Yarrick: the very name carries the weight of legend, of great deeds and of wars won for the Imperium. But Sebastian Yarrick, who fought on Armageddon, who Space Marine Chapter Mastes show their fealty to on bended kneww, was not always Lord Commissar. He was once just a man, a newly minted officer from the ranks of the schola progenium. His first mission under the tutelage of Lord Commissar Rasp was on Mistral. Here, an uprising of barons had upset the delicate balance of power. But, as Yarrick was soon forced to learn, Mistral and Imperial politics are often murky, the truth seldom clear cut. As war engulfs the world, a plot unravels that pits old friends against one another and fashions unusual alliances. Chaos cults, the fanatical Adepta Sororitas and clandestine inquisitors all stan between Yarrick and his mission. Here is where the legend began. In this crucible was Lord Commissar Sebastian Yarrick forged in blood. Previous titles: Ghostmaker - 9781849708685 First and Only - 9781849708562

Recent studies have re-assessed Emperor worship as a genuinely religious response to the metaphysics of social order. Brent argues that Augustus' revolution represented a genuinely religious reformation of Republican religion that had failed in its metaphysical objectives. Against this backcloth, Luke, John the Seer, Clement, Ignatius and the Apologists refashioned Christian theology as an alternative answer to that metaphysical failure. Callistus and Pseudo-Hippolytus gave different responses to Severan images of imperial power. The early, Monarchian theology of the Trinity was thus to become a reflection of imperial culture and its justification that was later to be articulated both in Neo-Platonism, and in Cyprian's view of episcopal Order. Contra-cultural theory is employed as a sociological model to examine the interaction between developing Pagan and Christian social order.

This is the first volume to attempt a comprehensive overview of the evolution of the 'Arian' churches in the Roman world of Late Antiquity and their political importance in the late Roman kingdoms of the 5th-6th centuries, ruled by barbarian warrior elites. Bringing together researchers from the disciplines of theology, history and archaeology, and providing an extensive bibliography, it constitutes a breakthrough in a field largely neglected in historical studies. A polemical term coined by the Orthodox Church (the side that prevailed in the Trinitarian disputes of the 4th century C.E.) for its opponents in theology as well as in ecclesiastical politics, Arianism has often been seen as too complicated to understand outside the group of theological specialists dealing with it and has therefore sometimes been ignored in historical studies. The studies here offer an introduction to the subject, grounded in the historical context, then examine the adoption of Arian Christianity among the Gothic contingents of the Roman army, and its subsequent diffusion in the barbarian kingdoms of the late Roman world.

This is the story of a genius and a fraud. For more than half a century, Olivier Creed, heir to a French fashion empire but out to conquer an adjacent field by himself, created the most compelling and costly perfumes in the world - scents so successful - artistically and commercially - that the world's largest asset manager bought his small olfactory enterprise for nearly $1 billion in 2020. One could arguably have called him the world's most capable perfumer. Except Olivier Creed never authored the scents for which he has long received acclaim and lucre. Gabe Oppenheim reveals the heretofore untold story behind this supposed-cologne colossus of a man - and the eponymous company that became a social media sensation: That scents were authored by someone else entirely - a brilliant ghostwriter - a hidden, scholarly figure with a great passion for Proust and an unfortunate tendency to doubt the quality of his own compositions. How these two figures met and the arrangement was struck - how they circled each other warily for the next 40 years - how lies, told often enough, became truths - Gabe Oppenheim examines as he journeys into the heart of an industry mystifying and fanciful, enormous and intimate, sensuous and yet so-damn-insubstantial. It's an expedition that takes him to a Creed shop in Dubai and the castle in Normandy where the Ghost resides, having left behind a Parisian world that, in some sense, never acknowledged him. And yet, he's a legend in a certain section of the scented demimonde for a few achievements so innovative he wouldn't yield them even to a charismatic manipulator. Oppenheim explores issues of attribution and artistry, credit and craftsmanship, ingenuity and disingenuousness. "The Ghost Perfumer" is the story of a genius and a fraud. And perhaps the greatest con in the history of luxury retail.

This history of early Christian creeds contains an up-to-date account of their origin and development from the credal texts in the New Testament to the fully fledged classical formulae of the 4th century. It includes the creeds’ use and alteration in subsequent periods until the time of Charlemagne and the beginnings of the filioque controversy. In addition, the author provides a scholarly commentary on the most common ancient confessions: the Nicene Creed and the Apostles’ Creed. Going beyond previous studies, the book contains chapters dedicated to the use of creeds in law, art, music, everyday life and even magic. Recently discovered source texts, such as a new Ethiopic version of the Roman Creed and a short recension of the Creed of Nicaea-Constantinople, receive extensive treatment. Credal developments in the eastern churches beyond the borders of the Roman Empire complete this comprehensive overview. This volume is intended both as a textbook for advanced students of theology and cognate disciplines and as a reference book on the creeds in a wide range of contexts. All source texts are accompanied by modern English translations.

Occupying much of imperial China’s Yangzi River heartland and costing more than twenty million lives, the Taiping Rebellion (1851-64) was no ordinary peasant revolt. What most distinguished this dramatic upheaval from earlier rebellions were the spiritual beliefs of the rebels. The core of the Taiping faith focused on the belief that Shangdi, the high God of classical China, had chosen the Taiping leader, Hong Xiuquan, to establish his Heavenly Kingdom on Earth. How were the Taiping rebels, professing this new creed, able to mount their rebellion and recruit multitudes of followers in their sweep through the empire? Thomas Reilly argues that the Taiping faith, although kindled by Protestant sources, developed into a dynamic new Chinese religion whose conception of its sovereign deity challenged the legitimacy of the Chinese empire. The Taiping rebels denounced the divine pretensions of the imperial title and the sacred character of the imperial office as blasphemous usurpations of Shangdi’s title and position. In place of the imperial institution, the rebels called for restoration of the classical system of kingship. Previous rebellions had declared their contemporary dynasties corrupt and therefore in need of revival; the Taiping, by contrast, branded the entire imperial order blasphemous and in need of replacement. In this study, Reilly emphasizes the Christian elements of the Taiping faith, showing how Protestant missionaries built on earlier Catholic efforts to translate Christianity into a Chinese idiom. Prior studies of the rebellion have failed to appreciate how Hong Xiuquan’s interpretation of Christianity connected the Taiping faith to an imperial Chinese cultural and religious context. The Taiping Heavenly Kingdom shows how the Bible--in particular, a Chinese translation of the Old Testament--profoundly influenced Hong and his followers, leading them to understand the first three of the Ten Commandments as an indictment of the imperial order. The rebels thus sought to destroy imperial culture along with its institutions and Confucian underpinnings, all of which they regarded as blasphemous. Strongly iconoclastic, the Taiping followers smashed religious statues and imperially approved icons throughout the lands they conquered. By such actions the Taiping Rebellion transformed--at least for its followers but to some extent for all Chinese--how Chinese people thought about religion, the imperial title and office, and the entire traditional imperial and Confucian order. This book makes a major contribution to the study of the Taiping Rebellion and to our understanding of the ideology of both the rebels and the traditional imperial order they opposed. It will appeal to scholars in the fields of Chinese history, religion, and culture and of Christian theology and church history.

Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

In the style of a military weapons catalogue, this text features over 60 entries on weapons, kit and equipment utilised by the Imperial Guard, as well as details about the organisation that provides it, the Departmento Munitorum.