"Do you think I won't tell?" Jayce Flint, perfect stepbrother and all around nice guy is losing his mind. His once sweet, hero worshiping little brother has turned into a manipulative terror. One that has no problem using his hot body and pretty face to get everything he wants even from him. Declan Rainer's hiding a dark secret. He was the perfect son until his father finally married, leaving Declan all alone in a strange town and new house with a very muscular, overprotective stepbrother. He's tired of playing nice, and after a drunken encounter he's ready to get what he wants, starting with blackmailing Jayce. Can Jayce keep from getting sucked into Declan's twisted games? Or will his own dark obsession prove far more destructive for the both of them? 18+ Explicit Content containing m/m sexual content, graphic language, lots of dirty talk, a naive manipulative gothed out bottom that wants to be used and a very rough possessive top happy to oblige, suburban youth culture of pretty white rich people problems, and some light drug/alcohol abuse. Smut heavy, plot light, all very dirty. www.sadiesinsbooks.com"

Praise for Chloe Caldwell: "I read it a couple of months ago in one can't-put-it-down-even-though-it's-the-middle-of-the-night sitting. It's as intense and interesting and clear-hearted as they come."—Cheryl Strayed "I'll read anything Chloe Caldwell writes. She's a rare bird: fearless, dark, prolific, unpretentious, and truly honest."—Elisa Albert "Nothing's sexier than first love and first intimacies, and Caldwell's brave autobiographical tale twists the trope into a powerful story about unexpectedly falling in love with a woman and the discoveries, sexual and otherwise, that ensue."—Time Out New York "The essays in this collection are as exuberant as they are sad. Her storytelling is as vulnerable as it is bombastic. These essays roll in gangsta, but wear freshly picked daisies in their hair."—Rookie Magazine Flailing in jobs, failing at love, getting addicted and un-addicted to people, food, and drugs—I'll Tell You in Person is a disarmingly frank account of attempts at adulthood and all the less than perfect ways we get there. Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see. Chloe Caldwell is the author of the novella Women, and the essay collection Legs Get Led Astray. Her work has appeared in the Sun, Salon, VICE, Hobart, Nylon, the Rumpus, Men's Health, and LENNY, among others. She teaches personal essay and memoir writing in New York City and lives in Hudson.

Elizabeth Simpson Inchbald (1753–1821) was one of the leading literary figures of the late eighteenth century—an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Descent of the Balloon. Over the next two decades she wrote or adapted twenty-one plays: comedies, farces, and works from French and German, including the version of Kotzebue's Lovers' Vows, later used in Jane Austen's Mansfield Park. Inchbald's acclaimed first novel, A Simple Story, prefigured the work of later women writers such as Austen. Using material from Inchbald's own pocket books detailing her daily life (she destroyed most of her letters and journals late in her life at the advice of her Catholic confessor) as well as a wealth of other sources, Annibel Jenkins tells for the first time not only the full story of Mrs. Inchbald's life but also provides a fascinating look at the society and politics, both public and private, of London in the late eighteenth and early nineteenth centuries.

Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

In this tender story of international adoption, a mother weaves a magical web of tales to explain how her child came to be part of the family. A young child asks his mother to tell the story of where he came from. I might tell how you came from a land far away in a hot air balloon. The basket slowly drifted down like a feather into our yard. I dropped the firewood I was carrying and ran to you. 'You're home now, ' I said. Or maybe it was a lark--and not a stork--that brought the child to the mother. Or perhaps he was rescued from a dragon! Each lyrical and fantastic tale contains a small kernel of truth that pieces together the baby's journey from China into his new mother's arms. Beautifully illustrated by Jessica Lanan, The Story I'll Tell is a gentle and moving story of international adoption and parental love that is sure to touch the hearts of readers everywhere, no matter how they came to be a family.

The University of Iowa is a leading light in the writing world. In addition to the Iowa Writers’ Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I’ll Tell You Mine is an extraordinary anthology, a book rooted in Iowa’s successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I’ll Tell You Mine shows why Iowa’s leads the way. Its insider’s view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.

Collects stories that originate from the folklore of the Southwest.

A riveting and hugely entertaining memoir of post-war London told through the eyes of a hilariously opportunistic little boy. 'This warm and witty autobiography lovingly evokes the community spirit of a Britain emerging from war and will have you hankering after simpler times' CANDIS By the time he was ten years old, Billy Brown was running a successful little business on the black market: whatever you needed, from bricks and firewood to dress material or machetes, Billy Brown could get it - or knew a man who could. And, for the right price, he would deliver it direct to your door in an old carriage pram. With energy and insight, Billy Brown paints a vivid and lively picture of Britain emerging from the ruins of the war, the hunger for opportunity, the growing pace of modernisation and the pride and optimism that held communities together. Londoners were intent on getting themselves back on their feet, and it provided the perfect opportunity for a boy with ambition and a lively imagination. Born in Brixton, south London, in 1942, Billy Brown was a lovable scamp with a nose for mischief. Left to his own devices while both his parents went out to work, if there was trouble to be had Billy would be in the thick of it. Ignoring the shaking of fists from his neighbours, his mother's scoldings and the regular thwack of the cane on his bottom at school, Billy wheeled and dealed, charmed Woolies' Girls, planned coronation celebrations, ran circles around circus performers and persuaded villains to work on his terms.

Includes a reading group guide for the Alice series.