Guest-edited by Agostino De Rosa, Alessio Bortot and Francesco Bergamo Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality. Contributors: Matthias Bärmann, Silvia Benedito, Filippo Bricolo, Edwin Carels, Javier Corvalán, Dris Kettani, Stephen Kite, Giancarlo Mazzanti, Akira Mizuta Lippit, Susanna Pisciella, Renato Rizzi, Paul O Robinson, and Antonella Soldaini. Featured architects and artists: Alexander Savvich Brodsky, Neri&Hu studio, Quay Brothers, Ursula Schulz-Dornburg, and Marco Tirelli.

The Great Recession has shuffled Clay Jannon out of his life as a web-design drone, and serendipity, sheer curiosity and the ability to climb a ladder like a monkey have landed him a new gig working the night shift at Mr. Penumbra’s 24-Hour Bookstore. But Clay begins to realize that this store is even more curious than its name suggests. There are only a few customers, but they come in repeatedly and never seem to actually buy anything. Instead they “check out” impossibly obscure volumes from strange corners of the store, all according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes, and soon he has embarked on a complex analysis of the customers’ behaviour and roped his friends into helping him figure out just what’s going on. But once they take their findings to Mr. Penumbra, they discover the secrets extend far beyond the walls of the bookstore. Evoking both the fairy-tale charm of Haruki Murakami and the enthusiastic novel-of-ideas wizardry of Neal Stephenson or Umberto Eco, Mr. Penumbra’s 24-Hour Bookstore is exactly what it sounds like—an establishment you have to enter and will never want to leave.

An exploration into how uncertainty and political and ethical biases affect international law governing the use of force.

From Robin Sloan, the New York Times bestselling author of Mr. Penumbra’s 24-Hour Bookstore, comes Sourdough, "a perfect parable for our times" (San Francisco Magazine): a delicious and funny novel about an overworked and under-socialized software engineer discovering a calling and a community as a baker. Named One of the Best Books of the Year by NPR, the San Francisco Chronicle, and Southern Living Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers quickly close up shop. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it. Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves to the General Dexterity cafeteria every day. Then the company chef urges her to take her product to the farmer’s market—and a whole new world opens up.

Guest-edited by Gretchen Wilkins The renowned Cranbrook Academy of Art near Detroit, Michigan, has been described as the epicentre of American Modernism. When it opened in 1932 it combined a stunning Eliel Saarinen-designed campus with a radically open educational philosophy to attract and produce some of the most influential artists, designers and architects in US history, including Charles and Ray Eames, Fumihiko Maki, Florence Knoll and Edmund Bacon. Often compared to other experimental schools such as the Bauhaus, Black Mountain College and Taliesin, Cranbrook’s sustained purpose has been advancing a wide, interdisciplinary latitude and self-directed design research to expand and diversify its approaches to architectural practice. There is a deep and persistent idea that open and experimental acts of making should define pedagogy, and by extension that education should shape practice, not the other way around. Cranbrook’s rigorous defiance of dogma and loose grip on the disciplines enables an educational model that combines the practices of art, design, making and urbanism. In this issue, alumni, faculty and scholars reflect on Cranbrook’s model in light of contemporary and challenging questions in architectural education, practice and the profession. Contributors: Kevin Adkisson, Emily Baker, Peggy Deamer, Pia Ednie-Brown, Ronit Eisenbach, Dan Hoffman, Yu-Chih Hsiao, Peter Lynch, Bill Massie, Hani Rashid, Jesse Reiser, Lois Weinthal, and Tod Williams. Featured architects: Asymptote Architecture, Building Culture PLA, Reiser+Umemoto (RUR), Studio Libeskind, and Tod Williams Billie Tsien.

