The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.

"A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” -- John Guare, Tony Award-winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level competitions. Steinhardt describes Bach’s Chaconne as the holy grail for the solo violin, and he illuminates, from the perspective of an ardent owner of a great Storioni violin, the history and mysteries of the renowned Italian violinmakers. Violin Dreams includes a remarkable CD recording of Steinhardt performing Bach’s Partita in D Minor as a young violinist forty years ago and playing the same piece especially for this book. A conversation between the author and Alan Alda on the differences between the two performances is included in the liner notes.

These intelligent conversations will be greeted enthusiastically not only by string players and serious musicians but also by advanced listeners. A musicologist and conductor, Blum knows from experience what crucial questions to ask about the medium and its practice. The members of the Guarneri Quartet discuss their backgrounds, training, cooperative efforts, problems with specific repertoire, and reactions to composers and conductors, as well as such detailed matters as bowing, intonation, vibrato, pizzicato, dynamics and the use of the left hand. Enhanced by hundreds of music examples and a detailed analysis of Beethoven's Opus 131, this is arguably the best book on the subject and one of the most important books on music issued in recent years. Performing Arts Book Club selection.

An inseparable bond. An insatiable force. Battling his own personal demons, Police Chief Jonah Westfall knows the dark side of life and has committed himself to eradicating it. When a pair of raccoons are found mutilated in Redford, Colorado, Jonah investigates the gruesome act, knowing the strange event could escalate and destroy the tranquility of his small mountain town. With a rising drug threat and never-ending conflict with Tia Manning, a formidable childhood friend with whom he has more than a passing history, Jonah fights for answers—and his fragile sobriety. But he can’t penetrate every wound or secret—especially one fueled by a love and guilt teetering on madness. From best-selling author Kristen Heitzmann comes a spellbinding tale of severed connections and the consequences of life lived alone.

Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.

Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer‘s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende

A leading expert on twins delves into the stories behind her research to reveal the profound joys and real-life traumas of 12 remarkable sets of twins, triplets, and quadruplets. Segal unravels these moving stories with an eye for the challenges that life as a twin (or triplet or quadruplet) can pose to parents, friends, and spouses, as well as the twins themselves.

Inspired by true events, Indivisible is a story of love, service, and finding each other all over again. Darren and Heather Turner share a passion for serving God, family, and country. When Darren is deployed to Iraq as an army chaplain, Heather vows to serve military families back home as she cares for the couple’s three young children. Darren knows he’s overseas to support the troops in their suffering as their chaplain. What he doesn’t know is how he will get through his own dark moments. And as communication from Darren dwindles, Heather wonders what is happening in her husband’s heart. Meanwhile, she’s growing weary in the day-to-day life of a military base—each child’s milestone Darren will never see, each month waiting for orders, each late-night knock on the door. When Darren returns, he is no longer the husband Heather once knew. She is no longer the woman Darren wed. And so it’s at home that the Turners face their biggest battle: to save their marriage. Based on the screen play by David Evans, Indivisible is a tribute to the beauty of serving our country, the courage of choosing love in the darkness, and the power of a God who never gives up hope.

The Amadeus Quartet, which was active from 1948 until 1987 when its viola player Peter Schidlof died, is probably one of the most famous and distinguished string quartets of the 20th century. It played to wide variety of audiences all over the world and produced a huge number of recordings, many of which are still available.

The Geography of Ethnic Violence is the first among numerous distinguished books on ethnic violence to clarify the vital role of territory in explaining such conflict. Monica Toft introduces and tests a theory of ethnic violence, one that provides a compelling general explanation of not only most ethnic violence, civil wars, and terrorism but many interstate wars as well. This understanding can foster new policy initiatives with real potential to make ethnic violence either less likely or less destructive. It can also guide policymakers to solutions that endure. The book offers a distinctively powerful synthesis of comparative politics and international relations theories, as well as a striking blend of statistical and historical case study methodologies. By skillfully combining a statistical analysis of a large number of ethnic conflicts with a focused comparison of historical cases of ethnic violence and nonviolence--including four major conflicts in the former Soviet Union--it achieves a rare balance of general applicability and deep insight. Toft concludes that only by understanding how legitimacy and power interact can we hope to learn why some ethnic conflicts turn violent while others do not. Concentrated groups defending a self-defined homeland often fight to the death, while dispersed or urbanized groups almost never risk violence to redress their grievances. Clearly written and rigorously documented, this book represents a major contribution to an ongoing debate that spans a range of disciplines including international relations, comparative politics, sociology, and history.