Rev. Hagin describes in fascinating detail all of his major visions of Jesus in the book I Believe i Visions. These visions have dramtically influenced Rev. Hagin's half century of ministry.

In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.

This volume collects the research of today's scientists to explore the possibilities of the science of tomorrow. Among the issues covered are how decoding DNA will allow us to alter and reshape our genetic heritage, and how quantum physicists will harness the energy of the Universe.

H.D’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process. While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, Notes on Thought and Vision, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.

The Druid's Peace & the Sorcerer's Eye The practice of magical arts requires a mind trained in the ability to produce altered states of awareness at will. Magical work is supported by the ability to calm the heart and mind, to work with the energies of the Inner World, and to see and journey among the spirits. The Book of Visions provides lessons in the skills of meditation and vision. The methods are presented in a series that can serve as progressive lessons, or stand alone. Presented within a Pagan Druidic framework, the methods are easily adaptable to other Pagan systems. The lessons include: - Meditation - Finding Your Peace - The Two Powers; Underworld and Heavens - The Threshold Realm, & the Vision Journey; - The Inner Grove; a personal place of power. - The Nineteen Working: a spiritual practiced based firmly on Gaelic lore. Ian Corrigan is an Archdruid Emeritus and a Senior Priest of Ar nDraiocht Fein (ADF.

This spectacularly illustrated book is a comprehensive exploration of astronomy through the eyes of the world's observatories and spacecraft missions. Featuring the latest and most stunning images, it provides a magnificent picture of the beauty of the cosmos. The accompanying text is an accessible guide to the science behind the wonders and includes clear explanations of all the major themes in astronomy. An essential guide to understanding and appreciating the Universe, Visions of the Cosmos builds on the success of the authors' previous book, Hubble Vision, which became an international best-seller and won world-wide acclaim. Carolyn Collins Petersen is a science journalist and creator of educational materials for astronomy. She is the former Editor of Books & Products at Sky Publishing Corporation, and served as Editor of SkyWatch and Associate Editor of Sky & Telescope magazines. Petersen is the lead author of the book Hubble Vision, first published in 1995 by Cambridge University Press, and co-written with Dr. John C. Brandt. She is also co-editor (with J. Kelly Beatty and Andrew Chaikin) of The New Solar System, fourth edition, co-published by Sky Publishing Corporation and Cambridge University Press. John C. Brandt has held positions as a research scientist, teacher, and administrator, and is currently an adjunct professor of physics and astronomy at the University of New Mexico. He served for 20 years as Chief of a major NASA scientific laboratory and was the Principal Inverstigator for the Goddard High Resolution Spectograph on the Hubble Space Telescope. John received the NASA Medal for Exceptional Scientific Achievement in 1978 and 1992, and has had a minor planet formally named after him (3503 Brandt) for his fundamental contributions to understanding of solar system astrophysics.

Collage illustrations introduce the letters of the alphabet.

There is no question that every person will have a dream at one point or another. Some will even have visions. Bestselling author Stone answers readers questions regarding the symbolism of dreams and what they mean.

Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.