This is the first extensive anthology of contemporary Sami literature in English. The Sami are the indigenous people inhabiting Northern Norway, Sweden, Finland and Russia's Kola Peninsula. Twenty-one authors from all four countries are represented with poetry, short stories and excerpts from novels. Many of the authors are award-winners, and some have been included in Nordic and international collections. The readers will be introduced to a variety of themes and experiences, from wolves attacking a reindeer herd to river boat rafting and the making of a shaman drum, from the most tender love poems in Arctic surroundings to the bitter realities in the everyday life of a suppressed minority. The text reflects Sami resilience and selfhood, and expresses the Sami's own perspective on their struggle to preserve traditional values in modern society -- from back cover.

#1 bestselling author Stephenie Meyer makes a triumphant return to the world of Twilight with this highly anticipated companion: the iconic love story of Bella and Edward told from the vampire's point of view. When Edward Cullen and Bella Swan met in Twilight, an iconic love story was born. But until now, fans have heard only Bella's side of the story. At last, readers can experience Edward's version in the long-awaited companion novel, Midnight Sun. This unforgettable tale as told through Edward's eyes takes on a new and decidedly dark twist. Meeting Bella is both the most unnerving and intriguing event he has experienced in all his years as a vampire. As we learn more fascinating details about Edward's past and the complexity of his inner thoughts, we understand why this is the defining struggle of his life. How can he justify following his heart if it means leading Bella into danger? In Midnight Sun, Stephenie Meyer transports us back to a world that has captivated millions of readers and brings us an epic novel about the profound pleasures and devastating consequences of immortal love. An instant #1 New York Times BestsellerAn instant #1 USA Today BestsellerAn instant #1 Wall Street Journal BestsellerAn instant #1 IndieBound BestsellerApple Audiobook August Must-Listens Pick "People do not want to just read Meyer's books; they want to climb inside them and live there." -- Time "A literary phenomenon." -- New York Times

Acclaimed Writing Team Pair Up Again for Gripping Historical Romance Cassidy Ivanoff and her father, John, work at the new and prestigious Curry Hotel outside Mt. McKinley. While John will be expedition and wilderness exploration guide for the wealthy tourists, Cassidy has signed on as a cook's assistant. Both are busy as the hotel prepares to welcome the president of the United States on his way to drive in the golden spike to officially complete the railroad. Allan Brennan travels to the Curry Hotel to be an apprentice of a seasoned Alaska mountain guide. Ever since his father's death climbing Mt. McKinley, he's worked to earn enough money to make the trek to the Alaska territory himself. His father's partner blames their guide for the death of his father, but Allan wants to find the truth for himself. He finds an unlikely ally in Cassidy, and as the two begin to look into the mystery, they suddenly find that things are much less clear, and much more dangerous, than either could ever imagine.

'The wolf Meshiska gave birth to five cubs on the night before full moon. Outside the den a storm was lashing the spruce trees. The sky and the land had become part of each other: a scatterwind night swirling with fragments of black and white. Snow became darkness and darkness snow, and any creature lost between the two found a rock or a tree and lay down beside it, to wait until the world had formed again.' Into this bleak landscape, Athaba is born, a young wolf destined for great adventure. Exiled from his pack for breaking its rigid codes of behaviour and showing too much imagination, Athaba becomes a 'raven wolf', a lonely scavenger living on scraps and his wits. Survival in the icy wastes is hard and dangerous without the comfort and protection of the pack. Injured, and stranded far from home, Athaba is forced to strike up an uneasy alliance with his natural enemy: a man. Together, but ever wary of each other, the wolf and the solitary hunter start their long walk home across the wilderness. It soon becomes clear that the man must learn to be a wolf if he is to survive in the wolf's world. And Athaba has to use all his imagination to learn new skills and strategies to fend for himself and his new pack member: for he discovers that men are frail, and often very ignorant!

"This dissertation is a colonial discourse analysis of the construction of Sápmi (Sámiland) as colonized territory and the Sámi as colonized subjects, and an exploration of some oppositional responses to that construction. Beginning with classical representations of the wilderness beyond the civilized space of the polis - and subsequently of the empire - and of the inhabitants with which the ancient Greek, Roman, and Hebrew imaginations populated this space, the analysis goes on to trace the incorporation of the Sámi into world views that constructed the uncivilized as mirrors to reflect the image of the civilized gazing subject back to himself. From Tacitus' Germania and later Roman and post-Roman Mediterranean texts, through the medieval and early modern periods, the examination follows the pre-colonial textual production of tropes of wildness, magic, and remoteness that form the basis of colonial discursive treatment of the Sámi. Colonial discourse emerges with the beginning of colonial expropriation of Sápmi and the Sámi in the sixteenth century. This dissertation follows the development of that discourse, and examines its transformations as it legitimizes and accommodates colonization into the twentieth century. Successively informed by and incorporated within various metropolitan European discourses, including those of the Enlightenment, the Noble Savage, and Social Darwinism, colonial discourse marginalizes and objectifies the Sámi while it inscribes them and their territory within the modern states of Norway, Sweden, Finland, and Russia. The examination of colonial discourse culminates with the extreme marginalization of the Sámi in Knut Hamsun' s novel 'Markens grøde.' In its final section this dissertation examines the challenges facing oppositional texts, situated as they are within the traditions of colonial discourse's systems of representational containment and appropriation. One of the primary difficulties faced by both Sámi and non-Sámi authors in their counter-hegemonic endeavors is avoiding the essentialisms and binary oppositions posited by colonial discourse. This dissertation examines several different approaches to liberatory writing on the Sami, ending with Aagot Vinterbo-Hohr's 'Palimpsest' and Laila Stien's 'Vekselsang, ' two novels that undermine the essentialist constructions of colonial discourse and open a discursive space for multiple and diverse articulations of Sámi resistance and identity"--Leaves ix-x.

An excerpt from Stories of the Midnight Sun Tom moved to take the lead and Father Michael followed, nearly at his side. They cautiously moved down the slope under the shadow of bare trees whose branches rose above them like the hands of desperate petitioners imploring the moon. The footprints were closer together, and it appeared to Tom as if the left leg of the woman had been somehow injured, for it drug in the snow. He was surprised not to find a trail of blood. No blood. No blood. It seemed so odd to him. The whole night seemed steeped in a dream, a nonsensical play that had no rhyme or reason. What had happened to the woman? Why had she not simply rung the doorbell? Why had she turned away from the barn? Why run into the night, away from warmth and safety? Why didn't she answer their calls? And why, for all that was holy, did she turn down this darkened path out of the meager light of the moon toward the cold depths where the Old Maid ran like an artery through the heart of the ancient prairie? It made Tom angry. It made him scared. He began swearing at regular intervals under his breath.