This narrative of subsistence on the Tibetan plateau describes the life-worlds of people in a region traditionally known as Kham who move with their yaks from pasture to pasture, depending on the milk production of their herd for sustenance. Gillian Tan’s story, based on her own experience of living through seasonal cycles with the people of Dora Karmo between 2006 and 2013, examines the community’s powerful relationship with a Buddhist lama and their interactions with external agents of change. In showing how they perceive their environment and dwell in their world, Tan conveys a spare beauty that honors the stillness and rhythms of nomadic life.

A Hundred Thousand White Stones is one young Tibetan woman's fearlessly told story of longing and change. Kunsang Dolma writes with unvarnished candor of the hardships she experienced as a girl in Tibet, violations as a refugee nun in India, and struggles as an immigrant and new mother in America. Yet even in tribulation, she finds levity and never descends to self-pity. We watch in wonder as her unlikely choices and remarkable persistence bring her into ever-widening circles, finding love and a family in the process, and finally bringing her back to her childhood home. A Hundred Thousand White Stones offers an honest assessment of what is gained in pursuing life in the developed world and what is lost.

In an absorbing mystery thriller, a teenage girl with a past arrives in a city: new name, new identity, new foster family. She has chosen the city herself, and is fascinated by its harmony and beauty, but is clearly in fear of discovery. She is nursing a secret from her early childhood, a secret that produces new terrors for her the moment she fears her identity has been spotted. A parallel narrative tells of a young architect's apprentice, Zak, in 1750 - working with Jonathan Forrest, a man obsessed with past Druidic mysteries and a new architectural vision for the city. He plans to create the world's first circular terraced street, the King's Circus - a plan greeted with scorn and derision. Zac soon realises there's more than just obsession with an architectural vision; there is some secret associated with building a hidden chamber in the centre of the Circus. But Zac himself has his own confused and highly destructive agenda ... These narratives are framed by the voice of Bladud - mythical first builder of the city, destined to die in trying to fly. And ultimately his narrative brings all together in a clever and brilliantly intriguing climax.

J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.

J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.

Long ago before the patriarchal period, in many places on Earth, the Goddess was worshipped. Circle of Stones draws us into a meditative experience of the lost Feminine and creates a space for us to consider our present lives from the eyes of women's ancient culture and ritual. Incorporating the most ancient symbol of spirituality-the circle of stones-Duerk weaves stories, dreams, and visions of women to lead each reader into a personal yet archetypal journey, posing the reflective question, "How might your life have been different if . . ."Complete with reading group guide.

The works gathered together here have all been written since World War II. They offer a unique opportunity to see and understand the development, nature, and main characteristics of Slavic creative writing in our time.

Many years ago, in a world very different from your own, a child of prophecy was born. Stolen from the safety of his mothers arms, the heir to the throne of Giervalk was taken to another world; the world of mankind. Just prior to Gabriels sixteenth birthday, Rayla, a witch from Giervalk, opens a portal between the two worlds. It is through her that Gabriel learns he is the key to ending a war that has plagued Giervalk for generations. But Gabriel is uncertain about this new responsibility. He wants to learn to drive a car; not fight a dark force that has invaded a world he has never seen. While Gabriel attempts to accept and blend his two identities, the darkness presses closer. He can no longer ignore his calling. Gabriel must protect the family and world that he loves. So together with a healer, witch, archer, warrior, and fairy, Gabriel travels to places he has only imagined in his wildest dreams and most feared nightmares.

On the alien, sunless planet they call Eden, the 532 members of the Family shelter beneath the light and warmth of the Forest’s lantern trees. Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world. Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.