Arguing with Tradition is the first book to explore language and interaction within a contemporary Native American legal system. Grounded in Justin Richland’s extensive field research on the Hopi Indian Nation of northeastern Arizona—on whose appellate court he now serves as Justice Pro Tempore—this innovative work explains how Hopi notions of tradition and culture shape and are shaped by the processes of Hopi jurisprudence. Like many indigenous legal institutions across North America, the Hopi Tribal Court was created in the image of Anglo-American-style law. But Richland shows that in recent years, Hopi jurists and litigants have called for their courts to develop a jurisprudence that better reflects Hopi culture and traditions. Providing unprecedented insights into the Hopi and English courtroom interactions through which this conflict plays out, Richland argues that tensions between the language of Anglo-style law and Hopi tradition both drive Hopi jurisprudence and make it unique. Ultimately, Richland’s analyses of the language of Hopi law offer a fresh approach to the cultural politics that influence indigenous legal and governmental practices worldwide.

The genre of Rajput painting flourished between the 16th and 19th centuries in the kingdoms that ruled what is now the Indian state of Rajasthan (place of rajas). Rajput paintings depicted the nobility and court spectacle as well as scenes from Krishna’s life, the Hindu epics, and court poetry. Many Rajput kingdoms developed distinct styles, though they shared common conventions. This important book surveys the overall tradition of Indian Rajput painting, while developing new methods to ask unprecedented questions about meaning. Through a series of in-depth studies, Aitken shows how traditional formal devices served as vital components of narrative meaning, expressions of social unity, and rich sources of intellectual play. Supported by beautiful full-color illustrations of rare and often inaccessible paintings, Aitken’s study spans five centuries, providing a comprehensive and innovative look at the Rajasthan’s court painting traditions and their continued relevance to contemporary art.

'Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St John's College, Oxford 'I found the text very readable and I particularly enjoyed the post-postmodernist take on many issues. It is hugely stimulating and intriguing throughout.' - Deborah Howard, University of Cambridge 'I think this is an absolutely splendid text, unique in conception, elegant and ingenious in design, and extremely ???user-friendly??? in styling and presentation.' - David Hopkins, University of Bristol 'A prodigiously ambitious, cornucopian book . . . so rich that no review will do it justice.' - Paul Barolsky, University of Virginia, Arion 'Impressive power and learning.' - Justus Cobet, Universität Duisburg-Essen, Sehepunkte 'Succeeds in providing an overarching account of a huge sweep of cultural history without losing sight of the host of nuances and particularities associated with such an overwhelmingly large topic.' - Pablo Maurette, University of Chicago, Comparative Critical Studies 'Highly innovative...engrossing...the book is marvellously packed throughout with insights and provocations. It conducts, to its great benefit and ours, a properly theoretical enquiry.' - Charles Martindale, University of Bristol, Translation and Literature The classical tradition – the legacy of Ancient Greece and Rome – is a large, diverse, and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent, and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German, and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships – comparative, contrastive, and interactive – between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.

Design and Tradition by Amor Fenn: Examining the Intersection of Artistic Design and Cultural Heritage: "Design and Tradition" by Amor Fenn delves into the fascinating relationship between artistic design and cultural heritage. Fenn explores how design principles, aesthetics, and craftsmanship are influenced and shaped by traditional practices, cultural values, and historical contexts, offering insights into the rich tapestry of human creativity. Key Aspects of the Book "Design and Tradition": Artistic Design: Fenn delves into the principles of artistic design, exploring concepts such as form, function, aesthetics, and innovation. The book examines how these principles are applied across various art forms, including architecture, textiles, ceramics, and more. Cultural Heritage: The book highlights the importance of cultural heritage in shaping design traditions. Fenn explores how historical, social, and cultural factors influence design choices and how traditions are passed down through generations, preserving and evolving cultural identities. Interdisciplinary Perspectives: Fenn takes an interdisciplinary approach, drawing on insights from anthropology, history, sociology, and art criticism. This comprehensive exploration allows readers to appreciate the intricate connections between design, tradition, and the wider cultural landscape. Amor Fenn was a respected author and scholar with a keen interest in the intersection of art, design, and cultural heritage. Fenn's works shed light on the role of artistic expression in preserving cultural identities and traditions. "Design and Tradition" stands as a testament to Fenn's dedication to exploring the interconnectedness of art, design, and cultural heritage, fostering a deeper understanding and appreciation of the diverse creative expressions found throughout human history.

In what shape do we find the doctrine of sola Scriptura today? Many modern Evangelicals see it as a license to ignore history and the creeds in favor of a more splintered approach to the Christian living. In the past two decades, Roman Catholic and Eastern Orthodox apologists have strongly tried to undermine sola Scriptura as unbiblical, unhistorical, and impractical. But these groups rest their cases on a recent, false take on sola Scriptura. The ancient, medieval, and classical Protestant view of sola Scriptura actually has a quite different shape than most opponents and defenders maintain. Therein lies the goal of this book-an intriguing defense of the ancient (and classical Protestant) doctrine of sola Scriptura against the claims of Rome, the East, and modern Evangelicalism. "The issue of sola Scriptura is not an abstract problem relevant only to the sixteenth-century Reformation, but one that poses increasingly more serious consequences for contemporary Christianity. This work by Keith Mathison is the finest and most comprehensive treatment of the matter I've seen. I highly recommend it to all who embrace the authority of sacred Scripture." -R.C. Sproul, Ligonier Ministries

In today's fast-food world, Christianity can seem outdated or archaic. The temptation becomes to pick up the pace and play the game. But Chris Smith and John Pattison invites us to leave franchise faith behind and enter the kingdom of God, where people know each other well and love one another as Christ loves the church.

WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.

This book explores this project, as well as the work of other women who have created ongoing organizations for the express purpose of bringing excluded groups "into voice." Because these organizations are so effective in nurturing the development of their members, the authors call them "public homeplaces." While these diverse project are rooted in very different soils - declining inner-city neighborhoods, affluent middle-class suburbs, and African American communities in the Deep South - they have much in common. They are places where every voice is heard, where the group's action projects are designed to address the members' most driving questions and concerns, and where all are supported to be the best they can be.