Igbo Cultural Heritage; A vanishing identity. The book portrays the rich cultural heritage of the Igbo people of South-eastern Nigeria, which the owners of the culture are allowing to die. The Igbo cultural heritage is as diverse as the Igbo dialects but that diversity does not in any way diminish its beauty, elegance and cultural values rather it enhances them. The Igbo artworks are exquisite and elegant and are much sought after all over the world. The Igbo-Ukwu artworks that have such exceptional quality, intricacy and elegance dates back to 9th Century, long before the contact with the Europeans. That discovery fascinated as well as puzzled the early Europeans that first made contact with the Igbo people. The Igbo cultural dances and the instruments, the masquerades dances, the festivals, the palm wine, the cuisine, the attire etc. are unique to the people and need to be preserved, protected and propagated for the world to see and enjoy.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

This fascinating work is a testament to the combination of personal insight and academic detachment which the author brought to her study of Igbo women before her death in 1998.

Ohadike (Cornell U.) examines the organization and strength of African resistance movements against European colonialism with particular reference to the small-scale communities. Annotation copyrighted by Book News, Inc., Portland, OR

This book examines an indigenous Africa-centric business model practised by the Igbos of south-eastern Nigeria for decades. The unique framework and rules of operation, collectively referred to as the Igbo-Traditional Business School (I-TBS) in this book, is underpinned by the ‘Igba-boi’ apprenticeship.

Appearing in 1966, Efuru was the first internationally published book, in English, by a Nigerian woman. Flora Nwapa (1931–1993) sets her story in a small village in colonial West Africa as she describes the youth, marriage, motherhood, and eventual personal epiphany of a young woman in rural Nigeria. The respected and beautiful protagonist, an independent-minded Ibo woman named Efuru, wishes to be a mother. Her eventual tragedy is that she is not able to marry or raise children successfully. Alone and childless, Efuru realizes she surely must have a higher calling and goes to the lake goddess of her tribe, Uhamiri, to discover the path she must follow. The work, a rich exploration of Nigerian village life and values, offers a realistic picture of gender issues in a patriarchal society as well as the struggles of a nation exploited by colonialism.