The Indus civilization was one of the earliest civilizations of the ancient world. At its peak, it was more than ten times larger than Egypt and Mesopotamia combined and three times their population. Yet it remains a riddle of prehistory. Its script is the last great script to remain undeciphered. This illustrated concordance attempts to make the corpus of Indus inscriptions organized and searchable in a digital format. It covers 3,649 objects with 5,037 inscriptions from across 40 Indus sites. At more than 10,000 pages, it aims to be a comprehensive reference for the domain. The drawings carved into the seals encode key identity and context information and represent iconic and culturally significant symbols. This illustrated concordance not only represents the full gamut of visual information available but also seamlessly integrates it into the overall search experience. It allows the reader to efficiently search and navigate the corpus by location and object types, by animals and other illustrations, by facing and writing directions. It is the only resource that indexes the collection by letters, words, and patronymics. In order to help the first-time reader, the Introduction provides a background of the Indus civilization and its script. It presents a unique analysis of the typography of the Indus seals and compares it to modern fonts. It systematically analyzes the script down into constituent forms and links to resources for Unicode encoding and an open-source font for the script. The book itself serves as a test case for those resources. This concordance is based on a complete decipherment of the Indus script that I will publish separately. It leverages that to identify characters and words and present a consistent and complete coverage of the inscriptions.

The Indus civilization was one of the earliest civilizations of the ancient world. At its peak, it was more than ten times larger than Egypt and Mesopotamia combined and three times their population. Yet it remains a riddle of prehistory. Its script is the last great script to remain undeciphered. This concordance is an attempt to make the corpus of Indus inscriptions organized and searchable in a digital format. It covers 3,649 objects with 5,037 inscriptions from across 40 Indus sites. At more than 10,000 pages, it is a comprehensive reference for the domain. It allows the reader to efficiently search and navigate the corpus by location, object types, and writing direction. It is the only resource that allows you to search the collection by letters, words, and patronymics. In order to help the first-time reader, the Introduction provides a background of the Indus civilization and its script. It presents a unique analysis of the typography of the Indus seals and compares it to modern fonts. It systematically analyzes the script down into constituent forms and links to resources for a Unicode encoding and an open-source font for the script. The book itself serves as an example of those resources. This concordance is based on a complete decipherment of the Indus script that I will publish separately. It leverages that to identify characters and words and present a consistent and complete coverage of the inscriptions.

The deciphering of the Indus script has met with suspicion and is exposed to ridicule even. Many people are nowadays of the opinion that the Indus script is altogether indecipherable, if not a bilingual of considerable size turns up. The approach to a decipherment presented in this volume makes avail of a bilingual, too, but its masterkey is the discovering of the symbolic connection of the Indus signs with the metaphoric language of the Rg-Veda. Nearly 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them syllable for syllable in relation to Rg-Vedic verses. The results that were gained by this method for the pictographic values of the Indus signs are surprising and far beyond the possibilities of the most daring phantasy. At the same time many problems of the Rg-Veda could be solved or new insights be won.

This work is a revealing study of the enigmatic Indus civilization and how a rich repertoire of archaeological tools is being used to probe its puzzles. The Ancient Indus Valley: New Perspectives takes readers back to a civilization as complex as its contemporaries in Mesopotamia and Egypt, one that covered a far larger region, yet lasted a much briefer time (less than a millennium) and left few visible traces. Researchers have tentatively reconstructed a model of Indus life based on limited material remains and despite its virtually indecipherable written record. This volume describes what is known about the roots of Indus civilization in farming culture, as well as its far-flung trading network, sophisticated crafts and architecture, and surprisingly war-free way of life. Readers will get a glimpse of both a remarkable piece of the past and the extraordinary methods that have brought it back to life.

Since the publication of the concordances of the inscriptions of the Indus seals many people have been working on the solution of the riddle presented by their 5000-years-old script. At first sight the task does not appear too difficult, as there are pictograms that can easily be recognized. A lot of signs are geometric, but this does not seem to be an insurmountable obstacle either, as they are often combined with the pictograms. The decipherments that were based on these similarities resulted, however, only in the reading of some inscriptions as more or less obscure names, sometimes not even a phonetic value could be given. Nevertheless they are often presented as complete decipherments to the public. On this account, the pretension that the Indus script is deciphered meets with increasing suspicion and is exposed to ridicule even. Many scholars working in this field are nowadays of the opinion that the Indus script is altogether indecipherable, if not a bilingual of considerable size turns up. The approach to a decipherment presented in this volume makes avail of a short bilingual from Failaka, but its master-key is the discovering of the symbolic and the linguistic connection of the Indus signs with the R̥g-Veda. More than 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them word after word in relation to R̥g-Vedic mantras. The results that were gained by this method of comparison for the pictographic and phonetic values of the Indus signs are surprising and far beyond the most daring phantasy, i.e. beyond the analytic limits of thought. This approach is the opposite of subjectivism. The signs of all inscriptions have been found in this way have been collected in a sign-dictionary improved for a great deal in the present edition. By the deciphering of the Indus signs many problems of the R̥g-Veda could be solved too and new insights be won, for example in the question of the age of the Veda and the origin of its myths or the nature of the Soma plant.

"An Encyclopaedia of Indian Archaeology" is a significant reference work on archaeology in India. It is an authoritative work of permanent value in which the knowledge and expertise of Indian archaeologists from the Archaeological Survey of India, universities and other institutes have been pooled together under the editorship of the late A. Ghosh, former Director-General of the Archaeological Survey of India. The "Encyclopaedia" has been planned in an ambitious manner; it is not merely an alphabetical listing of entries with sketchy information on topics. Volume 1, which deals with certain broad subjects relating to Indian Archaeology, is divided into twenty chapters, alphabetically arranged. Each chapter is further divided into sections and subsections containing independent and self-contained essays. For example, in the chapter on "Cultures," detailed information can be found on various cultures in India; the chapter on "Basis of dating" contains articles on archaeological dating, archaeomagnetic dating, 14C radio-carbon dating, numismatic dating, palaeographic and epigraphic dating, thermoluminescent dating, etc. For those interested in getting further information on the subjects and in looking into the original sources and references, each entry also carries an exhaustive bibliography. Volume II is the Gazetteer. It contains basic data and information on all the explored and excavated sites in India along with reference to published reports and/or notices on each.

Since the discovery of the Indus Civilization, the meaning of the enigmatic Indus script remains hidden in its four hundred characters. While many would-be-decipherers have attempted to unravel its meaning with the aid of a presumed underlying language, none of these attempts has proven successful. In response, the approach taken in this work does not preclude an underlying language, but offers an alternate approach where the positional patterns of the Indus signs are investigated in an attempt to segment the character strings. Michael Korvink is a former instructor of International Studies at The University of North Carolina at Charlotte, and now works in the private sector.

Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.

The pottery of Mohenjo-dara, one of the two major urban centers of the Indus Valley civilization (2500-2000 B.C.) is described and documented. The authors survey Harappan ceramic technology and style, and develop an important and unique approach to vessel form analysis and terminology. Included is Leslie Alcock's account of the pottery from the 1950 excavations by Sir Mortimer Wheeler. University Museum Monograph, 53