“Something is rotten in the state of Berkeley” --1881 Blue and Gold Yearbook, University of California: Berkeley In Scholarly Pursuits, the sixth full-length novel in the USA Today best-selling Victorian San Francisco mystery series, Locke explores life on the University of California: Berkeley campus in 1881, where Laura and her friends face the remarkably modern problems of fraternity hazings, fraught romantic relationships, and fractious faculty politics. While Annie and Nate Dawson and friends and family in the O’Farrell Street boardinghouse await a blessed event, Laura Dawson finds herself investigating why a young Berkeley student dropped out of school in the fall of 1880. No one, including her friend Seth Timmons, thinks this is a good idea, since she is juggling a full course load with a part-time job, but she can’t let the question of what happened to her friend go unanswered. Not when it means that other young women might be in danger. This cozy historical mystery of romantic suspense is set in the period immediately after the fifth book in the series, Pilfered Promises, and two novellas, Kathleen Catches a Killer and Dandy Delivers. However, it can be read as a stand-alone.

Includes the Association's Register.

In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States. Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions. By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.