is a must-read saga of power, wealth, and, above all, great music.

Conrad Scalese is a writer of librettos for operas in a world where music has immense power. In the Church, the sung mass can bring about actual miracles like healing the sick. Opera is musicodrama, the highest form of music combined with human emotion, and the results of the passion it engenders can be nothing short of magical. In this world of miracles, Conrad is an atheist - he sees the same phenomena, but sees no need to attribute them to a Deity ... until his first really successful opera gets the opera-house struck by the lightning bolt of God's disapproval ... ... And Conrad comes to the attention of the Prince's Men, a powerful secret society, who are trying to use the magic of music to their own ends - in this case, an apocalyptic blood sacrifice. Life is about to get interesting for Conrad.

While vacationing in Paris with her friends Beth and George, seventeen-year-old Nancy pursues a mystery involving a puppet theater and a long-lost treasure.

This summer, nothing’s safe at Green Spring—not even the camp itself… Elsa, a friend of Nancy and George’s and a counselor at Green Spring Pony Club’s summer camp, invites the girls for a ride one afternoon. Along the way, Elsa gushes about how a team of campers will compete in a regional pony club rally. If they win, they’ll go to the national competition! But Elsa’s excitement quickly fades when Nancy’s horse falls into a ditch, and it’s clearly a case of sabotage. This prompts Elsa to tell Nancy about some sinister happenings on the camp’s grounds. Is someone trying to hurt the campers—or the camp? Disguised as a counselor, Nancy tries to figure out who's behind the vicious accidents. And as they become more devastating, Nancy realizes she needs to move quickly. Will her sleuthing skills be enough to keep this camp’s horses and their riders on track?

THERE'S MORE EXCITEMENT ON THIS CRUISE SHIP THAN NANCY BARGAINED FOR! Nancy, Bess, and George are going on a cruise around the Great Lakes for a fantastic end-of-summer vacation! As soon as the girls set foot on the ship, though, they smell something fishy. Their new friend Amber is upset because her boyfriend, Craig, is neglecting her. After a little investigating on her friend's behalf, Nancy learns that Craig is really a detective. He's been busy hunting for a mastermind diamond thief who may well be on the ship. And it turns out Craig can use some help. Soon Nancy's hunting for clues on land and offshore. Where there's stolen diamonds, though, there's danger -- and Nancy and her friends are soon caught in the thick of it. Will Nancy be able to crack this case before her ship is sunk?

Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.

The Amato Opera Company has delighted music lovers throughout the years, establishing an extraordinary artistic tradition in New York City. -- Bill Clinton The Amato Opera theatre is a truly extraordinary New York cultural institution and it is a priceless addition to our great Citys music industry. -- Rudolph W. Giuliani Author Anthony (Tony) Amato produced full-staged grand opera in New York City for 61 years. Now Tony tells his storyfrom his earliest childhood in Minori, Italy; immigration to the U.S.; his early career in restaurant kitchens and as a butcher; and the courtship of his beloved wife Sally when they were both young, working singers. The book goes on to describe how Tony and Sally created The Smallest Grand Opera in the World, gaining international critical acclaim in the process. The Smallest Grand Opera in the World is a story of the extraordinary will and effort of two people in an uncommon marriage and partnership. It is a joyous story in which Tony willingly shares the secrets of why The Amato Opera was a success. It is a how-to book for the aspiring theatre professional as well as an inspiration for all who have ever dreamed of being a part of the miraculous world of opera.