A B&N's YA Book Club Pick * Walmart Buzz Pick * Indie Next Pick * Book of the Month Club YA Box A "joyously, riotously queer" (Kirkus) young adult fantasy from debut author Ryan La Sala, Reverie is a wildly imaginative story about dreams becoming reality, perfect for fans of Adam Silvera and Laini Taylor. A few weeks ago, Kane Montgomery was in an accident that robbed him of his memory. The only thing he knows for certain is that the police found him half-dead in the river. The world as he knows it feels different—reality seems different. And when strange things start happening around him, Kane isn't sure where to turn. And then three of his classmates show up, claiming to be his friends and the only people who can tell him what's truly going on. Kane doesn't know what to believe or who he can trust. But as he and the others are dragged into increasingly fantastical dream worlds drawn from imagination, it becomes clear that there is dark magic at work. Nothing in Kane's life is an accident, and only he can keep the world itself from unraveling. Reverie is an intricate and compelling LGBT young adult book about the secret worlds we hide within ourselves and what happens when they become real. Praise for Reverie: "This outstanding debut novel will light readers' imaginations on fire...Imaginative, bold, and full of queer representation, this is a must-purchase for YA collections."—School Library Journal *STARRED REVIEW* "This fantasy offers readers something wonderfully new and engaging...a gem of a novel that is as affirming as it is entertaining."—The Bulletin of the Center for Children's Books "The story's many LGBTQ characters are prominently represented and powerfully nuanced."—Publishers Weekly "A darkly imagined, riveting fantasy... thrilling."—Shelf Awareness "Joyously, riotously queer... The themes of creating one's own reality and fighting against the rules imposed by the world you're born into will ring powerfully true for many young readers."—Kirkus Reviews

Compiling nineteen essays and introductions, a volume with explanatory notes includes Per Amica Silentia Lunae and On the Boiler as well as introductions on Shelley and Balzac and essays on Irish poetry and politics.

Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.

The Irish contribution to Australian history goes both deep and wide. Originally published in 1986 the essays in this collection contribute both to the understanding of Ireland’s place in Australian history and to the interpretation of the Irish scene in the nineteenth century. Ranging from law to W. B. Yeats, and from monumental sculpture to violence and crime, the papers reflect the diversity of the Irish-Australian experience and the persistence of a distinctively Irish culture even when transported across the world.

This work addresses Yeats's "antinomies", seeing their origin and structure in his divided Anglo-Irish inheritance and examining the notion of measure. It then explores how this relates to freemasonry, Celticism and Orientalism and looks at the Blakean esoteric language of contrariety and outline which provided Yeats with the vocabulary of self-understanding.

This book deals with studies of various elements of modern drama.

This set reissues 6 books, originally published between 1951 and 1990, on William Butler Yeats, a foremost figure of twentieth-century literature and one of the driving forces behind the Irish Literary Revival. The volumes examine Yeats’s work, his poetic development, and his social and private life, and will be of interest to students of literature.

The essays collected in Emblems of Adversity: Essays on the Aesthetics of Politics in W. B. Yeats and Others hinge on the question of political articulation in Yeats’s poetry. Politics and history are paramount to our understanding of the Yeatsian poetic text. They are inextricable from the poet's aesthetic philosophy. Yet politics manifests itself in a complex and complicated form in his work. It articulates itself both consciously and unconsciously. It is at once latent and manifest; appropriated and yet rejected; unambiguously announced in the title but immediately muffled in the corpus. Additionally, political articulation in Yeats’s poetry is multifarious, insofar as the biographical, the national and the historical are not only politicized but most often envisioned—apocalyptically—as emblems of adversity. To put it differently, ageing, Irish politics and modernity are synonymous with a Time transmogrifying “ancestral houses” into “ruins”—a Time “half dead at the top.” Self, Ireland and history are intermeshed in Yeats’s symbolism. They are inseparable from his worldview. His rage against ageing most often culminates in raging about the age—both modernity and Irish current reality. These essays trace Yeats’s aestheticization of politics right from the beginning of his poetic career, from his early pastoral innocence to the later modernist experience. Some of them examine Yeats comparatively with other modernists.