When a photographer witnesses a violent crime in New York’s Lower East Side, he hunts down the missing camera that may hold answers Eugene is a midwesterner living in New York, an erstwhile Catholic and not-quite-openly-gay photographer. When a Holy Week pageant in the gritty Lower East Side erupts into a riot, he is sucked into the city’s shadowy depths. While photographing the parade, Eugene has his eye on a handsome teen, but when things turn violent the youth is stabbed and Eugene’s camera is stolen. To find the camera and its precious film, which may provide evidence, Eugene has to become acquainted with a seedy, unfamiliar world, and hold on to his sanity in the process. In Such Dark Places is a thrilling debut novel of awakening and obsession.

Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.

LONGLISTED FOR THE CWA JOHN CREASY DAGGER AWARD How well do you know your girlfriend? How well do you know your lover? How well do you know yourself? Daniel and Victoria are together. They're trying for a baby. Ruby is in prison, convicted of assault on an abusive partner. But when Daniel joins a pen pal program for prisoners, he and Ruby make contact. At first the messages are polite, neutral - but soon they find themselves revealing more and more about themselves. Their deepest fears, their darkest desires. And then, one day, Ruby comes to find Daniel. And now he must decide who to choose - and who to trust.

Libby Day was just seven years old when her brother massacred her family while she hid in a cupboard. Ever since then she has been drifting, but now the money is running out. When she is offered $500 to do a guest appearance, she feels she has to accept, unaware that the infamous Kill Club's members believe her brother was innocent.

Jonathan Hicks, published twice in the British Science Fiction Association's writer's magazine 'FOCUS' and the mission designer/dialogue writer of the mobile telephone game of acclaimed television show 'Battlestar Galactica', presents twelve short stories about the little people in the big universe. "I grew up with the grandiose science fiction tales, in books and on film, with great galaxy-spanning adventures or life-changing technologies," said Jonathan Hicks. "In this book I concentrate on the 'little guy', the people who work behind the scenes and those who get a less than stellar deal out of the supposed adventure travelling the galaxy and exploring new technologies offers." Click on the 'preview this book' under the cover picture above to find out more about these stories. Contains strong language and some violence

"Gillian Flynn is the real deal, a sharp, acerbic, and compelling storyteller with a knack for the macabre." —Stephen King This collection, available exclusively as an ebook, brings together the first two novels of Gillian Flynn, author of the #1 New York Times bestseller Gone Girl. In Sharp Objects, Flynn’s debut novel, a young journalist returns home to cover a dark assignment—and to face her own damaged family history. With its taut, crafted writing, Sharp Objects is addictive, haunting, and unforgettable. Flynn’s second novel, Dark Places, is an intricately orchestrated thriller that ravages a family's past to unearth the truth behind a horrifying crime. A New York Times bestseller and Weekend Today Top Summer Read, Dark Places solidified Flynn’s status as one of the most critically acclaimed suspense writers of our time.

“In The Radiant Midnight you will find not merely abstract ideas about the essence of darkness or how to go about facing it. You will also find humor, Wisdom. Honesty. You will find Melissa’s very bone and blood…it is here, then, in reading—rather, perhaps, listening to—her words, that your heart, trapped as it may feel in its own midnight, begins to see the first signs of dawn.” –Curt Thompson, MD, author of Anatomy of the Soul Grace and Hope for Long Dark Nights Have you ever suffered with depression, sadness, or the feeling that you just can't seem to get it together? Do you wonder if you could ever view your deepest wounds in a different light? Through candid storytelling, biblical truth, honest lament, and unexpected humor, The Radiant Midnight is a bold refusal to simplify the experience of suffering by moving too quickly to try to relieve it. With questions to guide you and practical suggestions to lead you through dark moments, this book takes you on a journey of surrender, suffering, rest, and restoration as it encourages and comforts you in whatever struggle you face. The message of The Radiant Midnight is fueled by the passionate belief that not only will God lead you out of darkness, He will be fully and beautifully present within it. You can find deep contentment in painful circumstances and discover a profound intimacy with a compassionate, tender God who is with you in every moment—in each hope-filled dawn and every radiant midnight.

This book brings the key evidence together and presents a new picture of Parmenides, the ancient Greek poet, as priest, initiate and healer.

"Following in the tradition of the highly popular SURVIVE THIS!! Zombies! comes SURVIVE THIS!! Dark Places & Demogorgons, a tabletop roleplaying game that uses the Original 1970s Fantasy Roleplaying game rules but mutates it into this retro nightmare that you hold in your hands now. It's sleek, slender and creepy as Hell. In Dark Places & Demogorgons, you play as high school students during the early 1980s. The town you live in has had a rash of disappearances and strange happenings. The adults seem lost as what to do, the police are as clueless as ever and aren't helping and Reverend Phillips is on another witch-hunt. It's up to you and your friends to figure out what's going on and stop it from happening again!"--From back cover.

The story of the most terrifying case of demonic possession in the United States. It became the basis for the hit film “The Haunting in Connecticut” starring Virginia Madsen. Shortly after moving into their new home, the Snedeker family is assaulted by a sinister presence that preys one-by-one on their family. Exhausting all other resources, they call up the world-renowned demonologists Ed and Lorraine Warren—who have never encountered a case as frightening as this... No one had warned the Snedekers their new house used to be an old funeral home. Their battle with an inexplicable and savage phenomena had only just begun. What started as a simple “poltergeist” escalated into a full-scale war, an average American family battling the deepest, darkest forces of evil—a war this family could not afford to lose.