"In her interview with The Paris Review, Joan Didion offered this credo: 'The writer is always tricking the reader into listening to the dream.' To read Devin Kelly's poetry collection, In This Quiet Church of Night I Say Amen is to privilege the dream. This book is an elegy for the living, the simple difficulty within and behind departure: 'Who we let go & how-I want to tell you this means more than who we stay beside.' The hard geographic lines in this collection, as we move through the industrial landscape of Appalachia to the coffee-studded sidewalks of Brooklyn, draw parcels of memories and non-memories. Such proximities ask us who we are when we are here and not here. Kelly is a poet of infinite feeling, a poet who is not afraid to bewilder his capacity to love. This book hurts the way life hurts, and Kelly promises us thus: 'Life will have, I think, its punishment for all of us.' If you grow dizzy as you read this book, it's because you haven't been breathing. These are gorgeous poems." --Natalie Eilbert, author of Indictus and Swan Feast

The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving. The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.

Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.

This revised, expanded edition of the Common Worship President’s Edition contains everything to celebrate Holy Communion Order One throughout the church year. It combines relevant material from the original President’s Edition with Eucharistic material from Times and Seasons, Festivals and Pastoral Services, and the Additional Collects.

Amen, I Say to You includes homilies for Cycles A, B, and C of the liturgical year, and a homily for each Holy Day of Obligation within the Roman Catholic Church. Each homily consist of three main points with supporting examples and illustrations. These are homilies I have preached, and they have been constructed with attention to verbal presentation. Another homilist easily should be able to substitute or include examples from his or her own pastoral or lived experience within the conceptual structure each homily provides. These homilies are not essays; they include no long, convoluted, hard to understand sentences. I try for simplicity of words and sentences, for concrete language everyone can understand. Feedback from posting some of the homilies on the internet has characterized the homilies as well planned, with ideas placed in a logical and precise order. They have been called simple, personal, and practical; very inspired and insightful; containing deep reflection and authentic Christian faith; and illustrative, applied and down to earth practical.

A book-length poem evokes the horror, anguish, and brutality of 20th century history.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Poetry collection by Quenton Baker. Baker is a poet and educator from Seattle. His current focus is the fact of blackness in American society. His work has appeared in Vinyl, Apogee, Poetry Northwest, The James Franco Review, Cura and in the anthologies Measure for Measure: An Anthology of Poetic Meters and It Was Written: Poetry Inspired by Hip-Hop. Baker has an MFA in Poetry from the University of Southern Maine and is a two-time Pushcart Prize nominee. He is a 2015-2016 Made at Hugo House fellow and the recipient of the 2016 James W. Ray Venture Project Award. He is also the author of the chapbook Diglossic in the Second America from Punch Press. This Glittering Republic is his first full-length collection.

While Jonathan struggles with his ex over visitation rights and widower Simon resists the attentions of single women, David receives shocking news from his ex-girlfriend and Rachel finds her new role as a minister's wife challenged by the return of a first love. Original. 60,000 first printing.

Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.