With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).

Starting from an examination of the rich legacy of Russian music up to 1700, Marina Ritzarev explores the development of music over the course of the eighteenth century. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the background of social, political and cultural life and the importance of previously marginalized sectors is highlighted. New light is also cast on the well-researched topic of Russian opera

The New Pocket Kobbe's Complete Opera Book is the world's leading reference work on opera, and (in the words of Bernard Levin) 'no single-volume operatic guide can possibly compare with it'. Kobbe is the only book which summaries the libretti of the world's opera, describes their music and gives a history of their performance within a single volume. But it is a large and relatively expensive book. The new pocket edition, at a price accessible to the huge new audience for opera, has been redesigned and extended, existing entries have been rewritten, and new operas included. The total number of works covered is now over 200, including important new works like John Adams Nixon in China, Harrison Birtwistle's Gawain and Thomas Ades's Powder Her Face, and a number of half-forgotten works that are now undergoing revival. Unlike the previous edition, it is now simply arranged, alphabetically by composer. Lord Harewood's strongly individual commentaries, together with his unparalleled knowledge of and enthusiasm for opera, make the New Pocket Kobbe a book no opera-goer can afford to be without.

Hermann Abert's classic biography, first published in German more than eighty years ago and itself based on the definitive mid-nineteenth century study by Otto Jahn, remains the most informed and substantial biography of Mozart in any language. The book is both the fullest account of the composer’s life and a deeply skilled analysis of his music. Proceeding chronologically from 1756 to 1791, the book interrogates every aspect of Mozart’s life, influences, and experience; his personality; his religious and secular dimensions; and the social context of the time. In "a book within a book,” Abert also provides close scrutiny of the music, including the operas, orchestral work, symphonies and piano concertos, church music and cantatas, and compositions for solo instruments. While the tone of Abert’s great work is expertly rendered by Stewart Spencer, developments in Mozart scholarship since the last German edition are signaled by the Mozart scholar, Cliff Eisen, in careful annotations on every page. Supported by a host of leading Mozart scholars, this immense undertaking at last permits English-language readers access to the most important single source on the life of this great composer.