This second edition of the remarkable Inside Lives (expanded with a chapter on the last years of the life cycle) provides a perspective on the relationship between psychoanalytic theory and the nature of human development. Following the major developmental phases from infancy to old age, the author lucidly explores the vital aspects of experience which promote mental and emotional growth and those which impede it. In bringing together a wide range of clinical, non-clinical and literary examples, it offers a detailed and accessible introduction to contemporary psychoanalytic thought and provides a personal and vivid approach to the elusive question of how the personality develops.

For fans of Small Spaces and the Goosebumps series by R.L Stine comes a chilling ghost story about a girl living in the decrepit and creepy mansion, who discovers something in the woods is after her, from the New York Times bestselling author of Scritch Scratch and The Mystery of Locked Rooms. All Ginny Anderson wants from her summer is to sleep in, attend a mystery writing workshop, and spend time with her best friend. But when Ginny's father—a respected restoration expert in Chicago—surprises the family with a month-long trip to Michigan, everything changes. They aren't staying in a hotel like most families would. No, they're staying in a mansion. A twenty-six room, century-old building surrounded by dense forest. Woodmoor Manor. But unfortunately, the mansion has more problems than a little peeling wallpaper. Locals claim the surrounding woods are inhabited by mutated creatures with glowing eyes. And some say campers routinely disappear in the woods, never to be seen again. As terrifying as it sounds, Ginny can't shake the feeling that there's something darker . . . another story she hasn't been told. When the creaky floors and shadowy corners of the mansion seem to take on a life of their own, Ginny uncovers the wildest mystery of all: There's more than one legend roaming Saugatuck, Michigan, and they definitely aren't after campers. It's after her. "This is a teeth-chattering, eyes bulging, shuddering-and-shaking, chills-at-the-back-of-your-neck ghost story. I loved it!"—R.L. Stine, author of the Goosebumps series on Scritch Scratch Pick up What Lives in the Woods if you are looking for: A book for middle school students, 5th grade to 9th grade A story with a strong female protagonist that explores bravery, friendship, and family Mystery books for kids 9-12 Chilling ghost stories and ghost books for kids (perfect for Halloween!)

Inside Me Lives A Village is a new book by Nadine Levitt that empowers children to identify, acknowledge and direct the many feelings that live inside them. Trusted by teachers across the country, this book and accompanying curriculum, teaches kids how to have a healthy relationship with their emotions!Feelings are a part of life, whether you feel happy, angry, sad, or shy, but they can feel even bigger and overwhelming to children. With beautiful illustrations by Miriam Mitzi Rosas each feeling is brought to life as a character that can be welcomed and also directed as desired."It's empowering for kids to understand that emotions do not control us, and we do not control our emotions. But they live inside us all the time, so it's important to have a good relationship with them. We foster a good relationship with emotions by quickly identifying and acknowledging them as they come up. The better our relationship with our emotions, the easier it will be to direct them!"This is a must-have book for children, parents, and teachers to talk to kids about the proper way to think, deal and express their many feelings.

Part of the ongoing series of photobooks published with the Arcus Foundation and Emerson, Wajdowicz Studios on queer communities around the world, a stunning portrait of a community battling homophobia in Serbia In June 2001, Serbia witnessed its first gay pride parade in history in Belgrade's central square. It was a short-lived march, as an ultranationalist mob quickly descended on the participants, chanting homophobic slurs and injuring dozens. For years afterward, fear of violence prevented further marches, and when, in October 2010, the next pride march finally went ahead, it again devolved into violence as anti-gay rioters, firing shots and hurling petrol bombs, fought the police. It was only in 2014 that a pride march was held uninterrupted, albeit under heavy police protection. In Lives in Transition, photographer Slobodan Randjelovic captures the struggles and successes of twenty LGBTQ people living throughout Serbia—a conservative, religious country where, despite semi-progressive LGBTQ protection laws, homophobia fueled by religious authorities and right-wing political parties remains deeply entrenched. In a country where lack of employment opportunity and hostile families frequently drive queer people into poverty and isolation, these individuals have struggled to build a community that will offer solace, protection, and even joy. Lives in Transition portrays remarkable and inspiring resilience in the human struggle against a repressive social environment and demonstrates how friendship and community can help people shape their own futures. Lives in Transition was designed by Emerson, Wajdowicz Studios (EWS).

