Titled after the US Air Force song, this engaging debut explores the legacy of the Greatest Generation from the perspective of Generation Y, the fallout of war through the eyes of a pacifist, and the enduring human desire for love, adventure, truth, and understanding. Pensive in the wake of 9/11, a young man—our “correspondent between the past and the present”—launches a mission to reunite his beloved grandfather, an American bombardier, with Luddie, the woman who saved him during WWII. Armed only with the address on the back of an old photograph and his grandfather’s memories, the young man begins writing letters to Luddie. Undaunted by her lack of response, the narrator travels to Poland with his girlfriend and grandfather. As they come closer to finding the site where the bombardier was shot down, the letters to Luddie become more personal and the saga of a family with a long and storied history emerges. Beautifully orchestrated and eloquently original, each sentence slowly builds upon the next in a charming style both poetic and engrossing. A tale of soldiers and saviors, of burning and bombing, of fathers and sons and brothers and lovers, this is also the story of what we find when we dare to revisit the past. Born in Iowa in 1979, Travis Nichols now lives in Chicago. An editor at the Poetry Foundation, his writing has appeared in The Village Voice, The Believer, Details, Paste, Seattle Post-Intelligencer, and The Stranger. Off We Go Into the Wild Blue Yonder is his first novel.

"Allan T. Stein idolized his uncle, a pilot in the Great War. So in 1943, in the midst of the Second World War, he left Texas A & M University for Lackland Air Field to learn to fly. By the time he retired as a lieutenant colonel in 1969, Stein had flown everything from BT-13s and B-24s to B-52s and C-47s. During World War II, he flew missions over China and the Sea of Japan, and by V-J Day, he had participated in eight campaigns and logged 347 hours in combat. Stein later spent one year in Vietnam as operations officer for the 360 TEWS (Tactical Electronic Warfare Squadron), which used refitted C-47s to monitor and locate Vietcong units. He ended his career as inspector general of the Civil Air Patrol." "Stein considers himself to have been an ordinary airman, not a hero. But he was also a seasoned pilot and a conscientious officer with a strong sense of right and wrong. After a young pilot he had certified died in an accident, Stein made it a practice to fail all but the best candidates. He was just as disgusted with the corruption he encountered in the Civil Air Patrol as he was with the tendentious reporters he met in Saigon's Hotel Caravelle." "Although he met his share of cowards and scoundrels, Stein loved to fly and he loved the air force. He was the sort of officer his superiors trusted not to make mistakes, but he was not the sort to rise to high rank. What he offers here is an account of a typical career as an air force officer, complete with its frustrations, moral dilemmas, and the occasional harrowing experience."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Over 650 Vietnam War novels have been published, mostly dark tales from the war zone. In Wild Blue Yonder, Airman Nathaniel Hawthorne Flowers goes not to Vietnam but Germany, straight into a military Catch-22. His assignment: writing stories for the Stars and Stripes newspaper that will never see print. Nate's adventure deepens as he and his fellow troops try to understand why they're there, the military mindset, and the massive social disruption roiling 1960's America. Existential, psychedelic, funny, and laced with rock 'n' roll, Wild Blue Yonder is the story of Nate's quest for personal and spiritual values while trying to learn the meaning of family, friendship, and the love of the girl he left behind.

The 95th Bomb Group (Heavy), the most highly decorated bomb group of World War II, participated in every major mission of the war in Europe from May 1943 through the warÆs end and was awarded an unprecedented three Presidential Unit Citations. Flying the celebrated B-17 Flying Fortress, the 95th was the first U.S. bomb group to bomb Berlinùa feat that put it on the centerfold of Life magazineùand the last group to lose a plane over Europe in World War II. Over six hundred men in the 95th never came home. The Wild Blue Yonder and Beyond is the first book to cover a World War II bomb group from its inception through the present day. Utilizing interviews with nearly a hundred air war veterans, dozens of unpublished crew memoirs, all the bomb groupÆs official mission reports from the National Archives, and nearly a hundred other sources, author Rob Morris (assisted by air war historian Ian Hawkins) provides a deep tactical and human understanding of the group. Also included are the stories of the veteransÆ wives and families, who fought a different kind of war at home, and the residents of Horham, whose tiny English village was suddenly on the warÆs front lines. Intensely human, exhaustively researched, and lovingly told, this book is certain to be a classic in the field and a resource for anyone interested in the workings of a World War II bomb group.

The soaring saga and official history of Brigham Young University football, what some people have called the Mormon Notre Dame.

The story of the men chosen by the Army Air Forces to man the B-24 bombers which made a vital contribution to the Allied victory.

A collection of thirty-five creepy stories.

For generations, four clans of wild cats have shared the forest. When their warrior code is threatened by mysterious deaths, a house cat named Rusty may turn out to be the bravest warrior of all.

In Wild Blue Media, Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the differences between perceptual environments and how we think within and through them as embodied observers. In doing so, she provides media studies with alternatives to familiar theoretical frameworks, thereby challenging scholars to navigate unfamiliar oceanic conditions of orientation, materiality, and saturation. Jue not only examines media about the ocean—science fiction narratives, documentary films, ocean data visualizations, animal communication methods, and underwater art—but reexamines media through the ocean, submerging media theory underwater to estrange it from terrestrial habits of perception while reframing our understanding of mediation, objectivity, and metaphor.