Xerxes, the Persian king who invaded Greece in 480 BC, quickly earned a notoriety that endured throughout antiquity and beyond. The Greeks' historical encounter with this eastern king – which resulted, against overwhelming odds, in the defeat of the Persian army – has inspired a series of literary responses to Xerxes in which he is variously portrayed as the archetypal destructive and enslaving aggressor, as the epitome of arrogance and impiety, or as a figure synonymous with the exoticism and luxury of the Persian court. Imagining Xerxes is a transhistorical analysis that explores the richness and variety of Xerxes' afterlives within the ancient literary tradition. It examines the earliest representations of the king, in Aeschylus' tragic play Persians and Herodotus' historiographical account of the Persian Wars, before tracing the ways in which the image of Xerxes was revisited and adapted in later Greek and Latin texts. The author also looks beyond the Hellenocentric viewpoint to consider the construction of Xerxes' image in the Persian epigraphic record and the alternative perspectives on the king found in the Jewish written tradition. Analysing these diverse representations of Xerxes, this title explores the reception of a key figure in the ancient world and the reinvention of his image in a remarkable array of cultural and historical contexts.

Taking as a key turning point the self-fashioning of the first Roman emperor Augustus, author Jennifer Finn revisits the idea of “universal history” in Polybius, Justin, and Diodorus, combined with the Stoic philosophy of determinism present in authors like Plutarch and Arrian. Finn endeavors to determine the ways in which Roman authors manipulated narratives about Alexander’s campaigns—and even other significant events in Mediterranean history—to artificially construct a past to which the Romans could attach themselves as a natural teleological culmination. In doing so, Contested Pasts uses five case studies to reexamine aspects of Alexander’s campaigns that have received much attention in modern scholarship, providing new interpretations of issues such as: his connections to the Trojan and Persian wars; the Great Weddings at Susa; the battle(s) of Thermopylae in 480 BCE and 191 BCE and Alexander's conflict at the Persian Gates; the context of his “Last Plans”;” the role of his memory in imagining the Roman Civil Wars; and his fictitious visit to the city of Jerusalem. While Finn demonstrates throughout the book that the influence for many of these narratives likely originated in the reign of Alexander or his Successors, nevertheless these retroactive authorial manipulations force us to confront the fact that we may have an even more opaque understanding of Alexander than has previously been acknowledged. Through the application of a mnemohistorical approach, the book seeks to provide a new understanding of the ways in which the Romans—and people in the purview of the Romans—conceptualized their own world with reference to Alexander the Great.

This volume explores the spatial framework of Herodotus' Histories, the Greek historian's account of Persian imperialism in the sixth and fifth century BC and its culmination in a series of grand expeditions against Greece itself. Focusing on his presentation of the natural world through careful geographical descriptions, ranging from continents and river and mountain networks on a vast scale down to the local settings for individual episodes, it also examines how these landscapes are charged with greater depth and resonance through Herodotus' use of mythological associations and spatial parallels. Man's interaction with, and alteration of, the physical world of the Histories adds another critical dimension to the meaning given to space in Herodotus' work, as his subjects' own agency serves to transform their geography from a neutral backdrop into a resonant landscape with its own role to play in the narrative, in turn reinforcing the placing of the protagonists along a spectrum of positive or negative characterizations. The Persian imperial bid may thus be seen as a war on nature, no less than on their intended subjects: however, as Herodotus reflects, Greece itself is waiting in the wings with the potential to be no less abusive an imperial power. Although the multi-vocal nature of the narrative complicates whether we can identify a 'Herodotean' world at all, still less one in which moral judgements are consistently cast, the fluid and complex web of spatial relationships revealed in discussion nevertheless allows focalization to be brought productively into play, demonstrating how the world of the Histories may be viewed from multiple perspectives. What emerges from the multiple worlds and world-views that Herodotus creates in his narrative is the mutability of fortune that allows successive imperial powers to dominate: as the exercise of political power is manifested both metaphorically and literally through control over the natural world, the map of imperial geography is constantly in flux.

​This book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.

