**SHORTLISTED FOR THE STAUNCH BOOK PRIZE 2020** A triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted author of Eileen and My Year of Rest and Relaxation While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one - one that strikes closer to home? In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it. **AN EVENING STANDARD BEST BOOK TO LOOK FORWARD TO IN 2020**

“An empowering and expertly curated look at the horticultural world.” —Gardens Illustrated In this beautiful and empowering book, Jennifer Jewell introduces 75 inspiring women. Working in wide-reaching fields that include botany, floral design, landscape architecture, farming, herbalism, and food justice, these influencers are creating change from the ground up. Profiled women include flower farmer Erin Benzakein; codirector of Soul Fire Farm Leah Penniman; plantswoman Flora Grubb; edible and cultural landscape designer Leslie Bennett; Caribbean-American writer and gardener Jamaica Kincaid; soil scientist Elaine Ingham; landscape designer Ariella Chezar; floral designer Amy Merrick, and many more. Rich with personal stories and insights, Jewell’s portraits reveal a devotion that transcends age, locale, and background, reminding us of the profound role of green growing things in our world—and our lives.

Over one hundred private schools for Jewish girls thrived in the areas of Jewish settlement in the Russian empire between 1831 and 1881. Through archival research, the author examines the schools' curriculum, teachers, financing, students, and educational innovation and demonstrates how each of these aspects evolved over time. The first section of this volume follows the emergence and development of the new private schools for Jewish girls in the mid-1800s, beginning with the historical circumstances that enabled their creation. In the second section, the author looks at the interactions between these new educational institutions and their communities, including how the schools responded to changes taking place around them and how they in turn influenced their environment.

A recreation of events from the childhood and early career of Augusta Savage, a pioneering female sculptor and major figure of the Harlem Renaissance.

Chicago Public Library Best Informational Books for Younger Readers 2021 Kirkus Best Picture-Book Biographies of 2021 STARRED REVIEW! "Through masterful storytelling and graceful illustrations, this impactful title embodies Maria Povika Martinez's famous words: 'The Great Spirit gave me [hands] that work...but not for myself, for all Tewa people.'"—School Library Journal starred review STARRED REVIEW! "This story of a young girl from San Ildefonso Pueblo...celebrates the strong sense of culture and identity the Tewa people have maintained through the centuries. A deserved celebration."—Kirkus Reviews starred review The untold story of a Native American Indian potter who changed her field. The most renowned Native American Indian potter of her time, Maria Povika Martinez learned pottery as a child under the guiding hands of her ko-ōo, her aunt. She grew up to discover a new firing technique that turned her pots black and shiny, and made them—and Maria—famous. This inspiring story of family and creativity illuminates how Maria's belief in sharing her love of clay brought success and joy from her New Mexico Pueblo to people all across the country.

Eighteen masters of American gardening open the gates to their beloved gardens--and to their more than 1,000 collective years of horticultural passion, wisdom, and knowledge--in this exquisitely photographed gift book for every gardener to treasure. 250 color photos.

Murder has always fascinated us, and when women are the masterminds, the intrigue grows exponentially. Not only are female murderers much rarer than male killers, but their crimes usually also involve a more sophisticated type of plotting. In Blood on her hands, award-winning journalist Tanya Farber investigates the lives, minds and motivations of some of South Africa's most notorious female murderers, from the poisonous nurse Daisy de Melker, to the privileged but deeply disturbed Najwa Petersen, to the mysterious Joey Harhoff who died before revealing where the bodies of her victims (including her own niece) were. Farber sets each case against the backdrop of the different eras and regions of 20th and early 21st century South Africa the women operated in. Her writing style is lighter than the subject matter might suggest and Blood on Her Hands will keep you reading until late at night – probably with your light on. The women featured also include: Dina Rodrigues, Phoenix Racing Cloud Theron, Marlene Lehnberg, Chane van Heerden and Celiwe Mbokazi.

IRENE GUT WAS just 17 in 1939, when the Germans and Russians devoured her native Poland. Just a girl, really. But a girl who saw evil and chose to defy it. “No matter how many Holocaust stories one has read, this one is a must, for its impact is so powerful.”—School Library Journal, Starred A Book Sense Top Ten Pick A Publisher’s Weekly Choice of the Year’s Best Books A Booklist Editors Choice

Yvonne Ridley's terrifying 10 day detainment by the Taliban regime in Afghanistan struck a chord that continues to resonate around the world. At a time when the world was plunged into a state of unprecedented chaos and uncertainty following the terrorist atrocities in the US, Yvonne faced the ordeal of her life. Captured by the Taliban as she attempted to cross the Afghan border to report on the outbreak of war for the Sunday Express, Yvonne found her life hanging in the balance in the hands of the most reviled regime in the world. For Yvonne, an unexpected survival instinct kicked in that saw her face her captors not with fear, but with anger. Her courage and gutsiness, and that of her family, prompted the Taliban to release her, glad to be rid of such a so-called 'difficult' woman. This is Yvonne's full, true story. From her capture, to the ordeal she endured at the hands of the Taliban, to her eventual release; she offers a unique perspective into a way of life that remains a mystery to many. The friendships she formed with her fellow hostages, her feelings about her captors and their beliefs, and her discoveries -- many of which surprised and baffled her -- are all exclusively revealed in detail. Yvonne's story is a truly compelling and inspirational read.

This triumphant picture book recasts a charged phrase as part of a black girl's everyday life--hands up for a hug, hands up in class, hands up for a high five--before culminating in a moment of resistance at a protest march. A young black girl lifts her baby hands up to greet the sun, reaches her hands up for a book on a high shelf, and raises her hands up in praise at a church service. She stretches her hands up high like a plane's wings and whizzes down a hill so fast on her bike with her hands way up. As she grows, she lives through everyday moments of joy, love, and sadness. And when she gets a little older, she joins together with her family and her community in a protest march, where they lift their hands up together in resistance and strength.