A feminist media history of quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Anglo-American culture has used media to measure and quantify lives for centuries. Historical journal entries map the details of everyday life, while death registers put numbers to life's endings. Today we count our daily steps with fitness trackers and quantify births and deaths with digitized data. How are these present-day methods for measuring ourselves similar to those used in the past? In this book, Jacqueline Wernimont presents a new media history of western quantification, uncovering the stories behind the tools and technologies we use to count, measure, and weigh our lives and realities. Numbered Lives is the first book of its kind, a feminist media history that maps connections not only between past and present-day “quantum media” but between media tracking and long-standing systemic inequalities. Wernimont explores the history of the pedometer, mortality statistics, and the census in England and the United States to illuminate the entanglement of Anglo-American quantification with religious, imperial, and patriarchal paradigms. In Anglo-American culture, Wernimont argues, counting life and counting death are sides of the same coin—one that has always been used to render statistics of life and death more valuable to corporate and state organizations. Numbered Lives enumerates our shared media history, helping us understand our digital culture and inheritance.

Lives in Play explores the centrality of life narratives to women’s drama and performance from the 1970s to the present moment. In the early days of second-wave feminism, the slogan was “The personal is the political.” These autobiographical and biographical “true stories” have the political impact of the real and have also helped a range of feminists tease out the more complicated aspects of gender, sex, and sexuality in a Western culture that now imagines itself as “postfeminist.” The book’s scope is broad, from performance artists like Karen Finley, Holly Hughes, and Bobby Baker to playwrights like Suzan-Lori Parks, Maria Irene Fornes, and Sarah Kane. The book links the narrative tactics and theatrical approaches of biography and autobiography and shows how theater artists use life writing strategies to advance women’s rights and remake women’s representations. Lives in Play will appeal to scholars in performance studies, women’s studies, and literature, including those in the growing field of auto/biography studies. “ A fresh perspective and wide-ranging analysis of changes in feminist theater for the past thirty years . . . a most welcome addition to the literature on theater, in particular scholarship on feminist practices.” —Choice “Helps sustain an important history by reviving works of feminist theater and performance and giving them a new and refreshing context and theorical underpinning . . . considering 1970s performance art alongside more conventional play production.” —Lesley Ferris, The Ohio State University

Meet the trophy wives of Presidio Terrace, San Francisco’s most exclusive—and most deadly—neighborhood in this shrewd, darkly compelling novel from the New York Times bestselling author of In Her Shadow. Mystery writer Brooke Davies is the new wife on the block. Her tech-billionaire husband, Jack, twenty-two years her senior, whisked her to the Bay Area via private jet and purchased a modest mansion on the same day. He demands perfection, and before now, Brooke has had no problem playing the role of a doting housewife. But as she befriends other wives on the street and spends considerable time away from Jack, he worries if he doesn’t control Brooke’s every move, she will reveal the truth behind their “perfect” marriage. Erin King, famed news anchor and chair of the community board, is no stranger to maintaining an image—though being married to a plastic surgeon helps. But the skyrocketing success of her career has worn her love life thin, and her professional ambitions have pushed Mason away. Quitting her job is a Hail Mary attempt at keeping him interested, to steer him away from finding a young trophy wife. But is it enough, and is Mason truly the man she thought he was? Georgia St. Claire allegedly cashed in on the deaths of her first two husbands, earning her the nickname “Black Widow”—and the stares and whispers of her curious neighbors. Rumored to have murdered both men for their fortunes, she claims to have found true love in her third marriage, yet her mysterious, captivating allure keeps everyone guessing. Then a tragic accident forces the residents of Presidio Terrace to ask: Has Georgia struck again? And what is she really capable of doing to protect her secrets?