Cognitive linguists and biblical and patristic scholars have recently given more attention to the presence of conceptual blends in early Christian texts, yet there has been so far no comprehensive study of the general role of conceptual blending as a generator of novel meanings in early Christianity as a religious system with its own identity. This monograph points in that direction and is a cognitive linguistic exploration of pastoral metaphors in a wide range of patristic texts, presenting them as variants of THE CHURCH IS A FLOCK network. Such metaphors or blends, rooted in the Bible, were used by Patristic writers to conceptualize a great number of particular notions that were constitutive for the early church, including the responsibilities of the clergy and the laity, morality and penance, church unity, baptism and soteriology. This study shows how these blends became indispensable building blocks of a new religious system and explains the role of conceptual blending in this process. The book is addressed to biblical and patristic scholars interested in a new, unifying perspective for various strands of early Christian thought and to cognitive linguists interested in the role of conceptual integration in religious language. Produced with the support of the Faculty of Philology, Jagiellonian University in Kraków, Poland.

Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles – and has even provided a model for – other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered – sitting in a library, standing in a gallery, moving through a ruin – condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'.

This gripping biography documents the life and reign of Hattusili, one of the most famous and well-documented Hittite rulers. Hattusili ruled over the ancient kingdom of Anatolia (modern Turkey) during the 2nd millennium BC and was a political rival and, at the same time, treaty-partner of the Egyptian pharaoh Ramesses the Great. Trevor Bryce offers a chronological account of Hattusili, charting the rise of the Bronze Age Hittite prince from a sickly childhood to become – by ruthless ambition, an illegal coup and a civil war – the most powerful ruler of the ancient Near East. Incorporating the most up-to-date archaeological material, including the archive of clay tablets and new information about the astonishingly small size of the Hittite capital Hattusa, Bryce provides the reader with a detailed examination of Hattusili's policies and military strategies. Alongside these historical accounts, Bryce weaves in imaginative reconstructions of pivotal moments in the ruler's life, giving you a complete picture of Hattusili's remarkable military skills and impressive political prowess.

During the Battle of Thermopylae in 480 BC, a Greek force of approximately 7,000 faced the biggest army ever seen in the Greek peninsula. For three days, the Persians—the greatest military force in the world—were stopped in their tracks by a vastly inferior force, before the bulk of the Greek army was forced to retreat with their rear guard wiped out in one of history's most famous last stands. In strict military terms it was a defeat for the Greeks. But like the British retreat from Dunkirk or the massacre at the Alamo, this David and Goliath story has taken on the aura of success. Thermopylae has acquired a glamour exceeding the other battles of the Persian Wars, passing from history into myth, and lost none of that appeal in the modern era. In Thermopylae, Chris Carey analyses the origins and course of this pivotal battle, as well as the challenges facing the historians who attempt to separate fact from myth and make sense of an event with an absence of hard evidence. Carey also considers Thermopylae's cultural legacy, from its absorbtion into Greek and Roman oratorical traditions, to its influence over modern literature, poetry, public monuments, and mainstream Hollywood movies. This new volume in the Great Battles series offers an innovative view of a battle whose legacy has overtaken its real life practical outcomes, but which showed that a seemingly unstoppable force could be resisted.

In 15 all-new essays, this volume explores how science fiction and fantasy draw on materials from ancient Greece and Rome, 'displacing' them from their original settings-in time and space, in points of origins and genre-and encouraging readers to consider similar 'displacements' in the modern world. Modern examples from a wide range of media and genres-including Philip Pullman's His Dark Materials and the novels of Helen Oyeyemi, the Rocky Horror Picture Show and Hayao Miyazaki's Spirited Away, and the role-playing games Dungeons and Dragons and Warhammer 40K-are brought alongside episodes from ancient myth, important moments from history, and more. All together, these multifaceted studies add to our understanding of how science fiction and fantasy form important areas of classical reception, not only transmitting but also transmuting images of antiquity. The volume concludes with an inspiring personal reflection from the New York Times-bestselling author of speculative fiction, Catherynne M. Valente, offering her perspective on the limitless potential of the classical world to resonate with experience today.

A modern historian sheds new light on an ancient Greek history of Persia.