The ten essays that comprise this volume wrestle with the tension between the individual and the community in Nietzsche's philosophy.

The ten essays that comprise this volume wrestle with the tension between the individual and the community in Nietzsche's philosophy.

The ten essays that comprise this volume wrestle with the tension between the individual and the community in Nietzsche's philosophy.

G. W. F. Hegel and Friedrich Nietzsche are often considered the philosophical antipodes of the nineteenth century. In Infinite Autonomy, Jeffrey Church draws on the thinking of both Hegel and Nietzsche to assess the modern Western defense of individuality—to consider whether we were right to reject the ancient model of community above the individual. The theoretical and practical implications of this project are important, because the proper defense of the individual allows for the survival of modern liberal institutions in the face of non-Western critics who value communal goals at the expense of individual rights. By drawing from Hegelian and Nietzschean ideas of autonomy, Church finds a third way for the individual—what he calls the “historical individual,” which goes beyond the disagreements of the ancients and the moderns while nonetheless incorporating their distinctive contributions.

Andrew Huddleston presents a striking challenge to the standard view of Nietzsche as the champion of the great individual, and preoccupied with his own quasi-artistic self-cultivation. Huddleston focuses on Nietzsche's idea of a flourishing culture to bring out the deep social and collectivist character of his thought.

This is a clear and lucid account of Nietzsche's philosophy of art.

In his first book, The Birth of Tragedy, Nietzsche observes that Greek tragedy gathered people together as a community in the sight of their gods, and argues that modernity can be rescued from 'nihilism' only through the revival of such a festival. This is commonly thought to be a view which did not survive the termination of Nietzsche's early Wagnerianism, but Julian Young argues, on the basis of an examination of all of Nietzsche's published works, that his religious communitarianism in fact persists through all his writings. What follows, it is argued, is that the mature Nietzsche is neither an 'atheist', an 'individualist', nor an 'immoralist': he is a German philosopher belonging to a German tradition of conservative communitarianism - though to claim him as a proto-Nazi is radically mistaken. This important reassessment will be of interest to all Nietzsche scholars and to a wide range of readers in German philosophy.

In Beyond Good and Evil, Friedrich Nietzsche gives an impassioned analysis of Western religion, specifically Christianity, that confronts its authoritative view of humans and nature. Nietzsche introduces a counterargument that dismisses groupthink or herd mentality and emphasizes a person’s “will to power.” He demystifies past ideas, encouraging a bold alternative. An honest study of different ideologies and their influence on positive and negative behaviors. With nearly 300 aphorisms, the author criticizes the state of philosophy and its link to conventional wisdom. He also rejects a universal code of ethics as it doesn’t account for the distinct characteristics of each individual. Nietzsche suggests every person has a lived experience that affects their outlook on what’s right and wrong. Nietzsche is one of the most famous and controversial thinkers of all-time. His works are staples within the intellectual community and are used to discuss identity, nobility and personal growth. He is often a point of reference for other scholars, including psychologists, scientists and political leaders. With an eye-catching new cover, and professionally typeset manuscript, this edition of Beyond Good and Evil is both modern and readable.

Nietzsche says "good Europeans" must not only cultivate a "supra-national" view, but also "supra-European" perspective to transcend their European biases and see beyond the horizon of Western culture. The volume takes up such conceptual frontier crossings and syntheses. Emphasizing Nietzsche's genealogy of European culture and his reflections upon the constitution of Europe in the broadest sense, its essays examine peoples and nations, values and arts, knowledge and religion. Nietzsche's apprehensions about the crises of nihilism and decadence and their implications for Europe's (and humankind’s) future are investigated in this context. Concerning the crossing of notional frontiers, contributors examine Nietzsche’s hoped-for dismantling of Europe’s state borders, the overcoming of national prejudices and rivalries, and the propagation of a revitalizing "supra-European" perspective on the continent, its culture(s) and future. They also illuminate lines of syntheses, notably the syncretism of the ancient Greeks and its possible example for the European culture to-be. Finally certain of Europe's current problems are considered via the critical apparatus furnished by Nietzsche's philosophy and the diagnostic tools it provides.