Lily Coolican, the flamboyant heroine of Willie: A Romance and Lily: A Rhapsody in Red, is now in her eighties and feistier than ever: while Ronald Reagan is speaking on Parliament Hill, she lobs an egg at the President. Lily's defiant impulse triggers an extraordinary and sinister chain of events tretching back to 1945 and the race for the Bomb. Befriended by TV journalist Jennie Hutchinson, Lily helps search for the truth about Jennie's father, a U.S. nuclear scientist drowned under suspicious circumstances. The trail of evidence leads through the tangled web of CIA espionage, and through Lily's past loves with Mackenzie King and Vladimir Shuvakin, a dashing Russian diplomat in wartime Ottawa. And at the centre of the mystery sits the most enigmatic and explosive figure of all--Igor Gouzenko, the Soviet defector whose spy revelations started the Cold War. Igor: A Novel of Intrigue brings the award-winning fictional trilogy, The King Years, to a stunning conclusion.

From the author of the “enthralling” (New York Times Book Review) and “beautiful” (Washington Post) debut novel The Vexations comes an exciting new story collection that is “perfect for fans of George Saunders and Karen Russell” (Booklist), moving boldly between the real and the surreal A New York Times Book Review Editors’ Choice Longlisted for the Joyce Carol Oates Prize Following her “marvelous” (Wall Street Journal) first novel, Caitlin Horrocks returns with a much-anticipated collection of short stories. In her signature, genre-defying style, she explodes our notions of what a story can do and where it can take us. Life Among the Terranauts demonstrates all the inventiveness that won admirers for Horrocks’s first collection. In “The Sleep,” reprinted in Best American Short Stories, residents of a town in the frigid Midwest decide to hibernate through the bitter winters. In the title story, half a dozen people move into an experimental biodome for a shot at a million dollars, if they can survive two years. And in “Sun City,” published in The New Yorker, a young woman meets her grandmother’s roommate in the wake of her death and attempts to solve the mystery of whether the two women were lovers. As the Boston Globe noted of her first collection, Horrocks is a master of “wild yet delicately handled satire,” a “sprightly heartbreak” in which she is able to “mingle a note of tenderness in the desolation.” With its startling range—from Norwegian trolls to Peruvian tour guides—Life Among the Terranauts once again dazzles readers, cementing Horrocks’s reputation as one of the premier young writers of our time.

Nine months have passed since psychic Mira Tejedor last walked the halls of Anthony Faircloth's adolescent mind. All but family now, Mira is relocating to Charlotte, NC, not only for a much-needed change of scenery, but to further her burgeoning relationship with Dr. Thomas Archer. On the eve of her move, however, a new threat emerges. Young girls from every corner of Charlotte are falling catatonic, a condition eerily similar to the illness from which Mira rescued Anthony the previous fall. Mira reluctantly agrees to help Detective Calvin Sterling with the case and soon finds herself pulled into a new pair of fantasy worlds, both borne from the brilliant mind of Igor Stravinsky. In the world of The Firebird, Mira becomes the warrior Ivanovna and battles an immortal evil threatening to steal the girls' souls for all eternity. In the Russian fair from Petrushka, she assumes the role of Ballerina, one of three magical puppets who dance at the whim of a cruel Charlatan. Torn between Moor and Clown, bizarre doppelgangers of the two vastly different men in her life, and threatened at every turn by a sorcerer who craves her very essence, Mira must navigate the cruel deceptions of both worlds and win, or her life and the lives of a dozen innocents will be forfeit.

This comprehensive bibliography on William Lyon Mackenzie King, the most prominent Canadian politician in the first half of the twentieth century, will be an invaluable reference tool for researchers in archives and libraries, as well as for political scientists, historians, journalists, and book collectors. In this volume Henderson provides comprehensive lists of books, articles, and other material written by King or about him and his era, and includes a series of appendices relating to studies on King and miscellaneous material pertaining to his life and career. In addition, Henderson provides a list of unsigned articles by King that appeared in newspapers and periodicals, and of sound recordings and motion picture footage relating to him. Finally, he identifies all forewords and prefaces written by King, plays written about him, and books and poems dedicated to him.

W. L. Mackenzie King (1874-1950) was Canada’s longest-serving, best-known and certainly most unusual prime minister. The keeper of a famous series of candid personal diaries, he is a gift to the biographer. King did not live long enough to write his planned memoirs, and his official biography remains long unfinished. As a result, some 24 biographies of him have been published, with different purposes and from different perspectives. They are a study in extreme contrasts. This is a critical collective history of those works, published between 1922 and 2014.

Herb Wyile provides a comparative analysis of the historical concerns and textual strategies of twenty novels published since the appearance of Rudy Wiebe's groundbreaking The Temptations of Big Bear in 1973. Drawing on the work of theorists and critics such as Hayden White, Mikhail Bakhtin, Fredric Jameson, Linda Hutcheon, and Michel De Certeau, Speculative Fictions examines the nature of these novels' engagement with Canadian history, historiography, and the writing of historical fiction. In the 1970s and early 1980s, writers such as Wiebe, Joy Kogawa, and Timothy Findley set the stage for a predominantly postcolonial and postmodern interrogation of traditional conceptions of Canadian history, the writing of history and fiction, and the idea of nation. Through his comparative approach, Wyile emphasizes the ways in which this spirit has been sustained in more recent historical novels by Jane Urquhart, Guy Vanderhaeghe, Tom Wharton, Margaret Atwood, and others. He concludes that the writing of history in English-Canadian fiction over the last thirty years makes a substantial contribution to a revisioning of history and to a postcolonial renegotiation of Canada and Canadian society as we enter into a new century.

