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Surveys the known history of King Arthur, the legends and lore surrounding him, his treatment in literature, and the possible historical background of his associates and stories.

"When the messenger rode across our narrow bridge, I was looking out of a window. My blood seemed to stop its journey around my body when I saw the livery of Uther Pendragon. That's the second sight. All the women in our family have it to some extent..." In this dramatic retelling, based on Sir Thomas Malory's Le Morte d'Arthur, Britain's legendary King Arthur and the tales surrounding him are viewed from the perspective of eight women. Determined and resourceful, they drive the Camelot story through love, hate, intrigue, enchantment and tragedy as, one by one, their voices come swirling out of the mists of time to tell their stories.

Inventively retold and vividly illustrated, these stories describe the perilous and thrilling adventures of King Arthur and his knights in that glorious age of chivalry and honor. 41 illustrations.

King Arthur, who held sway in Camelot with his Knights of the Round Table, was supposedly a King of Britain hundreds of years ago. This book contains incredible stories about him and his court.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

When a modern fashion editor strumbles back into Camelot and falls in love with Lancelot, how will the history of King Arthur's court change?

Joe and David publish a sports newsletter using new technology that will be better than the existing paper. The idea of new being better than old reminds Wishbone of A Connecticut Yankee in King Arthur's Court.

Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances Erec and Iwein of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe. Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's Historia Regum Britanniae, Wace's Roman de Brut, Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the Lancelot en prose, the Mort Artu, the Post-Vulgate Roman du Graal, and works of Chrétien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's Faerie Queene, Tennyson's Idylls of the King, and T.H. White's Once and Future King. A bibliography lists selected major secondary studies of King Arthur as well as major reference works.