Impossible objects are those about which the philosopher, narrowly conceived, can hardly speak: poetry, film, music, humor. Such "objects" do not rely on philosophy for interpretation and understanding; they are already independent practices and sites of sensuous meaning production. As Elvis Costello has said, "writing about music is like dancing about architecture." We don't need literary theory in order to be riveted by the poem, nor a critic's analysis to enjoy a film. How then can philosophy speak about anything outside of itself, namely all of those things which actually matter to us in this world? In Impossible Objects, Simon Critchley - one of the most influential and insightful philosophers writing today - extends his philosophical investigation into non-philosophical territories, including discussions on tragedy, poetry, humor, and music. In a series of engaging and enlightening conversations, Critchley reflects on his early work on the ethics of deconstruction; the recurring themes of mortality and nihilism; his defense of neo-anarchism; and his recent investigation into secular faith, or "a faith of the faithless". Essential reading for artists, academics, and general readers alike, this book explores the relationship between the philosophical world and those complex and fascinating "impossible objects" which give life meaning.

A bunch of scientifically proven ways to blow your mind. A Canadian Toy Testing Council 3-Star Award winner! The world is weirder than you think. Want proof? Look no further than this book - which actually looks back at you. In fact, its eyes follow you across the room. And there's more weirdness inside. The Book of Impossible Objects comes with all the plastic pieces, paper parts, and special pages you need to experience 25 impossible things. Spin the wobblestone and watch it reverse direction all by itself. Wander the paper labyrinth, an ever-changing folded maze. Use the Mirror Monster Maker to give yourself three eyes. Follow a road sign that points in a different direction every time you check it. These objects all work like magic, but there are no tricks here. All this weirdness has a solid scientific basis - from the mathematically amazing Möbius strip (a band of paper with only one side), to cardstock acrobats with astoundingly great balance, to a spinning top that changes colors before your eyes. The why behind each wow is explained with crystal clarity by the award-winning team of Pat Murphy and the scientists of Klutz Labs. Which makes for a book that's not only weird - it's wonderful.

Presents optical illusions that captivate the imagination by fooling the eye with tricks of perception.

Sixty-four poems by Bill Greenwell who teaches Creative Writing in Exeter. This debut collection was short-listed for the Forward Prize.

The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any artwork has an identity, and comprehension of that identity depends on a perceptual object. A subject’s apprehension of such an object creates an “artistic complex” of which the object, the subject, and the apprehension are constituents. The essential elements of this kind of complex are the subject of the final part of the work. Its concluding section considers these elements as ‘material’ to be used to determine the limits of Abstraction.

This second volume continues Richard Routley’s explorations of an improved Meinongian account of non-referring and intensional discourse (including joint work with Val Routley, later Val Plumwood). It focuses on the essays 2 through 7 of the original monograph, Exploring Meinong’s Jungle and Beyond, following on from the material of the first volume and explores its implications of the Noneist position. It begins with a further development of noneism in the direction of an ontologically neutral chronological logic and associated metaphysical issues concerning existence and change. What follows includes: a detailed response to Quine’s On What There Is; a defense against further objections to noneism; a detailed account of Meinong’s own position; arguments in favour of noneism from common-sense; and a noneist analysis of fictional discourse. We present these essays separately and provide additional scholarly commentaries from a range of philosophers including Fred Kroon, Maria Elisabeth Reicher-Marek and a previously unpublished commentary on noneism by J.J.C. Smart.

Thoroughly updated, the second edition of this highly successful textbook continues to represent the most comprehensive and authoritative collection of canonical readings in metaphysics. In addition to updated material from the first edition, it presents entirely new sections on ontology and the metaphysics of material objects. One of the most comprehensive and authoritative metaphysics anthologies available – now updated and expanded Offers the most important contemporary works on the central issues of metaphysics Includes new sections on ontology and the metaphysics of material objects, as well as readings on the topics of fictionalism, fundamentality, tropes, vague identity, temporary intrinsics, stage theory, and composition Surpasses other anthologies in its combination of contributions from leading metaphysicians and a younger generation of "rising-stars"

The concepts of identity, existence, predication, necessity, and truth are at the centre of philosophy and have rightly received sustained attention. Yet Colin McGinn believes that orthodox views of these topics are misguided in important ways. Philosophers and logicians have often distorted the nature of these concepts in an attempt to define them according to preconceived ideas. Logical Properties aims to respect the ordinary ways we talk and think when we employ theseconcepts, while at the same time showing that they are far more interesting and peculiar than some have supposed. There are real properties corresponding to these concepts - logical properties - that challenge naturalistic metaphysical views. These are not pseudo-properties or mere pieces of syntax. LogicalProperties is written with the minimum of formal apparatus and deals with logico-linguistic issues as well as ontological ones. The focus is on trying to get to the essence of what the concept concerned stands for, and not merely finding some established notation for providing formal paraphrases.

Because of the ease with which we perceive, many people see perception as something that "just happens." However, even seemingly simple perceptual experiences involve complex underlying mechanisms, which are often hidden from our conscious experience. These mechanisms are being investigated by researchers and theorists in fields such as psychology, cognitive science, neuroscience, computer science, and philosophy. A few examples of the questions posed by these investigations are, What do infants perceive? How does perception develop? What do perceptual disorders reveal about normal functioning? How can information from one sense, such as hearing, be affected by information from another sense, such as vision? How is the information from all of our senses combined to result in our perception of a coherent environment? What are some practical outcomes of basic research in perception? These are just a few of the questions this encyclopedia will consider, as it presents a comprehensive overview of the field of perception for students, researchers, and professionals in psychology, the cognitive sciences, neuroscience, and related medical disciplines such as neurology and ophthalmology.