The most prominent Christian theologian and exegete of the third century, Origen was also an influential teacher. In the famed Thanksgiving Address, one of his students—traditionally thought to be Gregory Thaumaturgus, later bishop of Cappadocia—delivered an emotionally charged account of his tutelage under Origen in Roman Palestine. Although it is one of the few personal narratives by a Christian author to have survived from the period, the Address is more often cited than read closely. But as David Satran demonstrates, this short work has much to teach us today. At its center stands the question of moral formation, anchored by the image of Origen himself, and Satran’s careful analysis of the text sheds new light on higher education in the early church as well as the intimate relationship between master and disciple.

Origen’s On First Principles is a foundational work in the development of Christian thought and doctrine: it is the first attempt in history at a systematic Christian theology. For over a decade it has been out of print with only expensive used copies available; now it is available at an affordable price and in a more accessible format. On First Principles is the most important surviving text written by third-century Church father, Origen. Origen wrote in a time when fundamental doctrines had not yet been fully articulated by the Church, and contributed to the very formation of Christianity. Readers see Origen grappling with the mysteries of salvation and brainstorming how they can be understood. This edition presents G. W. Butterworth’s trusted translation in a new, more readable format, retains the introduction by Henri de Lubac, and includes a new foreword by John C. Cavadini. As St. Gregory of Nazianzus, Doctor of the Church, wrote: “Origen is the stone on which all of us were sharpened.”

Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present--from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another. Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.

Here are the important and influential writings of a Christian mystic and early father of the Church. Origen (c. 185-254) was born in Alexandria and lived through the turbulent years during the collapse of the Roman Empire.

The late second and early third century was a turbulent time in the Roman Empire and in the relationship between the empire and the church. Origen was the son of a Christian martyr and was himself imprisoned and tortured in his late life in a persecution that targeted leaders of the church. Deeply pious and a gifted scholar, Origen stands as one of the most influential Christian teachers in church history, and also one of the most controversial. This introduction to Origen begins by looking at some of the circumstances that were formative influences on his life. It then turns to some key elements in his thought. The approach here differs from that taken by most earlier studies by working from the central position that Scripture had for Origen. Heine argues that Origen's thought, in his later life especially, reflects his continual interaction with the Bible.

This book is an in-depth examination of the pneumatology of Origen of Alexandria. Justin J. Lee argues that Origen conceives of the Holy Spirit as a divine person, but inferior in nature in both person and work. This can be discerned from his understanding of the Son and Father, as well as the influence of Middle Platonism on his theological and cosmological framework. Ontologically, Origen's understanding of Trinity is a hierarchy of divine persons in which the greater ministers to the existence of the lower. Origen's pneumatology can be best understood by examining how he speaks about the work of the Holy Spirit. The Spirit participates in the divine work of salvation, reflecting an economic Trinity of shared work and will. The Spirit's primary role is to indwell and assist the saints. There are two major actions of the Holy Spirit's work: (1) the downward action of God, where the Spirit is the distributor of the divine gifts and graces and (2) the Spirit's upward work of revelation and sanctification, by which he leads the saints to the Son and Father. The Spirit thus serves as the practical and personal initiator of believers into the greater processes of salvation and deification.

Distinguished scholar Matthew Levering examines the doctrine of creation and its contemporary theological implications, critically engaging with classical and modern views in dialogue with Orthodox and Reformed interlocutors, among others. Moving from the Trinity to Christology, Levering takes up a number of themes pertaining to the doctrine of creation and focuses on how creation impacts our understandings of both the immanent and the economic Trinity. He also engages newer trends such as ecological theology.

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.

Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.