Ghazals in Urdu and Hindi; transliterated dictionary of 10,000 Urdu words also in Hindi and English.

The primary aim of this book is to enable its audience in composing ghazals, including writing lyrics and setting music melody to it. The book is unique and original in that it introduces the history of ghazal, elaborates its technical structure and provides guidance on setting a musical score. The book also incorporates some of my compositions over the past four decades – 18 Urdu ghazals and 1 Nazm in a collection that my ghazal-loving friends affectionately call “Diwan-e-Aman” in the lighter vein. The impetus and inspiration behind these compositions are the rubayaths of the famous Persian poet Omar Qayyam and the ghazals of Hazrat Amir Khusrau. I am greatly indebted to those immortal poets. It is the outcome of my humble effort to strike a golden mean between using easily understandable language, drawing from the depths of literature and maintaining originality.

Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan.

Selected Urdu ghazals with English translation; includes text and introduction.

Maangey Allah se bas itni dua hai Rashid Main jo Urdu mein vaseeyat likhoon beta parh ley All Rashid asks of Allah is just one small gift: If I write my will in Urdu, may my son be able to read it. Urdu, one of the most widely used languages in the subcontinent, is, sadly, dying a slow death in the land where it was born and where it flourished. This definitive collection spans over 200 years of Urdu poetry, celebrating well-known and relatively unknown poets alike. It is essential reading for all who love Urdu verse and for all looking for the ideal introduction.

This book explores the Islamicate cultures that richly inform Bombay cinema. These cultures are imagined forms of the past and therefore a contested site of histories and identities. Yet they also form a culturally potent and aesthetically fertile reservoir of images and idioms through which Muslim communities are represented and represent themselves. Islamicate influences inform the language, poetry, music, ideas, and even the characteristic emotional responses elicited by Bombay cinema in general; however, the authors argue that it is in the three genre forms of The Muslim Historical. The Muslim Courtesan Film and The Muslim Social that these cultures are concentrated and distilled into precise iconographic, performative and narrative idioms. Furthermore, the authors argue that it is through these three genres, and their critical re-working by New Wave filmmakers, that social and historical significance is attributed to Muslim cultures for Muslims and non-Muslims alike. Ira Bhaskar is Associate Professor of Cinema Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. Richard Allen is Professor and Chair of Cinema Studies at the Tisch School of the Arts, New York University.

This book is a companion volume to author's earlier book, "Masterpieces of Urdu Ghazal" which contained English translations of 108 ghazals selected from nine major poets. The present volume contains 129 ghazals representing 20 outstanding Urdu poets. Thus, this anthology, taken together with The Masterpieces, may rightly claim to be a fully representative collection of Urdu ghazals in English translation. The ghazals are carefully selected and explained in English for the average readers as well as Urdu Connoisseurs. The book contains brief biographical notes and introductory essays on the ghazals.