“Speaking in the Past Tense participates in an expanding critical dialogue on the writing of historical fiction, providing a series of reflections on the process from the perspective of those souls intrepid enough to step onto what is, practically by definition, contested territory.” — Herb Wyile, from the Introduction The extermination of the Beothuk ... the exploration of the Arctic ... the experiences of soldiers in the trenches during World War I ... the foibles of Canada’s longest-serving prime minister ... the Ojibway sniper who is credited with 378 wartime kills—these are just some of the people and events discussed in these candid and wide-ranging interviews with eleven authors whose novels are based on events in Canadian history. These sometimes startling conversations take the reader behind the scenes of the novels and into the minds of their authors. Through them we explore the writers’ motives for writing, the challenges they faced in gathering information and presenting it in fictional form, the sometimes hostile reaction they faced after publication, and, perhaps most interestingly, the stories that didn’t make it into their novels. Speaking in the Past Tense provides fascinating insights into the construction of national historical narratives and myths, both those familiar to us and those that are still being written.

A NEW YORK TIMES BESTSELLER • From the master of the novel of international intrigue comes a riveting new book as timely and unsettling as tomorrow's headlines. It is summer 1999 in Russia, a country on the threshold of anarchy. An interim president sits powerless in Moscow as his nation is wracked by famine and inflation, crime and corruption, and seething hordes of the unemployed roam the streets. For the West, Russia is a basket case. But for Igor Komarov, one-time army sergeant who has risen to leadership of the right-wing UPF party, the chaos is made to order. As he waits in the wings for the presidential election of January 2000, his striking voice rings out over the airwaves offering the roiling masses hope at last—not only for law, order, and prosperity, but for restoring the lost greatness of their land. Who is this man with the golden tongue who is so quickly becoming the promise of a Russia reborn? A document stolen from party headquarters and smuggled to Washington and London sends nightmare chills through those who remember the past, for this Black Manifesto is pure Mein Kampf in a country with frightening parallels to the Germany of the Weimar Republic. Officially the West can do nothing, but in secret a group of elder statesmen sends the only person who can expose the truth about Komarov into the heart of the inferno. Jason Monk, ex-CIA and "the best damn agent-runner we ever had," had sworn he would never return to Moscow, but one name changes his mind. Colonel Anatoli Grishin, the KGB officer who tortured and murdered four of Monk's agents after they had been betrayed by Aldrich Ames, is now Komarov's head of security. Monk has a dual mission: to stop Komarov, whatever it takes, and to prepare the way for an icon worthy of the Russian people. But he has a personal mission as well: to settle the final score with Grishin. To do this he must stay alive--and the forces allied against him are ruthless, the time frighteningly short. . . . Praise for Icon “Vintage Forsyth, intricate, exact and gripping.”—The New York Times Book Review “Another strong performance by a writer who knows exactly what he's about, and who here catalyzes narrative with another memorable protagonist, the stealthy and daring Monk.”—Publishers Weekly (starred review) “One of his best works for a long time, which provides an all-too-real look at a chilling new millennium.”—The Sunday Times, London

1974 – Charged by the Justice Department and the FBI with espionage and facing arrest in Washington, D.C., the CIA intervenes and allows the Soviets to recall Marina Kovalev known as Brenda Farber, a Soviet mole in order to avoid the embarrassment of revealing to the world that the U.S. had been duped. Now the CIA sets in motion a covert action to board the vessel returning her to the Soviet Union at its final port of call in Famagusta, Cyprus and there deal with her once and for all. As the Agency plots the slow progress of the freighter across the Atlantic and into the Eastern Mediterranean the ouzo flows and the cigarette smoke swirls in the Constantia Taverna in Famagusta. There the Agency’s hired Cypriot assassin Georgios Spyrou and his former sidekick, Manos Pavlou, who wants in on the action, debate the risks of the assignment and how best to carry it out. On the ground for the CIA is Orville Middleton, an officer under non official cover who recruits Spyrou, a former British MI6 hit man . However an hour away, in the capital city of Nicosia, and behind the closed doors of the Soviet Embassy, countermeasures are being put into play by the KGB Rezident. Suspecting the Americans intend to somehow double-cross them Kovalev is secreted off the freighter in Istanbul and flown home. But when Spyrou and Pavlou finally board the Soviet bulk freighter Komsomolets Smolensk in Famagusta they are ambushed by the forewarned crew and overpowered. From Moscow to the KGB Rezidentura comes instructions the surviving Cypriot hit man is to be transported to the Soviet Union for interrogation. Spyrou is jailed aboard the Nikolayev, an 8,500-ton Kara-class large anti-submarine warfare ship of the Soviet Navy’s Black Sea Fleet and brought to Novorossiysk. There, in the naval base town on the Black Sea, a KGB interrogator awaits. He has orders to break the Cypriot and learn about the plot while awaiting instructions from Moscow.