"Impressions of a War Correspondent" by George Lynch primarily narrates the author's experiences during the Second Boer War, also known simply as the Boer War. From his near-death experiences to even being captured, the book recounts the landscape and devastation of war. Various photos are included with Lynch's carefully chosen words to create a visceral and vivid experience that draw readers into the mind of a correspondent.

Death from a Mauser bullet is less painful than the drawing of a tooth. Such, at least, appears to be the case, speaking generally from apparent evidence, without having the opportunity of collecting the opinions of those who have actually died. In books we have read of shrieks of expiring agony; but ask those who have been on many battlefields, and they will not tell you they have heard them. As a rule a sudden exclamation, "I'm hit!" "My God!" "Damn it!"

Death from a Mauser bullet is less painful than the drawing of a tooth. Such, at least, appears to be the case, speaking generally from apparent evidence, without having the opportunity of collecting the opinions of those who have actually died. In books we have read of shrieks of expiring agony; but ask those who have been on many battlefields, and they will not tell you they have heard them. As a rule a sudden exclamation, "I'm hit!" "My God!" "Damn it!"

“There are few people in the world who have more opportunity for getting close to the hot interesting things of one’s time than the special correspondent of a great paper,” George Lynch, a veteran British correspondent, wrote in Impressions of a War Correspondent, published in 1903. He made it all sound glorious, just the way war correspondents like to recount their experiences on the battlefield. But in a few months he had less to exult about. Lynch and a distinguished throng of foreign correspondents with high hopes of a good story assembled in Tokyo to cover the Russo-Japanese War—a monumental conflict that would mark the first modern defeat of a Western force by an Asian one—only to discover that the authorities would not let them “close to the hot interesting things.” Corralled in the Imperial Hotel, the journalists had nothing much to do except tell stories in the bar and write about local flora. A few of them, including Jack London and Richard Harding Davis, decided to contribute short autobiographical stories recounting their most exciting journalistic experiences for a book to be edited by Lynch and his American colleague, Frederick Palmer. The correspondents told their tales in different ways—prose, poems, sketches, and even a short play. Their stories recounted their routines, failures, and triumphs, including durviving battles and waiting to see action. One contributor imagines bewhiskered correspondents in 1950 still awaiting permission from Japan to go to the front—only to learn the war had been over for thirty-nine years. Printed locally by a Japanese printer and largely forgotten until now, In Many Wars, by Many War Correspondents offers colorful stories and insights about the lives and personalities of some of history’s most celebrated war correspondents. With a foreword by John Maxwell Hamilton that chronicles the circumstances under which the contributors compiled the book, this new edition opens a window into the fascinating world of foreign newsgathering at the turn of the twentieth century.

“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.

Contains over sixty highly personal perspectives about the media at war in Iraq.

Winner of a Jewish National Book Award and author of The List and Jacob's Oath, both of which achieved outstanding critical acclaim, NBC Special Correspondent Martin Fletcher delivers another breathtaking tale of love, war, and redemption. Tom Layne was a world-class television correspondent until his life collapsed in Sarajevo. Beaten and humiliated, he fell into a hole diagnosed as Post Traumatic Stress Disorder. Eleven years later he returns to the Balkans to film a documentary on the man who caused his downfall: Ratko Mladic, Europe's biggest killer since Hitler, wanted for genocide and crimes against humanity. Mysterious forces have protected Mladic for a decade, preventing his arrest, and these shadowy but deadly foes swing into action against the journalist. Tom soon falls into a web of intrigue and deceit that threatens his life as well as that of the woman he loves. Drawing upon his own experiences reporting on the wars in Bosnia and Sarajevo, Martin Fletcher has written a searing love story and a painfully authentic account of a war reporter chasing down the scoop of a lifetime.

At the height of World War I, in the winter of 1917--1918, one of the Progressive era's most successful muckracking journalists, Ray Stannard Baker (1870--1946), set out on a special mission to Europe on behalf of the Wilson administration. While posing as a foreign correspondent for the New Republic and the New York World, Baker assessed public opinion in Europe about the war and postwar settlement. American officials in the White House and State Department held Baker's wide-ranging, trenchant reports in high regard. After the war, Baker remained in government service as the president's press secretary at the Paris Peace Conference, where the Allied victors dictated the peace terms to the defeated Central Powers. Baker's position gave him an extraordinary vantage point from which to view history in the making. He kept a voluminous diary of his service to the president, beginning with his voyage to Europe and lasting through his time as press secretary. Unlike Baker's published books about Wilson, leavened by much reflection, his diary allows modern readers unfiltered impressions of key moments in history by a thoughtful inside observer. Published here for the first time, this long-neglected source includes an introduction by John Maxwell Hamilton and Robert Mann that places Baker and his diary into historical context.

War correspondents are prominent actors in the media world. They took hold in the cultural imaginary soon after their profession had been created in the mid-19th century. With a particular focus on Britain, this study investigates the representation of war correspondents from Victorian times to the present, in memoirs, novels and films. Such representations react to prevailing notions that exist about war reporters and participate in their further construction. With its cultural approach, this book complements studies of war correspondents in media and communication studies, history and ethnology.