Faced with the ceaseless stream of news about war, crime, and terrorism, one could easily think this is the most violent age ever seen. Yet as bestselling author Pinker shows in this startling and engaging new work, just the opposite is true.

A unique look at the social behaviour of wild animals for very young children, this book will find a home on school and library shelves, and in the hands of careful parents. Offering a unique perspective on the animal kingdom and its social habits, young children will embrace this beautifully illustrated book, both visually and intellectually.

Key Selling Points This book discusses the environment through an organic conversation starting with a common observation and continuing with follow-up questions that would naturally come from a young child. Sidebars define larger concepts for further discussion with older or more curious children. Contains a foreword by Bob McDonald of CBC’s Quirks & Quarks . Subjects discussed or defined include littering, pollution, natural resources, human impact, sustainability, innovation and renewable resources. On Our Nature Walk includes profiles of young innovators who are making a difference for the planet, including Ann Makosinski, Deepika Kurup, Param Jaggi and Greta Thunberg.

"Highly informative and remarkably entertaining." —Elle From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.

Davis laments a modern world in which more people believe in ESP, ghosts, and angels than in evolution. Superstition and religion get particularly critical treatment, although Davis argues that religion, itself, is not the problem.

“With the twinned calamities of climate change and mass extinction weighing heavier and heavier on my nature-besotted soul, here were concrete, affordable actions that I could take, that anyone could take, to help our wild neighbors thrive in the built human environment. And it all starts with nothing more than a seed. Bringing Nature Home is a miracle: a book that summons butterflies." —Margaret Renkl, The Washington Post As development and habitat destruction accelerate, there are increasing pressures on wildlife populations. In his groundbreaking book Bringing Nature Home, Douglas W. Tallamy reveals the unbreakable link between native plant species and native wildlife—native insects cannot, or will not, eat alien plants. When native plants disappear, the insects disappear, impoverishing the food source for birds and other animals. Luckily, there is an important and simple step we can all take to help reverse this alarming trend: everyone with access to a patch of earth can make a significant contribution toward sustaining biodiversity by simply choosing native plants. By acting on Douglas Tallamy's practical and achievable recommendations, we can all make a difference.

The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.

Fourteen unforgettable short stories provoke, illuminate, and startle as they explore our perception of nature and the conflict between wildness and civilization within each of us. As we are recognizing the consequences of the destruction of forests and wetlands, the pillaging of the seas, and the toxicity of industry, we are experiencing profound uncertainty about our relationship with the earth. These stellar short stories by writers such as Barry Lopez, Rick Bass, Margaret Atwood, E. L. Doctorow, Chris Offutt, and others plumb the mystery--as only fiction can--of nature within us and the world of nature that surrounds us. We are nature, in spite of our machines, our plastics, and our artificial ingredients. Yet what do we make of our own nature? Our own wildness? And how do we explain the paradox of our urge to both exploit and protect wilderness? From E. L. Doctorow's shattering tale, "Willi," in which a young boy witnesses adults transformed into animals by the frenzy of sexual lust, to Rick Bass's "Swamp Boy," whose young hero is hounded by a pack of boys incensed by his solitary communion with the wild, to Margaret Atwood's wickedly funny story, "My Life as a Bat," or Kent Meyers's soulful ballad of love regained, "The Heart of the Sky," these memorable stories articulate our deep need for wilderness and the indelible role nature plays in our psychological and spiritual well-being.

In Our Nature is a book of essays, photos and poetry from David and Emma Pocock. It tells the story of their attempts to make sense of the world we live in, and stories from communities living and working on the frontiers of conservation. It is a book about the future of all of us.

An examination of how Western visions of endless future growth have contributed to the global environmental crisis "This book does something that is worth doing and that no other scholarly book I know of comes close to doing: tracing the history of imagined environmental futures in the Western world."--William Meyer, Colgate University For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon's New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet. Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.