A philosophical critique of how society encourages us to avoid risk when we should instead accept it. When Anne Dufourmantelle drowned in a heroic attempt to save two children caught in rough seas, obituaries around the world rarely failed to recall that she authored In Praise of Risk, implying that her death confirmed the ancient adage that to philosophize is to learn how to die. Now available in English, this magnificent book indeed offers a trenchant critique of the psychic work that the modern world devotes to avoiding risk. Yet this is not a book on how to die but on how to live. For Dufourmantelle, risk entails an encounter not with an external threat to life but with something hidden in life that conditions our approach to such ordinary risks as disobedience, passion, addiction, leaving family, and solitude. Keeping jargon to a minimum, Dufourmantelle weaves philosophical reflections together with clinical case histories. The everyday fears, traumas, and resistances that therapy addresses brush up against such broader concerns as terrorism, insurance, addiction, artistic creation, and political revolution. Taking up a project than joins the work of many French thinkers, such as Jacques Lacan, Jacques Derrida, Jean-Luc Nancy, Hélène Cixous, Giorgio Agamben, and Catherine Malabou, Dufourmantelle works to dislodge Western philosophy, psychoanalysis, ethics, and politics from the redemptive logic of sacrifice. She discovers the kernel of a future beyond annihilation where one might least expect to find it, hidden in the unconscious. In an era defined by enhanced security measures, border walls, trigger warnings, and endless litigation, Dufourmantelle’s masterwork provides a much-needed celebration of the risks that define what it means to live. Praise for In Praise of Risk “Dufourmantelle’s beautiful book places us on the side of life and love, showing us the power of psychoanalytic reflection on those moments when we are asked to find the courage to risk ourselves on behalf of the other.” —Jamieson Webster, author of Conversion Disorder “Magisterial. Dufourmantelle shows how life is universalized in risk and how recognizing this fact means enlisting in a fraternity among humans.” —Antonio Negri “This very rich book will have enormous appeal for readers interested in the intersection of philosophy, psychology, psychoanalysis, and humanistic inquiry. It productively challenges the assumptions of all these disciplines in novel ways and offers, in the final analysis, a redemptive path through that which matters to us most: living and dying well. Highly recommended.” —Choice

Guest-edited by Marcus White and Jane Burry Cities are facing several coinciding global crises. There is the dominant existential narrative of the impact of and adaptation to climate change, itself powered by cities. In a time of unprecedented urbanisation and growth, resilient architecture and urbanism is needed in response. New modes of transport, renewed anxiety about robots taking jobs, AI, and the humbling recent experience of a global pandemic are all challenging norms and expectations. All of these are forces of social division, all are changing life experience, evoking strong-arm politics, and giving a sense of teetering between radically different possible futures. This is a story about reclaiming the urban design narrative and being alert to the potential impacts of socio-technical decision-making and design in cities. It is a story for its time. The issue explores the dichotomy of idealised visions for the design of urban settlements and the potentially shocking realities that may emerge from the same impulses and intentions. It examines the slippery territory between utopias and some of the ensuing dystopias that may unfold. Contributors: Tridib Banerjee, Daniele Belleri and Carlo Ratti, Steve Glackin, Justyna Karakiewicz, Nano Langenheim and Kongjian Yu, Mehrnoush Latifi, Andong Lu, Dan Nyandega, Jordi Oliveras, Kas Oosterhuis, Claudia Pasquero and Marco Poletto, Ian Woodcock, and Tianyi Yang. Featured architects: Carlo Ratti Associati, ecoLogicStudio, Harrison and White, Turenscape, and Anton Markus Pasing, Remote Control Studio.

CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.

American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression. When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (Lebbeus Woods: Origins) at the Architectural Association, London, in 1985, some wondered how anyone could emerge so fully formed, from nowhere. Working against the logic of ‘nowhere’, this issue charts his early trajectory through the largely unpublished drawings and texts, linking them with what came after. Aiming to generate new scholarship, its roster of international interdisciplinary critics and commentators offer a new understanding of Woods’s work and of his formative years, also shining a light on how we might think about the ‘early work’ of any architect’s career. Contributors: Joseph Becker, Aaron Betsky, Peter Cook, Mark Dorrian, Riet Eeckhout, Kevin Erickson, Joerg Gleiter, Sharon Irish, Eliyahu Keller, Lawrence Rinder, Ashley Simone, Ben Sweeting.

The ultimate book-lover's fantasy, this sparkling debut is a "delight of magic and literature, love and adventure" (Kat Howard) featuring a young scholar with the power to bring literary characters into the world. For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: He can bring characters from books into the real world. But when literary characters start causing trouble throughout the city and threatening to destroying the world, he learns he's not the only one with his ability. Now it's up to Charley and his reluctant older brother, Rob, to stop them--hopefully before they reach The End. Praise for The Unlikely Escape of Uriah Heep: "A star-studded literary tour and a tangled mystery and a reflection on reading itself; it's a pure delight." --Alix E. Harrow, Hugo Award-winning author "This beautifully-written novel is an exploration of the power fiction wields -- the power to inform and to change, even to endanger, our everyday world." --Louisa Morgan, author of A Secret History of Witches "Equal parts sibling rivalry, crackling mystery, and Dickensian battle royale, it'll be one of your most fun reads this year." --Mike Chen, author of Here and Now and Then