This mysterious, poetic and often amusing collection of myths illustrates the religion and thought of the West African Yoruba People.

Discover what secrets myths from twenty-one different cultures from around the world reveal about our planet in this A to Z guide. Richard Leviton has become the pre-eminent authority on sacred sites and visionary geography. Through books such as Signs on the Earth, The Emerald Modem, and The Galaxy on Earth, he has explored both the personal and universal aspects of our connection to the planet. Now he shows in Encyclopedia of Earth Myths how many of the oldest and most evocative of the world’s myths contain a secret about the Earth. They tell something vital about its make-up and history and our long-standing human relation to it. Encyclopedia of Earth Myths offers a unique blueprint for understanding world mythology. Carl Jung and Joseph Campbell tutored us in the psychological relevance of myths and the universality of their themes. Now Richard Leviton shows us how they reveal hidden clues about the Earth’s spiritual landscape. Using clairvoyance and scholarship, Leviton examines 153 mythic topics in A-Z fashion drawn from twenty-one cultures to tease out their information about Earth’s secret landscape. Each entry shows how something considered merely mythic—dragons, giants, the Minotaur, Holy Grail, Fountain of Youth, Golden Apples—actually decodes and illuminates the planet’s esoteric make-up. Whether it’s African, Tibetan, Native American, Hindu, Peruvian, Egyptian, Greek, or one of fourteen other cultures, myths of many cultures all point to the planet. It’s as if clues about the Earth’s visionary geography have been scattered in all cultures, awaiting our retrieval and decoding. Encyclopedia of Earth Myths is also a practical tutorial for a new subject: our Earth. But this is virtually a new planet we’re being introduced to here. The result is an essential reference for anyone interested in world mythology who wants to look beyond the cloak of mythic symbolism and see the world anew.

This stunning series brings together captivating stories from ancient civilizations. The stories are simply told, whilst retaining the flavour of the original myths, and are superbly illustrated by artists specially commissioned to portray key visual features from the culture the story originated in. The stories are set in context by the use of coloured panels throughout the text, highlighting further information about the characters, settings or historical context.

The African continent is home to a fascinating and strong tradition of myth, due in part to the long history of human habitation in Africa; the diversity of its geography, flora, and fauna; and the variety of its cultural beliefs. African Mythology A to Z is a readable reference to the deities, places, events, animals, beliefs, and other subjects that appear in the myths of various African peoples. For the first time, this edition features full-color photographs and illustrations.Coverage includes:

"When this book made its first appearance in 1958, it was well received by lovers of Yoruba history and culture. Indeed, the most famous scholar of the Yoruba at that time, Professor S. O. Biobaku, who encouraged the project, supplied a foreword to the first edition. The reason for reprinting this book is exactly the same reason expressed many years ago: a new generation remains ignorant of the history of their people. The central focus is the city of Ile-Ife; the author, the late J. A. Ademakinwa, was an Ife indigene. He puts the mythologies and traditions of his people to good use to speak to a host of subjects.." . . "Ademakinwa's book fulfills the goals set out by the author, conveying ideas to understand historical events within the idioms and conception of history by his own people. It links rituals with mythologies to explain events and phenomena. It explains the formation of Yoruba customs and culture in combination with traditional accounts that tell us about Yoruba history and culture. The book deals primarily with a past that is no more, that very distant time not covered by scientific explanations but by mythologies. In this sense, the myths are valid within the rubric of traditional stories. The book can be enjoyed at multiple levels: as the history of Ife and the Yoruba; as a body of impressive myths about the past; and as the memory of a different age." -Toyin Falola University Distinguished Teaching Professor Jacob and Frances Sanger Mossiker Chair in the Humanities The University of Texas at Austin (From the New Foreword) ABOUT THE AUTHOR J. A. Ademakinwa is believed to have been born in Ile-Ife sometime in 1894 according to the Yoruba traditional method of age calculation in the absence of official birth registry records. He was among the earliest Ife indigenes to embrace the Christian faith. As a result of this conversion, he was admitted to the CMS Primary School, Aiyegbaju, Ile-Ife. His brilliant performance at the school earned him a scholarship to the prestigious St. Andrew's College, Oyo from where he graduated in 1918. Upon graduation, he taught in several schools in the Old Western Region of Nigeria before moving to Lagos in 1928 where he continued his teaching career and eventually retired. During a teaching tenure at Ijebu-Ode, he met a fellow teacher and an indigene of the town, Victoria Abosede Oluyemi-Wright whom he later married in Lagos in 1930. The union was blessed with six children. J. A. Ademakinwa was one of the founding members of the Yoruba Research Council. Between the early 1940s and late 1960s, he was a regular contributor to major Lagos-based newspapers as well as Radio programs. He was also the author of The History of St. Andrew's College, Oyo and The History of Christ Apostolic Church (both written in Yoruba language).

Embarking on an ethnographic journey to the inner barrios of Havana among practitioners of Ifá, a prestigious Afro-Cuban tradition of divination, Truth in Motion reevaluates Western ideas about truth in light of the practices and ideas of a wildly different, and highly respected, model. Acutely focusing on Ifá, Martin Holbraad takes the reader inside consultations, initiations, and lively public debates to show how Ifá practitioners see truth as something to be not so much represented, as transformed. Bringing his findings to bear on the discipline of anthropology itself, he recasts the very idea of truth as a matter not only of epistemological divergence but also of ontological difference—the question of truth, he argues, is not simply about how things may appear differently to people, but also about the different ways of imagining what those things are. By delving so deeply into Ifá practices, Truth in Motion offers cogent new ways of thinking about otherness and how anthropology can navigate it.

This volume looks at some of the popular myths of Africa and discusses their role in the culture and the values they reflect. The book also touches on how hip-hop music has its roots in African mythology. Readers will learn about creation myths, and the role of spirits and magic in African mythology and lore.

How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual and knowledge shape politics, history, and resistance against the state. Focusing on "deep" knowledge in Yoruba cosmology as an interpretive space for configuring difference, Andrew Apter analyzes ritual empowerment as an essentially critical practice, one that revises authoritative discourses of space, time, gender, and sovereignty to promote political—-and even violent—-change. Documenting the development of a Yoruba kingdom from its nineteenth-century genesis to Nigeria's 1983 elections and subsequent military coup, Apter identifies the central role of ritual in reconfiguring power relations both internally and in relation to wider political arenas. What emerges is an ethnography of an interpretive vision that has broadened the horizons of local knowledge to embrace Christianity, colonialism, class formation, and the contemporary Nigerian state. In this capacity, Yoruba òrìsà worship remains a critical site of response to hegemonic interventions. With sustained theoretical argument and empirical rigor, Apter answers critical anthropologists who interrogate the possibility of ethnography. He reveals how an indigenous hermeneutics of power is put into ritual practice—-with multiple voices, self-reflexive awareness, and concrete political results. Black Critics and Kings eloquently illustrates the ethnographic value of listening to the voice of the other, with implications extending beyond anthropology to engage leading debates in black critical theory.

Informed by the documentation of journals and letters of the time, this book offers a detailed view of the day-to-day religion and life of "orisha" worshippers in West Africa around the mid-nineteenth century, before the advent of colonial rule.

Examines the myths and beliefs of Sub-Saharan Africa.