Eric Bentley brings to the attention of Gogol's still growing American public not only a new version of Inspector, but three other dramatic works: The Marriage, Gamblers and A Madman's Diary, the last-named being Bentley's dramatization of a famous Gogol story. In a critical preface, Bentley finds all four works to be a Gogolian treatment of love - or the lack of love - and by the same token, thoroughly original works of dramatic art. Also includes a piece on Gamblers by the eminent Polish critic Jan Kott.

An inspector calls, the title play in this collection, was written inside a week in 1944. Inspector Goole, investigating a girl's death, calls on the Birlings, an outwardly virtuous household.

Culled from nearly twenty years of the playwright’s career, a showcase for Tom Stoppard’s dazzling range and virtuosic talent, The Real Inspector Hound and Other Plays is essential reading for fans of modern drama. The plays in this collection reveal Stoppard’s sense of fun, his sense of theater, his sense of the absurd, and his gifts for parody and satire. Includes: “The Real Inspector Hound” “After Margritte” “Dirty Linen” “New-Found-Land” “Dogg’s Hamlet” “Cahoot’s Macbeth”

#1 New York Times and Globe and Mail bestselling author Louse Penny's beloved Chief Inspector Armand Gamache mystery novels have received critical acclaim, won numerous awards, and have enthralled millions of readers. Featuring Chief Inspector of Homicide Armand Gamache of the Sûreté du Québec, these extraordinary novels are here together for the first time in a fabulous ebook bundle. Still Life Chief Inspector Gamache and his team of investigators are called to the scene of a suspicious death in Three Pines, a rural village south of Montreal. The locals are certain it's a tragic hunting accident and nothing more, but Gamache smells something foul this Thanksgiving season. A Fatal Grace When CC de Poitiers is found dead the day after Christmas, electrocuted in the middle of curling match with no witnesses, Chief Inspector Gamache digs beneath the surface to find where the real secrets are buried. But it seems that Gamache has some enemies of his own, and with the coming of the bitter winter winds, something far more chilling is in store. The Cruelest Month A group of Three Pines villagers decide to celebrate Easter with a séance at the Old Hadley House, hoping to rid the town of its evil-until one of their party dies of fright. But was it a natural death, or murder? As Chief Inspector Gamache investigates, he will be forced to face his very own ghosts as well as those residing in this seemingly idyllic town.

Feuding theatre critics Moon and Birdfoot, the first a fusty philanderer and the second a pompous and vindictive second stringer, are swept into the whodunit they are viewing. In the hilarious spoof of Agatha Christie-like melodramas that follows, the body under the sofa proves to be the missing first string critic. As mists rise about isolated Muldoon Manor, Moon and Birdfoot become dangerously implicated in the lethal activities of an escaped madman.

MAKING THE STAGE is a collection of essays that examines the role of theatre, drama, and performance in contemporary culture, a culture that is growing increasingly technological and isolated--seemingly at odds with the very nature of theatre, a collaborative and sometimes very primitive art form. Through the course of these essays, it is clear that theatre not only survives some of the challenges of the day but even defines discussions, particularly political ones which are prohibited by an increasingly manipulated media. The essays, from a diverse group of theatre scholars, examine the mechanics of theatre, from space to sound to the use of technology, the role of women in creating theatre, the relationship between theatre and literary art forms, the politics of theatre, science and theatre, and the role of performance art. Through them all, it is clear that theatre, drama, and performance continue to speak in significant ways.

The plays of Leopold Szor focus on the effects of the Holocaust on those who lived through it. In his words, "survival confers no automatic nobility" and his fascination with the randomness of survival is prevalent throughout his work. Leo's plays, set both in wartime Poland and post-war Europe and America, explore the ways in which both oppressors and oppressed managed to survive the nightmare of war and the effect it had on their psyches. His characters live in a world of constant conflict: romance and pragmatism, fear and greed, ruthlessness and altruism, and the ghosts haunting those who made it out alive. In his forward, Szor says survival "bestows an obligation to speak out until the last breath" and it is in the spirit of this obligation that these plays were written. Leopold Szor was born in 1921 in Lwow, Poland. He spent his boyhood years in Cracow and then moved to Warsaw to attend university, but was interrupted on the first day of classes by the German invasion of Poland and forced to flee eastward. He returned to Lwow and attended art school during the Russian Occupation. After the Nazis invaded Leo was sent to the notorious Janowska concentration camp. He miraculously escaped, and after a daring flight into Russia he participated in the liberation of Poland as part of the re-formed Polish army. After the war Leo immigrated to the United States, where he has lived for the past 60 years. He has a son, Daniel, who lives in London and three grandchildren: Henry, Alex and Emily. Leo lives in New York City with his long-time companion Tove.