From the "Introduction": I first stood on Louisiana soil in Lafayette during May of 1982. There, I found myself standing at the crossroads of another culture. Shortly after, I heard about a Clifton Chenier gig scheduled for the next day at the Grant Street Dancehall. Clifton was very ill and could not perform that night, so Rockin' Dopsie filled in. That evening someone gave me Ambrose Thibodeaux's name and address written on a paper napkin. This is how it went every trip I took"€"acquiring names of musicians scribbled on little pieces of paper or cardboard beer coasters. . . . . This is my story"€"how I discovered Cajun music and its musicians. Several times I went back; time and again I was surprised by the cultural endurance of this relatively small group of people. Both old and young keep their history alive through a simple bond"€"the culture, the language, and the songs of their ancestors. . . . This is not a historical document about these people and their music, and it is far from complete when it comes to even musicians. These images instead record my journey into a culture that continually captivates me.

Sixteen papers by foremost American, Canadian, and English historical geographers examine the sources of Imagery of the American and Canadian Great Plains, the processes of image formation, and the behavioral implications of various kinds of images. The papers deal with exploratory images of the Plains, resource evaluation in the prefrontier West, governmental appraisal of the western frontier, real and imagined climatic hazards, the desert and garden myths, and adaptations to reality.

"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--

Scott Heywood discovered oil in Jennings on September 21, 1901, starting a new industry for Louisiana. From the heart of Acadiana, oil fever spread north to Caddo and Pine Island, south to Hackberry and Cameron, east to Barataria and Lafourche, and into the Gulf of Mexico. The oil industry created a worker class in Louisiana that had not previously existed. Towns, complete with schools, churches, and grocery stores, developed in oil fields; in fact, cabins with clothes hanging on the line to dry were adjacent to derricks and open oil pits. Today, families proudly recount the number of their generations that have worked in the "oil patch," and workers continue to contribute to a current crude oil production of nearly 200,000 barrels per day. The legacy of Louisiana's first oil fields is evident in towns like Jennings, Evangeline, Oil City, Morgan City, Lake Charles, and Cameron, and the history of that once nascent industry is a permanent part of the culture of Louisiana.

New Orleans’s reputation as a decadent city stems in part from its environmental precariousness, its Francophilia, its Afro-Caribbean connections, its Catholicism, and its litany of alleged “vices,” encompassing prostitution, miscegenation, homosexuality, and any number of the seven deadly sins. An evocative work of cultural criticism, Robert Azzarello’s Three Hundred Years of Decadence argues that decadence can convey a more nuanced meaning than simple decay or decline conceived in physical, social, or moral terms. Instead, within New Orleans literature, decadence possesses a complex, even paradoxical relationship with concepts like beauty and health, progress, and technological advance. Azzarello presents the concept of decadence, along with its perception and the uneasy social relations that result, as a suggestive avenue for decoding the long, shifting story of New Orleans and its position in the transatlantic world. By analyzing literary works that span from the late seventeenth century to contemporary speculations about the city’s future, Azzarello uncovers how decadence often names a transfiguration of values, in which ideas about supposed good and bad cannot maintain their stability and end up morphing into one another. These evolving representations of a decadent New Orleans, which Azzarello traces with attention to both details of local history and insights from critical theory, reveal the extent to which the city functions as a contact zone for peoples and cultures from Europe, Africa, and the Americas. Drawing on a deep and understudied archive of New Orleans literature, Azzarello considers texts from multiple genres (fiction, poetry, drama, song, and travel writing), including many written in languages other than English. His analysis includes such works of transcription and translation as George Washington Cable’s “Creole Slave Songs” and Mary Haas’s Tunica Texts, which he places in dialogue with canonical and recent works about the city, as well as with neglected texts like Ludwig von Reizenstein’s German-language serial The Mysteries of New Orleans and Charles Chesnutt’s novel Paul Marchand, F.M.C. With its careful analysis and focused scope, Three Hundred Years of Decadence uncovers the immense significance—historically, politically, and aesthetically—that literary imaginings of a decadent New Orleans hold for understanding the city’s position as a multicultural, transatlantic contact zone.

Now in its fourth edition, it presents a new and refreshing approach to the study of tourism, considering issues such as overtourism, advances in AI and its impacts, waste management and environmental crisis, the sharing economy and Airbnb, the tourist experience and product development.

This book discusses the complexity of understanding how tourism impacts the world and how the world impacts tourism - from the global scale to the local and individual scale.

WorldMinds provides broad exposure to a geography that is engaged with discovery, interpretation, and problem solving. Its 100 succinct chapters demonstrate the theories, methods, and data used by geographers, and address the challenges posed by issues such as globalization, regional and ethnic conflict, environmental hazards, terrorism, poverty, and sustainable development. Through its theoretical and practical applications, we are reminded that the study of Geography informs policy making.

Sound Images of the Ocean is the first comprehensive overview of acoustic imaging applications in the various fields of marine research, utilization, surveillance, and protection. The book employs 400 sound images of the sea floor and of processes in the sea volume, contributed by more than 120 marine experts from 22 nations.