"India's Love Lyrics" by Laurence Hope is a book of lyric poetry. Among the works collected in this volume are: "Less than the Dust," "To the Unattainable," "In the Early, Pearly Morning," Reverie of Mahomed Akram at the Tamarind Tank, Verses, Song of Khan Zada, The Teak Forest, Valgovind's Boat Song, Kashmiri Song by Juma, Zira: in Captivity, Marriage Thoughts: by Morsellin Khan, To the Unattainable, Mahomed Akram's Appeal to the Stars, Reminiscence of Mahomed Akram, Story by Lalla-ji, the Priest, Request, Story of Udaipore, Valgovind's Song in the Spring, Youth, When Love is Over, and "Golden Eyes."

"American Indian love lyrics, and other verse" by Edward S. Curtis, Mary Austin, Alice Corbin. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A compilation of love stories and poems from the classical literature and folklore of India Set in regions of great natural beauty where Kamadeva, the god of love, picks his victims with consummate ease, these stories and lyrics celebrate the myriad aspects of love. In addition to relatively well-known works like Kalidasa's Meghadutam and Prince Ilango Adigal's Shilappadikaram, the collection features lesser-known writers of ancient India like Damodaragupta (eighth century AD), whose 'Loves of Haralata and Dundarasena' is about a high-born man's doomed affair with a courtesan; Janna (twelfth century), whose Tale of the Glory-Bearer is extracted here for the story of a queen who betrays her handsome husband for a mahout, reputed to be the ugliest man in the kingdom; and the Sanskrit poets Amaru and Mayaru (seventh century), whose lyrics display an astonishing perspective on the tenderness, the fierce passion and the playful savagery of physical love. Also featured are charming stories of Hindu gods and goddesses in love, and nineteenth-century retellings of folk tales from different regions of the country like Kashmir, Punjab, Maharashtra and Rajasthan. Both passionate and sensuous in its content, this book is sure to appeal to the romantic in all of us.

A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day. Bullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-01-1941 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 91 VOLUME NUMBER: Vol. VI, No. 3 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 23-24, 29-88 ARTICLE: 1. World Federation 2. "And So You Brought A Radio" 3. Current Cant.. 4. The Mission Of Braodcasting In India 5. Can You Talk? 6. Microphone Personalities —5 Master Madan AUTHOR: 1. Sir A. Ramaswamy Mudaliar 2. Mike 3. K. Nagarajan 4. Dr. R. C. Majumdar 5. Unknown 6. Unknown KEYWORDS: 1. World Federation, Internationalism, Nationality 2. Radio Set, Licence Fee, Indian Broadcasting 3. Schoolmaster, Civilised Human, Jargon 4. Methods Of Communication, Political Education, Power Of Radio 5. Live Talk, Great Conversationalists 6. Khankhana, AIR Delhi, Master Madan Document ID: INL-1940-41 (J-D) Vol- I (03)