In The Lives in Objects, Jessica Yirush Stern presents a thoroughly researched and engaging study of the deerskin trade in the colonial Southeast, equally attentive to British American and Southeastern Indian cultures of production, distribution, and consumption. Stern upends the long-standing assertion that Native Americans were solely gift givers and the British were modern commercial capitalists. This traditional interpretation casts Native Americans as victims drawn into and made dependent on a transatlantic marketplace. Stern complicates that picture by showing how both the Southeastern Indian and British American actors mixed gift giving and commodity exchange in the deerskin trade, such that Southeastern Indians retained much greater agency as producers and consumers than the standard narrative allows. By tracking the debates about Indian trade regulation, Stern also reveals that the British were often not willing to embrace modern free market values. While she sheds new light on broader issues in native and colonial history, Stern also demonstrates that concepts of labor, commerce, and material culture were inextricably intertwined to present a fresh perspective on trade in the colonial Southeast.

How important is religion for young people in America today? What are the major influences on their developing spiritual lives? How do their religious beliefs and practices change as young people enter into adulthood? Christian Smith's Souls in Transition explores these questions and many others as it tells the definitive story of the religious and spiritual lives of emerging adults, ages 18 to 24, in the U.S. today. This is the much-anticipated follow-up study to the landmark book, Soul Searching: The Religious and Spiritual Lives of American Teenagers. Based on candid interviews with thousands of young people tracked over a five-year period, Souls in Transition reveals how the religious practices of the teenagers portrayed in Soul Searching have been strengthened, challenged, and often changed as they have moved into adulthood. The book vividly describes as well the broader cultural world of today's emerging adults, how that culture shapes their religious outlooks, and what the consequences are for religious faith and practice in America more generally. Some of Smith's findings are surprising. Parents turn out to be the single most important influence on the religious outcomes in the lives of young adults. On the other hand, teenage participation in evangelization missions and youth groups does not predict a high level of religiosity just a few years later. Moreover, the common wisdom that religiosity declines sharply during the young adult years is shown to be greatly exaggerated. Painstakingly researched and filled with remarkable findings, Souls in Transition will be essential reading for youth ministers, pastors, parents, teachers and students at church-related schools, and anyone who wishes to know how religious practice is affected by the transition into adulthood in America today.

Winner of the 2009 Gradiva Award for Outstanding Psychoanalytic Publication! Within the title of her book, Making a Difference in Patients' Lives, Sandra Buechler echoes the hope of all clinicians. But, she counters, experience soon convinces most of us that insight, on its own, is often not powerful enough to have a significant impact on how a life is actually lived. Many clinicians and therapists have turned toward emotional experience, within and outside the treatment setting, as a resource. How can the immense power of lived emotional experience be harnessed in the service of helping patients live richer, more satisfying lives? Most patients come into treatment because they are too anxious, or depressed, or don’t seem to feel alive enough. Something is wrong with what they feel, or don’t feel. Given that the emotions operate as a system, with the intensity of each affecting the level of all the others, it makes sense that it would be an emotional experience that would have enough power to change what we feel. But, ironically, the wider culture, and even psychoanalysts, seem to favor "solutions" that aim to mute emotionality, rather than relying on one emotion to modify another. We turn to pharmaceutical, cognitive, or behavioral change to make a difference in how life feels. Because we are afraid of emotional intensity, we cut off our most powerful source of regulation. In clear, jargon-free prose that utilizes both clinical vignettes and excerpts from poetry, art, and literature, Buechler explores how the power to feel can become the power to change. Through an active empathic engagement with the patient and an awareness of the healing potential inherent in each of our fundamental emotions, the clinician can make a substantial difference in the patient’s capacity to embrace life.