When New Zealand forces arrived in Italy following the 1943 Armistice with the Allied forces, it was inevitable they would mingle with the local population. The Italians opened their homes and hearts to the New Zealand soldiers who delighted in finding young Italian signorinas everywhere. In Love and War tells of the liaisons and love affairs of New Zealand soldiers and their Italian sweethearts during World War Two. For some the result was marriage, leading to a new and often strained life for the Italian war brides on the other side of the world. For others, their wartime romance ended in heartbreaking separation when the Kiwi soldiers were posted elsewhere or returned home. Unknowingly, some left behind children who would grow up without ever meeting their natural fathers. While the New Zealand commanding officers did their very best to curtail fraternisation between Kiwi soldiers and the civilian population, for servicemen starved of female company relationships were easy to fall into. These touching stories of their romantic wartime encounters reveal the human side of war.

Over the course of World War II, two million American military personnel occupied bases throughout the South Pacific, leaving behind a human legacy of at least 4,000 children born to indigenous mothers. Based on interviews conducted with many of these American-indigenous children and several of the surviving mothers, Mothers’ Darlings of the South Pacific explores the intimate relationships that existed between untold numbers of U.S. servicemen and indigenous women during the war and considers the fate of their mixed-race children. These relationships developed in the major U.S. bases of the South Pacific Command, from Bora Bora in the east across to Solomon Islands in the west, and from the Gilbert Islands in the north to New Zealand, in the southernmost region of the Pacific. The American military command carefully managed interpersonal encounters between the sexes, applying race-based U.S. immigration law on Pacific peoples to prevent marriage “across the color line.” For indigenous women and their American servicemen sweethearts, legal marriage was impossible; giving rise to a generation of fatherless children, most of whom grew up wanting to know more about their American lineage. Mothers’ Darlings of the South Pacific traces these children’s stories of loss, emotion, longing, and identity—and of lives lived in the shadow of global war. Each chapter discusses the context of the particular island societies and shows how this often determined the ways intimate relationships developed and were accommodated during the war years and beyond. Oral histories reveal what the records of colonial governments and the military have largely ignored, providing a perspective on the effects of the U.S. occupation that until now has been disregarded by Pacific war historians. The richness of this book will appeal to those interested the Pacific, World War II, as well as intimacy, family, race relations, colonialism, identity, and the legal structures of U.S. immigration.

This is the first in-depth and comparative study of the experience of colonial encounters for troops from the British Empire during the First World War. Drawing on a rich variety of textual and visual material, Anna Maguire explores new contact zones that materialised beyond the battlefield, on troopships, in ports, in military camps and hospitals, in cafes and city streets. She reveals how the colonial mobilisation of troops during the conflict prompted the emergence of spaces for interactions, fleeting moments or ongoing relationships. Through their personal experiences, she uncovers how men from New Zealand, South Africa and the West Indies viewed themselves and their identities during a time of global conflict, simultaneously asserting the strength of the existing colonial order and challenging its enactment, through contact, conflict and collaboration. In spaces away from the frontlines, Maguire uses these cultural encounters of colonial troops to offer a more intricate understanding of imperial power relations.

This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production.

"This book explains the ambiguities of wartime changes in the private and public lives of New Zealand women. It considers women as mothers, wives and lovers, as well as workers, using many examples from real lives. Deborah Montgomerie's main argument is that despite the changes, the war was essentially a conservative period, pointing out that understanding the continuities in gender relations is as important as cataloguing female 'firsts'. Her book stylishly challenges accepted wisdom and offers a clear, fresh view of a period often viewed through the blurry lens of nostalgia and anecdote."--BOOK JACKET.

"Harlequin readers' choice Aug12"--Spine.

Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity.

“Billy galloped Tui neck and neck alongside the squadron of horses, the noise of a hundred horses’ hooves thundering in his ears … All along the lineup of horses, the other troopers were doing the same, leaping, crouching and firing. The noise was deafening … machine-gun fire cracked overhead and shells thudded into the ground.” Billy may have been fresh off the farm, but he was a good rider and an even better shot. When the world went to war in 1914, Kiwis rushed to enlist. For Billy and his best mate, Jack, joining the Mounted Rifles Regiment held the promise of adventure –– little did they know that half the battle would lie in keeping their horses alive aboard the troopship as they journeyed halfway around the world.