A collection of poems touches subjects ranging from childhood memories, and experiences at work, to poems that examine political persecution

Essays from a nationally acclaimed Latino poet

The heart of this collection is a cycle of Chile poems by the Pablo Neruda of North American authors (Sandra Cisneros).

The ferocious acumen with which the award-winning poet Martín Espada attacks issues of social injustice in Zapata’s Disciple makes it no surprise that the book has been the subject of bans in both Arizona and Texas, targeted for its presence in the Mexican American Studies curriculum of Tucson’s schools and for its potential to incite a riot among Texas prison populations. This new edition of Zapata’s Disciple, which won the 1999 Independent Publisher Book Award for Essay / Creative Nonfiction, opens with an introduction in which the author chronicles this history of censorship and continues his lifelong fight for freedom of expression. A dozen of Espada’s poems, tender and wry as they are powerful, interweave with essays that address the denigration of the Spanish language by American cultural arbiters, castigate Nike for the exploitation of its workers, reflect upon National Public Radio’s censorship of Espada’s poem about Mumia Abu- Jamal, and more. Zapata’s Disciple is a potent assault on the continued marginalization of Latinos and other poor and working-class citizens in American society, and the collection breathes with a revolutionary zeal that is as relevant now as when it was first published.

"Martín Espada ....forges a new poetic language."—Dennis Loy Johnson, Pittsburgh Tribune In his sixth collection, American Book Award winner Martín Espada has created a poetic mural. There are conquerors, slaves, and rebels from Caribbean history; the "Mayan astronomer" calmly smoking a cigarette in the middle of a New York tenement fire; a nun staging a White House vigil to protest her torture; a man on death row mourning the loss of his books; and even Carmen Miranda.

Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.

Award-winning poet Martín Espada gives voice to the spirit of endurance in the face of loss. In this powerful new collection of poems, Martín Espada articulates the transcendent vision of another, possible world. He invokes the words of Whitman in “Vivas to Those Who Have Failed,” a cycle of sonnets about the Paterson Silk Strike and the immigrant laborers who envisioned an eight-hour workday. At the heart of this volume is a series of ten poems about the death of the poet’s father. “El Moriviví” uses the metaphor of a plant that grows in Puerto Rico to celebrate the many lives of Frank Espada, community organizer, civil rights activist, and documentary photographer, from a jailhouse in Mississippi to the streets of Brooklyn. The son lyrically imagines his father’s return to a bay in Puerto Rico: “May the water glow blue as a hyacinth in your hands.” Other poems confront collective grief in the wake of the killings at the Sandy Hook Elementary School and police violence against people of color: “Heal the Cracks in the Bell of the World” urges us to “melt the bullets into bells.” Yet the poet also revels in the absurd, recalling his dubious career as a Shakespearean “actor,” finding madness and tenderness in the crowd at Fenway Park. In exquisitely wrought images, Espada’s poems show us the faces of Whitman’s “numberless unknown heroes.”

“[An] important work . . . inspiring its readers to greater human connection and to keep fighting the good fight.”—The Rumpus In this new collection of poems, Martín Espada crosses the borderlands of epiphany and blasphemy: from a pilgrimage to the tomb of Frederick Douglass to an encounter with the swimming pool at a center of torture and execution in Chile, from the adolescent discovery of poet Omar Khayyám to the death of an "illegal" Mexican immigrant. from "The Trouble Ball" On my father's island, there were hurricanes and tuberculosis, dissidents in jail and baseball. The loudspeakers boomed: Satchel Paige pitching for the Brujos of Guayama. From the Negro Leagues he brought the gifts of Baltasar the King; from a bench on the plaza he told the secrets of a thousand pitches: The Trouble Ball, The Triple Curve, The Bat Dodger, The Midnight Creeper, The Slow Gin Fizz, The Thoughtful Stuff. Pancho Coímbre hit rainmakers for the Leones of Ponce; Satchel sat the outfielders in the grass to play poker, windmilled three pitches to the plate, and Pancho spun around three times. He couldn't hit The Trouble Ball.

The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?